Gio Swaby

Accompanied by a traveling exhibition, this book on the Bahamian artist’s textile portraits serves as a love letter to Black women: their style, strength, vulnerabilities, and beauty. This debut of the 29-year-old Bahamian-born artist aims to redefine the often-politicized Black body, with portraits made in a range of textile-based techniques, such as embroidery and appliqué, celebrating Black women. Gio Swaby’s intimate portraits are unique, highly personal figurative works made from an array of colorful fabrics and intricate, freehand lines of thread on canvas that explore the intersections of Blackness and womanhood. Illustrated with 80 works in full color that span from 2017 to 2021, this is the first book on this contemporary feminist artist who is a rising star in the world of textiles and portraiture. According to Swaby, “I wanted to create a space where we could see ourselves reflected in a moment of joy, celebrated without expectations, without connected stereotypes.” Writers and scholars with multiple points of view take on Swaby’s work and delve into her place within contemporary Black art.

A creative and beautiful book packed with inspiring ideas to help you capture likenesses and explore personalities in stitch, from a well-loved textile artist. Anne Kelly's evocative and nostalgic work often incorporates portraits – of friends, family, historical figures and even pets. Within these pages she shares her approach to textile portraiture, bringing in a wealth of different embroidery techniques, including hand and machine embroidery, quilting and appliqué, to render in cloth the nuances of facial expressions and the personalities of her subjects. The book covers: • Selfies at Home: making the perfect self-portrait in cloth. • Representation and Culture: how portraits have been used in textile art for cultural expression around the world. • Stylized Imagery: going beyond the traditional portrait into abstraction. • Place and Time: creating a sense of place with portraiture, sometimes incorporating photographs. • Narratives: how to create a fuller story using deeply personal ephemera and related imagery. • Pet Projects: immortalising your pets in your textile work. Beautifully illustrated with stunning examples of her own work and that of intriguing textile artists who specialise in portraiture from around the world, this is the ideal book for embroiderers and textile artists who want to introduce this often tricky subject area into their work.

An affirming resource for leaders and practitioners forwarding diversity, equity, and inclusion efforts on campus. In Restorative Resistance in Higher Education, diversity researcher and educator Richard J. Reddick shares the wisdom gained from three decades of diversity, equity, and inclusion (DEI) work in educational settings. Reddick centers DEI efforts as challenging yet essential components of college life, recognizing campus environments not just as mirrors reflecting societal values and biases but also as crucibles for social change. Creating a more equitable college campus, Reddick argues, is a complex task that should be met by all members of the university community. He discusses many measures that promote wider involvement, including campus cultural orientations, professional development for faculty and staff, and frameworks to help institutional leaders respond to inequity and exclusion on campus. Delivering a trove of best practices for equity advancement, Reddick offers DEI professionals, and all members of the higher education community, the tools to engage in the work on professional, academic, and personal levels. He advocates developmental relationships such as mentoring, role modeling, and coaching as a means for historically marginalized students to access hidden educational pathways. He also encourages frank discussion of the social and emotional tax on persons who participate in or lead work on these highly charged issues. Throughout this crucial work, Reddick emphasizes the importance of restorative and sustaining approaches: those that promote practitioner well-being and challenge unjust structures.

#1 NATIONAL BESTSELLER NEW YORK TIMES BESTSELLER Six summers to fall in love. One moment to fall apart. A weekend to get it right. They say you can never go home again, and for Persephone Fraser, ever since she made the biggest mistake of her life a decade ago, that has felt too true. Instead of spending summers in cottage country, on the glittering lakeshore of her childhood, she stays in a stylish apartment in Toronto, keeping everyone a safe distance from her heart. Until Percy receives the call that sends her racing back to Barry’s Bay and into the orbit of Sam Florek—the man she never thought she’d have to live without. For six summers during their youth, through hazy afternoons on the water and warm nights working in his family’s restaurant, Percy and Sam had been inseparable. And when Percy returns to the lake, their connection is as undeniable as it had always been. But until she can confront the decisions she made, they’ll never know whether their love is bigger than the biggest mistakes of their past. Told over the course of six years in the past and one weekend in the present, Every Summer After is a gorgeously romantic look at love and the people and choices that mark us forever.

