Glamorous Sorcery

"Through the analysis of magic as a metaphor for the mysterious workings of writing, Glamorous Sorcery sheds light on the power attributed to language in shaping perceptions of the world and conferring status." "David Rollo considers a series of texts produced in England and the Angevin Empire to reassess the value and nature of literacy in the High Middle Ages. He does this by scrutinizing metaphors that represent writing as a form of sorcery or magic in Latin texts and in the work of the Old French writer Benoit de Sainte-Maure. Rollo then examines the ambiguous representation of literacy as a skill that can be exploited as a commodity." "Glamorous Sorcery demonstrates how closely interconnected certain types of vernacular and Latin writing were in this period. Uncovered through a series of illuminating, incisive, and often surprising close readings, these connections give us a new, more complex appraisal of the relationship between literacy, social status, and political power in a time and place in which various languages competed for cultural sovereignty - at a critical juncture in the cultural history of the West."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The Routledge History of Medieval Magic brings together the work of scholars from across Europe and North America to provide extensive insights into recent developments in the study of medieval magic between c.1100 and c.1500. This book covers a wide range of topics, including the magical texts which circulated in medieval Europe, the attitudes of intellectuals and churchmen to magic, the ways in which magic intersected with other aspects of medieval culture, and the early witch trials of the fifteenth century. In doing so, it offers the reader a detailed look at the impact that magic had within medieval society, such as its relationship to gender roles, natural philosophy, and courtly culture. This is furthered by the book’s interdisciplinary approach, containing chapters dedicated to archaeology, literature, music, and visual culture, as well as texts and manuscripts. The Routledge History of Medieval Magic also outlines how research on this subject could develop in the future, highlighting under-explored subjects, unpublished sources, and new approaches to the topic. It is the ideal book for both established scholars and students of medieval magic.

The most recent research in matters Arthurian, by leading scholars in the field.

A revised and expanded edition of this fascinating interdisciplinary study of magic in the Middle Ages.

Magic and Medieval Society presents a thematic approach to the topic of magic and sorcery in Western Europe between the eleventh and the fifteenth century. It aims to provide readers with the conceptual and documentary tools to reach informed conclusions as to the existence, nature, importance and uses of magic in medieval society. Contrary to some previous approaches, the authors argue that magic is inextricably connected to other areas of cultural practice and was found across medieval society. Therefore, the book is arranged thematically, covering topics such as the use of magic at medieval courts, at universities and within the medieval Church itself. Each chapter and theme is supported by additional documents, diagrams and images to allow readers to examine the evidence side-by-side with the discussions in the chapters and to come to informed conclusions on the issues. This book puts forward the argument that the witch craze was not a medieval phenomenon but rather the product of the Renaissance and the Reformation, and demonstrates how the components for the early-modern prosecution of witches were put into place. This new Seminar Study is supported by a comprehensive documents section, chronology, who’s who and black-and-white plate section. It offers a concise and thought-provoking introduction for students of medieval history.

Helen L. Parish presents an innovative new study of Reformation attitudes to medieval Christianity, revealing the process by which the medieval past was rewritten by Reformation propagandists. This fascinating account sheds light on how the myths and legends of the middle ages were reconstructed, reinterpreted, and formed into a historical base for the Protestant church in the sixteenth century. Crossing the often artificial boundary between medieval and modern history, Parish draws upon a valuable selection of writings on the lives of the saints from both periods, and addresses ongoing debates over the relationship between religion and the supernatural in early modern Europe. Setting key case studies in a broad conceptual framework, Monks, Miracles and Magic is essential reading for all those with an interest in the construction of the Protestant church, and its medieval past.

From the fourteenth-century Sir Gawain and the Green Knight to In Parenthesis – an epic poem written in 1937 by painter and poet David Jones – English writers have looked to romance as a resource and a strategy to expand the imaginary reach of their writing. Rethinking the resilience, purpose, and place of romance in English literature, Timely Voices discusses moments that have altered how we read and interpret this ever-changing form. Addressing the various ways in which romance has absorbed and been absorbed by drama, prose, and poetry, contributors to this volume demonstrate that romance texts do not produce something defined or confined by a static genre, but rather express a repository of creative possibilities. Covering writers including the anonymous author of Sir Orfeo, Jane Austen, Geoffrey of Monmouth, Lucy Hutchinson, William Morris, Philip Sidney, William Shakespeare, and Edmund Spenser, essays explore the magic and wonder of romance, Irish and Gaelic lore, how woodcuts in early books complement and extend printed text, how romance was dramatized, how it gives language to feminist politics and ideology, and how it becomes a counterpoint to finance in the fiction of the early Romantic period. A nuanced reinterpretation of romance in its own terms, Timely Voices inspires new appreciation of this form as a solution to textual, aesthetic, structural, ideological, and political problems in literature.

A thousand years before Isaac Asimov set down his Three Laws of Robotics, real and imagined automata appeared in European courts, liturgies, and literary texts. Medieval robots took such forms as talking statues, mechanical animals, and silent metal guardians; some served to entertain or instruct while others performed disciplinary or surveillance functions. Variously ascribed to artisanal genius, inexplicable cosmic forces, or demonic powers, these marvelous fabrications raised fundamental questions about knowledge, nature, and divine purpose in the Middle Ages. Medieval Robots recovers the forgotten history of fantastical, aspirational, and terrifying machines that captivated Europe in imagination and reality between the ninth and fourteenth centuries. E. R. Truitt traces the different forms of self-moving or self-sustaining manufactured objects from their earliest appearances in the Latin West through centuries of mechanical and literary invention. Chronicled in romances and song as well as histories and encyclopedias, medieval automata were powerful cultural objects that probed the limits of natural philosophy, illuminated and challenged definitions of life and death, and epitomized the transformative and threatening potential of foreign knowledge and culture. This original and wide-ranging study reveals the convergence of science, technology, and imagination in medieval culture and demonstrates the striking similarities between medieval and modern robotic and cybernetic visions.