Gods Objects And Ritual Practice

Conversations about materiality have helped forge a common meeting ground for scholars seeking to integrate images, sites, texts and implements in their approach to religion in the ancient Mediterranean. The thirteen chapters in this volume explore the productivity of these approaches, with case studies from Israel, Athens, Rome, Sicily and North Africa. The results foreground the capacity of material approaches to cast light on the cultural creation of the sacred through the integration of rhetorical, material, and iconographic means. They open more nuanced pathways to the uses of text in the study of material evidence. They highlight the potential for material objects to bring political and ethnic boundaries into the sacred realm. And they emphasize the role of ongoing interpretation, debate, and multiple readings in the creation of the sacred, in both ancient contexts and scholarly discussion.

This text seeks to explain an enigmatic image common to many of the world religions, both polytheistic and monotheistic, that of the God who worships. Drawing on an array of comparative evidence, Patton suggests a theory of 'divine reflexivity'.

"Nemo Non Metuit": Magic in the Roman World has the ambitious goal of discussing some of the fundamental themes in the development of the idea of magic, in all its facets, in the long chronological span of the Roman world, between the 8th century BCE and the 5th century CE. At the same time, this volume is the result of a team effort that has brought together both accomplished scholars and young researchers at the beginning of their scholarly careers. Altogether, this ample work is the result of a synergy that brought together different approaches to the study of Roman magic. The broad content of this volume includes studies on magical gems of Etruscan, Greek and Phoenician background; curse tablets; amulets targeting malaria; erotic spells; the use of veneficia or poisons for magical purposes; judicial prayers in Roman Britain; witches in the literary tradition; the role of women in the matter of magic and divination; the figure of the "Orphic witch" in the age of Augustus; sorcerers and rivals of Jesus Christ; early-Christian sermons against magic and superstition; the fight of late-antique Church against magical powers. By addressing such a diverse spectrum of topics, this volume aims to challenge traditional views and open new paths of interpretation in the reconstruction of a long-term cultural-historical object such as magic in connection to the Roman civilization.

Reproduction of the original.

This latest volume in the TRAC Themes in Theoretical Roman Archaeology series takes up posthuman theoretical perspectives to interpret Roman material culture. These perspectives provide novel and compelling ways of grappling with theoretical problems in Roman archaeology producing new knowledge and questions about the complex relationships and interactions between humans and non-humans in Roman culture and society. Posthumanism constitutes a multitude of theoretical positions characterised by common critiques of anthropocentrism and human exceptionalism. In part, they react to the dominance of the linguistic turn in humanistic sciences. These positions do not exclude “the human”, but instead stress the mutual relationship between matter and discourse. Moreover, they consider the agency of “non-humans”, e.g., animals, material culture, landscapes, climate, and ideas, their entanglement with humans, and the situated nature of research. Posthumanism has had substantial impacts in several fields (including critical studies, archaeology, feminist studies, even politics) but have not yet emerged in any fulsome way in Classical Studies and Classical Archaeology. This is the first volume on these themes in Roman Archaeology, aimed at providing valuable perspectives into Roman myth, art and material culture, displacing and complicating notions of human exceptionalism and individualist subjectivity. Contributions consider non-human agencies, particularly animal, material, environmental, and divine agencies, critiques of binary oppositions and gender roles, and the Anthropocene. Ultimately, the papers stress that humans and non-humans are entangled and imbricated in larger systems: we are all post-human.

This first thematic volume of the new series TRAC Themes in Roman Archaeology brings renowned international experts to discuss different aspects of interactions between Romans and ‘barbarians’ in the north-western regions of Europe. Northern Europe has become an interesting arena of academic debate around the topics of Roman imperialism and Roman:‘barbarian’ interactions, as these areas comprised Roman provincial territories, the northern frontier system of the Roman Empire (limes), the vorlimes (or buffer zone), and the distant barbaricum. This area is, today, host to several modern European nations with very different historical and academic discourses on their Roman past, a factor in the recent tendency towards the fragmentation of approaches and the application of post-colonial theories that have favoured the advent of a varied range of theoretical alternatives. Case studies presented here span across disciplines and territories, from American anthropological studies on transcultural discourse and provincial organization in Gaul, to historical approaches to the propagandistic use of the limes in the early 20th century German empire; from Danish research on warrior identities and Roman-Scandinavian relations, to innovative ideas on culture contact in Roman Ireland; and from new views on Romano-Germanic relations in Central European Barbaricum, to a British comparative exercise on frontier cultures. The volume is framed by a brilliant theoretical introduction by Prof. Richard Hingley and a comprehensive concluding discussion by Prof. David Mattingly.

"Roman imagery and iconography are typically studied under the more general umbrella of Roman art and in broader, medium-specific studies. This handbook focuses primarily on visual imagery in the Roman world, examined by context and period, and the evolving scholarly traditions of iconographic analysis and visual semiotics that have framed the modern study of these images. As such topics-or, more directly, the isolation of these topics from medium-specific or strictly temporal evaluations of Roman art-are uncommon in monograph-length studies, our goal is that this handbook will be an important reference for both the communicative value of images in the Roman world and the tradition of iconographical analysis. The chapters herein represent contributions from a number of leading and emerging authorities on Roman imagery and iconography from across the world, representing a variety of academic traditions and methods of image analysis"--

How do the senses shape the way we perceive, understand, and remember ritual experiences? This book applies cognitive and sensory approaches to Roman rituals, reconnecting readers with religious experiences as members of an embodied audience. These approaches allow us to move beyond the literate elites to examine broader audiences of diverse individuals, who experienced rituals as participants and/or performers. Case studies of ritual experiences from a variety of places, spaces, and contexts across the Roman world, including polytheistic and Christian rituals, state rituals, private rituals, performances, and processions, demonstrate the dynamic and broad-scale application that cognitive approaches offer for ancient religion, paving the way for future interdisciplinary engagement. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.