Given Up For Dead

A gripping narrative of unprecedented valor and personal courage, here is the story of the first American battle of World War II: the battle for Wake Island. Based on firsthand accounts from long-lost survivors who have emerged to tell about it, this stirring tale of the “Alamo of the Pacific” will reverberate for generations to come. On December 8, 1941, just five hours after the bombing of Pearl Harbor, Japanese planes attacked a remote U.S. outpost in the westernmost reaches of the Pacific. It was the beginning of an incredible sixteen-day fight for Wake Island, a tiny but strategically valuable dot in the ocean. Unprepared for the stunning assault, the small battalion was dangerously outnumbered and outgunned. But they compensated with a surplus of bravery and perseverance, waging an extraordinary battle against all odds. When it was over, a few hundred American Marines, sailors, and soldiers, along with a small army of heroic civilian laborers, had repulsed enemy forces several thousand strong––but it was still not enough. Among the Marines was twenty-year-old PFC Wiley Sloman. By Christmas Day, he lay semiconscious in the sand, struck by enemy fire. Another day would pass before he was found—stripped of his rifle and his uniform. Shocked to realize he hadn’t awakened to victory, Sloman wondered: Had he been given up for dead—and had the Marines simply given up? In this riveting account, veteran journalist Bill Sloan re-creates this history-making battle, the crushing surrender, and the stories of the uncommonly gutsy men who fought it. From the civilians who served as gunmen, medics, and even preachers, to the daily grind of life on an isolated island—literally at the ends of the earth—to the agony of POW camps, here we meet our heroes and confront the enemy face-to-face, bayonet to bayonet.

In December 1944, the Ardennes Forest on the German-Belgium border was considered a "quiet" zone where new American divisions, fresh from the States, came to get acclimated to "life at the front." No one in Allied headquarters knew that the Ardennes had been personally selected by Hitler to be the soft point through which over 250,000 men and hundreds of Panzers would plunge in the Third Reich's last-gasp attempt to split the Americans and British armies and perhaps win a negotiated peace in the West. When the Germans crashed through American lines during what became known as the "Battle of the Bulge," in December 1944, thousands of stunned American soldiers who had never before been in combat were taken prisoner. Most were sent to prisoner-of-war camps, where their treatment was dictated by the Geneva Convention and the rules of warfare. For an unfortunate few - mostly Jewish or other "ethnic" GIs - a different fate awaited them. Taken first to Stalag 9B at Bad Orb, Germany, 350 soldiers were singled out for "special treatment," segregated from their buddies, and transported by unheated railroad boxcars with no sanitary facilities on a week-long journey to Berga-an-der-Elster, a picturesque village 50 miles south of Leipzig. Awaiting them at Berga was a sinister slave-labor camp bulging with 1,000 inmates. The incarceration at Berga is the only known instance of captured American soldiers being turned into slave laborers at a Nazi concentration camp. Given Up for Dead is the story of their survival. For over three months, the American soldiers worked under brutal, inhuman conditions, building tunnels in a mountainside for the German munitions industry. The prisoners had no protective masks or clothing; were worked for 12 hours per shift with no food, water, or rest; were beaten regularly for the most minor infractions (or none at all); were fed only starvation rations; slept two to a bed in ghastly, lice-infested bunks; and were never allowed a bath or a change of clothing. Of the 350 GIs in the original contingent, 70 of them died within the first two months at Berga; the others struggled to survive in a living nightmare. As the Allies' front lines moved inexorably closer to Berga, the Nazi guards forced the inmates to endure a death march as a way of keeping them from being liberated; many died along the route. Only the timely arrival of an American armored division at war's end saved them all from certain death. Strangely, when the war was over, many of the Americans who had survived Berga were required to sign a "security certificate" which forbade them from ever disclosing the details of their imprisonment at Berga. Until recent years, what had happened to the American soldiers at Berga has been a closely guarded secret.

Annie Cory is a woman in love but also a feisty detective on a mission to solve a peculiar case involving—diamond, murder and of course villains!_x000D_ Excerpt:_x000D_ "Confound that upset! I shall be two minutes behind time—I wish I had walked all the way, instead of trusting to the supposed extra speed of a 'bus, when the streets are so slippery that horses cannot keep their feet." Thus soliloquised Harley Riddell, ruefully, as he hurriedly picked his way through the somewhat aggressive conglomeration of wagons, hansoms, 'buses and fourwheelers, which threatened to still further belate his arrival at the establishment of his employers, Messrs. Stavanger, Stavanger and Co., diamond merchants, of Hatton Garden..."

Perhaps only someone who has worked for almost a decade as a medic in New York City's Hell's Kitchen--as Joe Connelly has--could write a novel as riveting and fiercely authentic as Bringing Out the Dead. Like a front-line reporter, Connelly writes from deep within the experience, and the result is a debut novel of extraordinary power and intensity. In Frank Pierce, a brash EMS medic working the streets of Hell's Kitchen, Connelly gives us a man who is being destroyed by the act of saving people. Addicted to the thrill ("the best drug in the world") and the mission of the job, Frank is nevertheless drowning in five years' worth of grief and guilt--his own and others': "my primary role was less about saving lives than about bearing witness." His wife has left him, he's drinking on the job, and just a month ago he "helped to kill" an eighteen-year-old asthmatic girl. Now she's become the waking nightmare of all his failures: hallucination and projection ("the ghosts that once visited my dreams had followed me out to the street and were now talking back"), and as real to him as his own skin. And in reaction to her death, Frank has desperately resurrected a patient back into a life now little better than death. In a narrative that moves with the furious energy of an ambulance run, we follow Frank through two days and nights: into the excitement and dread of the calls; the mad humor that keeps the medics afloat; the memories, distant and recent, through which Frank reminds himself why he became a medic and tries, in vain, to convince himself to give it up. And we are with him as he faces his newest ghost: the resurrected patient, whose demands to be released into death might be the most sensible thing Frank has heard in months, if only he would listen. Bringing Out the Dead is a stunning novel.

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

THE FINAL NOVEL IN THE #1 NEW YORK TIMES BESTSELLING SOOKIE STACKHOUSE SERIES—the inspiration for the HBO® original series True Blood. When a shocking murder rocks the small town of Bon Temps, Louisiana, psychic cocktail waitress Sookie Stackhouse learns that she has more than one enemy waiting to get vengeance for the past. Beacuse nothing is ever clear-cut in Bon Temps. What passes for truth is only a convenient lie. What passes for justice is more spilled blood. And what passes for love is never enough...

"Given Up for Dead" is the gripping, true story of America's first World War II battle--a rarely reported test of wills that erupted just five hours after the bombing of Pearl harbor. Two 8-page photo inserts.

"A seafaring adventure featuring Charles Hayden, continuing the series that began with UNDER ENEMY COLORS, A BATTLE WON, and TAKE, BURN OR DESTROY"--