Goddess Traditions In India

This book on the Tripurārahasya, a South Indian Sanskrit work which occupies a unique place in the Śākta literature, is a study of the Śrīvidyā and Śākta traditions in the context of South Indian intellectual history in the late middle ages. Associated with the religious tradition known as Śrīvidyā and devoted to the cult of the Goddess Tripurā, the text was probably composed between the 13th and the 16th century CE. The analysis of its narrative parts addresses questions about the relationships between Tantric and Purāṇic goddesses. The discussion of its philosophical and theological teachings tackles problems related to the relationships between Sākta and Śaiva traditions. The stylistic devices adopted by the author(s) of the work deal uniquely with doctrinal and ritual elements of the Śrīvidyā through the medium of a literary and poetic language. This stylistic peculiarity distinguishes the Tripurārahasya from many other Tantric texts, characterized by a more technical language. The book is intended for researchers in the field of Asian Studies, Indology, Philosophical, Theological or Religious Studies, Hindu Studies, Tantric Studies and South Asian Religion and Philosophy, in particular those interested in Śākta and Śaiva philosophic-religious traditions.

Hinduism cannot be understood without the Great Goddess and the goddess-orientated Śākta traditions. The Goddess pervades Hinduism at all levels, from aniconic village deities to high-caste pan-Hindu goddesses to esoteric, tantric goddesses. Nevertheless, the highly influential tantric forms of South Asian goddess worship have only recently begun to draw scholarly attention. This book addresses the increasing interest in the Great Goddess and the tantric traditions of India by exploring the history, doctrine and practices of the Śākta tantric traditions. The highly influential tantric forms of South Asian goddess worship form a major part of what is known as ‘Śāktism’, and is often considered one of the major branches of Hinduism next to Śaivism, Vaiṣṇavism and Smārtism. Śāktism is, however, less clearly defined than the other major branches, and the book looks at the texts of the Śākta traditions that constitute the primary sources for gaining insights into the Śākta religious imaginative, ritual practices and history. It provides an historical exploration of distinctive Indian ways of imagining God as Goddess, and surveys the important origins and developments within Śākta history, practice and doctrine in its diversity. Bringing together contributions from some of the foremost scholars in the field of tantric studies, the book provides a platform for the continued research into Hindu goddesses, yoga, and tantra for those interested in understanding the religion and culture in South Asia.

Contemporary debates on “mansplaining” foreground the authority enjoyed by male speech, and highlight the way it projects listening as the responsibility of the dominated, and speech as the privilege of the dominant. What mansplaining denies systematically is the right of women to speak and be heard as much as men. This book excavates numerous instances of the authority of female speech from Indian goddess traditions and relates them to the contemporary gender debates, especially to the issues of mansplaining and womansplaining. These traditions present a paradigm of female speech that compels its male audience to reframe the configurations of “masculinity.” This tradition of authoritative female speech forms a continuum, even though there are many points of disjuncture as well as conjuncture between the Vedic, Upanishadic, puranic, and tantric figurations of the Goddess as an authoritative speaker. The book underlines the Goddess’s role as the spiritual mentor of her devotee, exemplified in the Devi Gitas, and re-situates the female gurus in Hinduism within the traditions that find in Devi’s speech ultimate spiritual authority. Moreover, it explores whether the figure of Devi as Womansplainer can encourage a more dialogic structure of gender relations in today’s world where female voices are still often undervalued.

Hindu Goddesses is a valuable sourcebook and reference work for students and scholars of Hindu goddesses and of Hinduism in general. Each goddess is dealt with as an independent deity with a coherent mythology, theology and, in some cases, cult of her own. Within the complex, diverse, and rich goddess traditions of Hinduism, one can find suggestions of nearly every important theme in the Hindu religion. In many ways, this book is as much a study of the Hindu tradition itself as it is a study of one aspect of that tradition. No other living religious tradition has displayed such an ancient, continuous, and diverse history of goddess worship.

The Mother Goddess has been worshiped in India for at least three thousand years. Although often known as 'Mata' or 'Devi', she is also known by a myriad of names, with every village having its own local manifestation. Her devotees have established a rich tradition of ritual, lore and song. However few English-speaking people know the details of Indian goddess worship. Dr Chandola combines her north Indian origins with her training in anthropology to provide a unique insight into the millennia-old beliefs, lore, songs, pilgrimages and rituals. Even within India few people have direct experience of the trance rituals associated with goddess worship. During these seemingly-impossible acts are accomplished, such as licking red-hot metal without causing injury. Dr Chandola attended several of these trance rituals and provides a dramatic account of licking a red-hot metal ladle without harm. Some aspects of traditional Indian goddess worship have been known about in the West for over 200 years. Indeed, in a very confused way, this knowledge underlies modern pagans' veneration of a Great Goddess. Some modern pagans also seek trance states - although few, if any, with the dramatic consequences of these north Indian traditions! The final section of the book looks at how these traditional beliefs are adapting in the late twentieth and early twenty-first centuries, both within Indian and among international Hindu communities. Entranced by the Goddess is essential reading for all those interested in Hinduism - both traditional and modern-day - or goddess worship - whether Indian or Western.

The monotheistic religions of Judaism, Christianity, and Islam have severely limited the portrayal of the divine as feminine. But in Hinduism "God" very often means "Goddess." This extraordinary collection explores twelve different Hindu goddesses, all of whom are in some way related to Devi, the Great Goddess. They range from the liquid goddess-energy of the River Ganges to the possessing, entrancing heat of Bhagavati and Seranvali. They are local, like Vindhyavasini, and global, like Kali; ancient, like Saranyu, and modern, like "Mother India." The collection combines analysis of texts with intensive fieldwork, allowing the reader to see how goddesses are worshiped in everyday life. In these compelling essays, the divine feminine in Hinduism is revealed as never before--fascinating, contradictory, powerful.

Sarasvati assumes different roles, a physical river and a river goddess, then as a goddess of speech and finally that of a goddess of learning, knowledge, arts and music. References to Sarasvati in the Vedas and the Brahmanas, the Mahabharata and the Puranas and her marked presence in other religious orders, such as Buddhism, Jainism and the Japanese religion, form the basis of discussion as regards her various attributes and manifestations. In Jainism, her counter-part is Sutra-devi, in Buddhism it is Manjusri and Prajnaparamita and in the Japanese religion, Benten is the representative goddess. The physical presence of Sarasvati in various iconic forms is seen in Nepal, Tibet and Japan. Tantrism associated with Sarasvati also finds reflection in these religious traditions. Sculptors and art historians take delight in interpreting various symbols her iconic forms represent. The book examines Sarasvati’s origin, the course of her flow and the place of her disappearance in a holistic manner. Based on a close analysis of texts from the early Rig-Veda to the Brahmanas and the Puranas, it discusses different view-points in a balanced perspective and attempts to drive the discussions towards the emergence of a consensus view. The author delineates the various phases of Sarasvati’s evolution to establish her unique status and emphasise her continued relevance in the Hindu tradition. The book argues that the practice of pilgrimage further evolved after its association with the river Sarasvati who was perceived as divinity personified in Hindu tradition. This, in turn, led to the emergence of numerous pilgrimage sites on or near her banks which attracted a large number of pilgrims. A multifaceted and interdisciplinary analysis of a Hindu goddess, this book will be of interest to academics researching South Asian Religion, Hinduism and Indian Philosophy as also the general readers.

'A welcome addition to the literature on both modern popular Hinduism and goddess traditions in India. An excellent example of top-notch scholarship packaged for beginners or lay readers as well as specialists.'--William K. Mahony, Davidson College