God In The Street

What do God and the Caped Crusader have in common? While Batman is a secular superhero patrolling the fictional streets of Gotham City, the Caped Crusader is one whose story creates multiple opportunities for believers to talk about the redemptive spiritual truths of Christianity. While the book touches on Batman’s many incarnations over the last 70 years in print, on television, and at the local Cineplex for the enjoyment of Batman fans everywhere, it primarily focuses on Christopher Nolan’s two wildly popular and critically acclaimed movies—movies that not only introduced a new generation to a darker Batman, but are also loaded with spiritual meaning and redemptive metaphors.

City of God is a moving, prophetic account of the divine in daily life. It tells the story of one day in Sara’s ministry: Ash Wednesday, when she carries ashes out of church to public places. Sara explores the profound meanings set loose by touching the forehead of a stranger and paints an unforgettable picture of the search for God all around us.

In the fast changing culture of antebellum New York, writers of every stripe celebrated "the City" as a stage for the daily urban encounter between the familiar and the inexplicable. Probing into these richly varied texts, Hans Bergmann uncovers the innovations in writing that accompanied the new market society— the penny newspapers' grandiose boastings, the poetic catalogues of Walt Whitman, the sentimental realism of charity workers, the sensationalism of slum visitors, and the complex urban encounters of Herman Melville's fiction. The period in which New York, the city itself, became firmly established as a subject invented a literary form that attempts to capture the variety of the teeming city and theflaneur, the walking observer. But Bergmann does not simply lead a parade of images and themes; he explores the ways in which these observers understood what was happening around them and to them, always attentive to class struggle and race and gender issues.God in the Streetshows how the penny press and Whitman's New York poetry create a new mass culture hero who interprets and dignifies the city's confusions. New York writers, both serious and sensationalist, meditate upon street encounters with tricksters and confidence-men and explore the meanings of encounters. Melville's "Bartleby, the Scrinever" underlines the unrelenting isolation and inability to control the interpreter. Bergmann reinterprets Melville'sThe Confidence Manas an example of how a complex literary form arises directly from its own historical materials and is itself socially symbolic. Bergmann sees Melville as special because he recognizes his inability to make sense of the surface of chaotic images and encounters. In mid-century New York City, Melville believes God is in the street, unavailable and unrecognizable, rather than omnipresent and guiding. Author note:Hans Bergmannis Professor of English and Cultural Studies at George Mason University.

"The world of hip-hop is saturated with religion, but often this element is glossed over as secondary to hip-hop's other dimensions. In Street Scriptures, Alejandro Nava focuses our attention on this relationship in a fresh way, combining his profound love of hip-hop, his passion for racial and social justice, and his deep theological knowledge. The result is a journey through hip-hop's deep entanglement with the sacred. Street Scriptures examines the reasons behind the rise of a religious heartbeat in hip-hop, looking at the crosscurrents of the sacred and profane in rap, reggaeton, and Latinx hip-hop today. Ranging from Nas, Kendrick Lamar, Chance the Rapper, Lauryn Hill, and Cardi B to St. Augustine and William James, Nava examines the ethical-political, aesthetic-spiritual, and prophetic in hip-hop, probing the pure sonic and aesthetic signatures of music, while also diving deep into the voices that invoke the spirit of protest"--

This is the sequel to The Street God. A story of a young boy, a product of his environment, who started a journey with many ups and downs in the city of Cleveland. He, like every human being was molded subconsciously by his childhood experiences and surroundings. Some people are conditioned within schools, gymnasiums and colleges to form their futures and provide them with skills to survive. No man will starve willingly. Sp if poverty, prison and the streets have conditioned him to produce what he needs - he will always return to his skills - "The Hustle." -Street God

This is a story about a small boy who started out as an innocent child raised by his grandmother in one of Cleveland's worst neighborhoods (East 93rd).As you read the uncut, unedited comeback story it will help you understand up close how easily; environments and life experiences can shape and mold a harmless, impoverished child into a violent outlaw, without any regard for authority or mercy for a human being."I used every obstacle as a lesson and became king of the jungle and managed to escape on top. It was a time in my life when I thought it was over, that was The Beginning."- The Street God

It has been the home to priests and prostitutes, poets and spies. It has been the stage for an improbable flirtation between an Israeli girl and a Palestinian boy living on opposite sides of the barbed wire that separated enemy nations. It has even been the scene of an unsolved international murder. This one-time shepherd's path between Jerusalem and Bethlehem has been a dividing line for decades. Arab families called it "al Mantiqa Haram." Jewish residents knew it as "shetach hefker." In both languages, in both Israel and Jordan, it meant the same thing: "the Forbidden Area." Peacekeepers that monitored the steep fault line dubbed it "Barbed Wire Alley." To folks on either side of the border, it was the same thing: A dangerous no-man's land separating warring nations and feuding cultures in the Middle East. The barbed wire came down in 1967. But it was soon supplanted by evermore formidable cultural, emotional and political barriers separating Arab and Jew. For nearly two decades, coils of barbed wire ran right down the middle of what became Assael Street, marking the fissure between Israeli-controlled West Jerusalem and Jordanian-controlled East Jerusalem. In a beautiful narrative, Dion Nissenbaum's A Street Divided offers a more intimate look at one road at the heart of the conflict, where inches really do matter.

But in one terrifying moment, with a gun pointed at his head, Dimas had to decide: How far would he go? Was he finished taking reckless chances to rule as a god of the streets? Would he dare to entrust his life to the real God--an even riskier path? Because that God would send Dimas back down the darkest streets hed ever known on a rescue mission after those still in danger.