God Morality And Beauty

Randall B. Bush analyzes the ways unacknowledged axiological assumptions (e.g., about what is important, why human beings are valuing creatures, and where the capacity to value comes from) prejudice the perspectives and approaches of various academic disciplines, especially in the social sciences and the humanities. The disciplines of ethics and aesthetics provide the most useful tools for a philosophy of value, but academic overspecialization has compartmentalized and segregated these disciplines from others, threatening to unravel the unity of conceptions of the moral and the beautiful in human existence. Bush argues that a dialectical approach to conflicts between ethics and aesthetics can point to a broader, axiological vision––informed by a Trinitarian conception of reality––in which the whole, a coherent theory of value, is more than the sum of its parts.

Is morality dependent upon belief in God? Is there more than one way for Christians to understand the nature of morality? Is there any agreement between Christians and atheists or agnostics on this heated issue? In God and Morality: Four Views four distinguished voices in moral philosophy ariticulate and defend their place in the current debate between naturalism and theism. Christian philosophers, Keith Yandell and Mark Linville and two self-identified atheist/agnostics, Evan Fales and Michael Ruse clearly and honestly represent their differing views on the nature of morality. Important differences as well as areas of overlap emerge as each contributor states their case, receives criticism from the others and responds. Of particular value for use as an academic text, these four essays and responses, covering the naturalist moral non-realist, naturalist moral realist, moral essentialist and moral particularist views, will foster critical thinking and contribute to the development of a well-informed position on this very important issue.

Today's message of cultural acceptance is dangerously distorted and deceptive. In a world that shouts: 'If you truly care about other people, you must agree that their beliefs, values, lifestyle, and truth claims are equal and as valid as yours!' it's no wonder our youth are confused. The Beauty of Intolerance-brand-new from Josh McDowell with son Sean McDowell-cuts through the confusion and points readers back to the place where the only truth resides...Jesus Christ. Tied directly to the Heroic Truth initiative launched by the Josh McDowell Ministry, the McDowells will share how a biblical view of truth can counter cultural tolerance and encourage a love and acceptance of others apart from their actions with a heart of Christlike compassion.

Al-Ghazālī and the Idea of Moral Beauty rethinks the relationship between the good and the beautiful by considering the work of eleventh-century Muslim theologian Abū Ḥāmid al-Ghazālī (d. 1111). A giant of Islamic intellectual history, al-Ghazālī is celebrated for his achievements in a wide range of disciplines. One of his greatest intellectual contributions lies in the sphere of ethics, where he presided over an ambitious attempt to integrate philosophical and scriptural ideas into a seamless ethical vision. The connection between ethics and aesthetics turns out to be a signature feature of this account. Virtue is one of the forms of beauty, and human beings are naturally disposed to respond to it with love. The universal human response to beauty in turn provides the central paradigm for thinking about the love commanded by God. While al-Ghazālī’s account of divine love has received ample attention, his special way of drawing the good into relation with the beautiful has oddly escaped remark. In this book Sophia Vasalou addresses this gap by offering a philosophical and contextual study of this aspect of al-Ghazālī’s ethics and of the conception of moral beauty that emerges from it. This book will be of interest to scholars and students in Islamic ethics, Islamic intellectual history, and the history of ethics.

This illuminating analysis of Jonathan Edwards' philosophical-theological-ethical program focuses on his concept of beauty as our central clue to the nature of reality and the life of God. Delattre shows that beauty not only provides Edwards with a model for the manner of divine governance but operates throughout his thought as both the goal and means of redemption. Essential to his understanding of the operation of beauty as the law of moral order is Edwards' aesthetic/affectional model of the self, which corresponds to his aesthetic articulation of the system of being and good. Thus the distinguishing mark of Edwards' theology--his elevation to centrality of both the primary beauty of being's cordial consent to being and the secondary beauty of harmony and proportion--is shown to be the key to his interpretation of the dynamics of the moral and spiritual life.

We are meant for beauty, and beauty is meant for us What we moderns have forgotten, the ancients knew well: true beauty heals the soul, draws us to God, and yields lasting happiness. Rich with the wisdom of Plato, Augustine, Aquinas, and St. John Paul II, these pages unpack perennial truths about beauty and rivet them into your soul, opening the eyes of your understanding to the beauty all around us. Offering an abundance of accessible examples, author John Mark Miravalle demonstrates that beauty is neither in the eye of the beholder, nor for the cultivated, the dreamer, or the “hopeless romantic” alone. On the contrary, the ability to understand, recognize, and delight in beauty readies all souls for heaven—and makes it easier for us to get there. From these pages, you’ll learn: • Why beauty is not just a matter of opinion • The virtues we need to perceive beauty and to enjoy it • How to determine whether an artwork is truly beautiful • The respective roles of reason and emotion in appreciating beauty • How the beauty of nature testifies to God’s existence . . . while rejection of God obscures nature’s beauty With the help of these pages, you’ll receive fresh eyes to marvel again (or for the first time) at the beauty of nature, music, art, architecture, and, most importantly, the beauty of God, the fountainhead and exemplar of all things on earth that are beautiful.

'Aesthetics' and 'theological aesthetics' usually imply a focus on questions about the arts and how faith or religion relates to the arts; only the final pages of this work take up that problem. The central theme of this book is that of beauty. Farley employs a new typology of western texts on beauty and a theological analysis of the image of God and redemption to counter the centuries-long tendency to ignore or marginalize beauty and the aesthetic as part of the life of faith. Studying the interpretation of beauty in ancient Greece, eighteenth-century England, the work of Jonathan Edwards, and nineteenth and twentieth-century philosophies of human self-transcendence, the author explores whether Christian existence, the life of faith, and the ethical exclude or require an aesthetic dimension in the sense of beauty. The work will be of particular interest to those interested in Christian theology, ethics, and religion and the arts.

For most of the last century the methodology of art history has followed a positivist approach, emphasizing form and style, fact and history as the means of studying works of art. By contrast the philosophical pursuit of truth, once central to the fine arts and humanities has largely been abandoned. In For The Love of Beauty, Arthur Pontynen offers a searching and ambitious critique of modern aesthetic practice that aims to restore the pursuit of the knowledge of reality--Being--to its rightful place.Pontynen begins by addressing the question of why the pursuit of truth (be it called Dao, Dharma, God, Logos, Ideal, etc.) is no longer acceptable in academic circles even though it has been intrinsic to the purpose of art at most times and in most cultures. Lacking the pursuit of truth, of some degree of knowledge of what is true and good, the humanities necessarily lack intellectual and cultural grounding and purpose. Fields of study such as philosophy, music, art, and history are therefore trivialized and brutalized. Pontynen's focus on the study of the visual arts details the how the denial of purpose and quality in modernist and postmodernist aesthetics has denied art any possibility of transcending entertainment, therapy, or propaganda.In place of the established narratives, Pontynen offers a counter-narrative based on a cross-cultural pursuit of the good, the true, and the beautiful. He recognizes that substantively different cultural traditions exist and that the truth claims of each may be valid in whole or in part. He shows how the history of art parallels the intellectual history of Western culture and how these parallels affect both aesthetics and ethics. Pontynen engages with those elements of modernist and postmodernist thought that might be true. His purpose is not simply to deny their validity but to engage a viewpoint that does not privilege the notion of a purposeless cosmos. For the Love of Beauty will be of interest