Emma Dawson and Logan Reynolds have been neighbors and enemies for as long as either one can remember. Despite the fact their BFF fathers have been encouraging them their whole lives to be friends, they've managed to avoid each other at all costs. Emma thinks Logan is a callous jerk who cares about nobody but himself. Logan thinks Emma is a stuck-up goody-two-shoes with no life. The two couldn't be any more different...which is why Emma is so confused when the Emerson High Computer Club's "Summer Fling Compatibility Test" concludes they're a perfect match. But Logan's not confused. He lied on the test to make his "sometimes girlfriend" think they're not meant to be and now Emma is furious that he made her lose out on the chance of having a swoony summer romance with the perfect guy. Forced by his stepmother to make it up to her, Logan decides to help her win the heart of her lifelong crush: his best friend, Matt. He knows how much of a challenge this will be. Matt is good-looking, popular and outgoing. Emma is quiet, bookwormish, and scared of everything. However, Logan is convinced that with some major tweaking, he can transform Emma into someone Matt could fall for. But as the summer heats up, so does their budding friendship... and soon, they may be faced with the biggest challenge of all: falling for each other.

A beautifully illustrated look at the work of one of today’s most unique and exciting artists Bisa Butler (b. 1973) is an American artist who creates arresting and psychologically nuanced portraits composed entirely of vibrantly colored and patterned fabrics that she cuts, layers, and stitches together. Often depicting scenes from African American life and history, Butler invites viewers to invest in the lives of the people she represents while simultaneously expanding art-historical narratives about American quiltmaking. Situating her interdisciplinary work within the broader history of textiles, photography, and contemporary art, contributions by a group of scholars—and entries by the artist herself—illuminate Butler’s approach to color, use of African-print fabrics, and wide-ranging sources of inspiration. Offering an in-depth exploration of one of America's most innovative contemporary artists, this volume will serve as a primary resource that both introduces Butler’s work and establishes a scholarly foundation for future research.

One of Kirkus Review's Best Books About Being Black in America "Powerful... Calling for Black women (in and out of the public eye) to be treated with empathy, Blay’s pivotal work will engage all readers, especially fans of Mikki Kendall’s Hood Feminism." —Kirkus (Starred) An empowering and celebratory portrait of Black women—from Josephine Baker to Aunt Viv to Cardi B. In 2013, film and culture critic Zeba Blay was one of the first people to coin the viral term #carefreeblackgirls on Twitter. As she says, it was “a way to carve out a space of celebration and freedom for Black women online.” In this collection of essays, Carefree Black Girls, Blay expands on this initial idea by delving into the work and lasting achievements of influential Black women in American culture--writers, artists, actresses, dancers, hip-hop stars--whose contributions often come in the face of bigotry, misogyny, and stereotypes. Blay celebrates the strength and fortitude of these Black women, while also examining the many stereotypes and rigid identities that have clung to them. In writing that is both luminous and sharp, expansive and intimate, Blay seeks a path forward to a culture and society in which Black women and their art are appreciated and celebrated.

A timely collection of deeply personal, uplifting, and powerful essays that celebrate the redemptive strength of Black joy--in the vein of Black Girls Rock, You Are Your Best Thing, and I Really Needed This Today. When Tracey M. Lewis-Giggetts wrote an essay on Black joy for The Washington Post, she had no idea just how deeply it would resonate. But the outpouring of responses affirmed her own lived experience: that Black joy is not just a weapon of resistance, it is a tool for resilience. With this book, Tracey aims to gift her community with a collection of lyrical essays about the way joy has evolved, even in the midst of trauma, in her own life. Detailing these instances of joy in the context of Black culture allows us to recognize the power of Black joy as a resource to draw upon, and to challenge the one-note narratives of Black life as solely comprised of trauma and hardship. Black Joy is a collection that will recharge you. It is the kind of book that is passed between friends and offers both challenge and comfort at the end of a long day. It is an answer for anyone who needs confirmation that they are not alone and a brave place to quiet their mind and heal their soul.