Going Into Town

Northern urbanite D. B. Tipmore describes the culture shock he experienced after moving to a small Alabama town in My Little Town: A Pilgrim's Portrait of a Uniquely Southern Place. From chicken salad to national politics, Tipmore shares the unique character of the South through the microcosm of his small town. My Little Town turns the Yankee-comes-to-Dixie literary genre outside in, examining Lovelady, Alabama, through the eyes of someone who should never have been living there and yet found himself there for more than a decade. With a keen appreciation of its peculiarly Southern tableau, the book lovingly scrutinizes an Alabama village short chapter by short chapter, accompanied by photographer Frank Williams's images. Funeral visitations, poisoned soup luncheons, Pilgrimage hosting, supper clubs, family feuds, Obama Day parades, politics, Jews, and chicken salad recipes are all treated with a voice of singular precision and affection. Simultaneously author D. B. Tipmore couples this fresh view of Southern small-town life with his own narrative of a worldly urban nomad who hopes to find a home in one of the most isolated areas of the United States, peculiarly defined by its racial history and regional mores. By conflating the two stories, My Little Town challenges the reader as much as the author, raising serious questions about our ability as Americans to transcend our regional identities and cultural complexities.

NEW YORK TIMES BESTSELLER • A roadmap to what lies ahead and the decisions we must make now to stave off the next global economic and financial crisis, from one of the world’s most influential economic thinkers and the author of When Markets Collide • Updated, with a new chapter and author’s note “The one economic book you must read now . . . If you want to understand [our] bifurcated world and where it’s headed, there is no better interpreter than Mohamed El-Erian.”—Time Our current economic path is coming to an end. The signposts are all around us: sluggish growth, rising inequality, stubbornly high pockets of unemployment, and jittery financial markets, to name a few. Soon we will reach a fork in the road: One path leads to renewed growth, prosperity, and financial stability, the other to recession and market disorder. In The Only Game in Town, El-Erian casts his gaze toward the future of the global economy and markets, outlining the choices we face both individually and collectively in an era of economic uncertainty and financial insecurity. Beginning with their response to the 2008 global crisis, El-Erian explains how and why our central banks became the critical policy actors—and, most important, why they cannot continue is this role alone. They saved the financial system from collapse in 2008 and a multiyear economic depression, but lack the tools to enable a return to high inclusive growth and durable financial stability. The time has come for a policy handoff, from a prolonged period of monetary policy experimentation to a strategy that better targets what ails economies and distorts the financial sector—before we stumble into another crisis. The future, critically, is not predestined. It is up to us to decide where we will go from here as households, investors, companies, and governments. Using a mix of insights from economics, finance, and behavioral science, this book gives us the tools we need to properly understand this turning point, prepare for it, and come out of it stronger. A comprehensive, controversial look at the realities of our global economy and markets, The Only Game in Town is required reading for investors, policymakers, and anyone interested in the future.

From award-winning YA author Brandy Colbert comes a debut middle-grade novel about the only two Black girls in town who discover a collection of hidden journals revealing shocking secrets of the past. Beach-loving surfer Alberta has been the only Black girl in town for years. Alberta's best friend, Laramie, is the closest thing she has to a sister, but there are some things even Laramie can't understand. When the bed and breakfast across the street finds new owners, Alberta is ecstatic to learn the family is black—and they have a 12-year-old daughter just like her. Alberta is positive she and the new girl, Edie, will be fast friends. But while Alberta loves being a California girl, Edie misses her native Brooklyn and finds it hard to adapt to small-town living. When the girls discover a box of old journals in Edie's attic, they team up to figure out exactly who's behind them and why they got left behind. Soon they discover shocking and painful secrets of the past and learn that nothing is quite what it seems.

Join one Black family on their journey to discover what Santa looks like in this joyous tale celebrating identity, family and holiday cheer! It’s not Christmas without Santa! But what does Santa truly look like? Does he match the figurines on the mantel, or the faces on our favorite holiday sweaters? Does he look like you or like me? Find out in this joyous and cozy celebration of family, representation, and holiday spirit! Destined to be a new classic, and perfect for any child looking to see some of themself in Santa Claus.

The Washington Post "10 Best Graphic Novels of the Year" New York magazine "The Year's Most Giftable Coffee-Table Books" Newsday "Best Fall Books" The Verge "10 Best Comics of the Year" Oklahoman "Best Graphic Novels of the Year" Winner of the New York City Book Award From the #1 NYT bestselling author of Can't We Talk About Something More Pleasant?, Roz Chast, an "absolutely laugh-out-loud hysterical" (AP) illustrated ode/guide/thank-you to Manhattan. New Yorker cartoonist and NYT bestselling author Roz Chast, native Brooklynite-turned-suburban commuter deemed the quintessential New Yorker, has always been intensely alive to the glorious spectacle that is Manhattan--the daily clash of sidewalk racers and dawdlers, the fascinating range of dress codes, and the priceless, nutty outbursts of souls from all walks of life. For Chast, adjusting to life outside the city was surreal (you can own trees!? you have to drive!?), but she recognized that the reverse was true for her kids. On trips into town, they would marvel at the strange visual world of Manhattan--its blackened sidewalk gum wads, "those West Side Story–things" (fire escapes)--its crazily honeycombed systems and grids. Told through Chast's singularly zany, laugh-out-loud, touching, and true cartoons, Going into Town is part New York stories (the "overheard and overseen" of the island borough), part personal and practical guide to walking, talking, renting, and venting--an irresistible, one-of-a-kind love letter to the city.

Teaches children the different ways to keep safe when they are in the park, in stores, or out in the street.

2017 Winner of the Sunburst Award Society's Copper Cylinder Adult Award 2017 Canada Reads Finalist 2017 Locus Award Finalist for Science Fiction Novel Category 2017 Sunburst Award Finalist for Adult Fiction 2017 Aurora Awards Finalist for Best Novell Madeline Ashby's Company Town is a brilliant, twisted mystery, as one woman must evaluate saving the people of a town that can't be saved, or saving herself. "Elegant, cruel, and brutally perfect, Company Town is a prize of a novel." —Mira Grant, New York Times Bestselling and Hugo-Award nominated author of the Newsflesh series New Arcadia is a city-sized oil rig off the coast of the Canadian Maritimes, now owned by one very wealthy, powerful, byzantine family: Lynch Ltd. Hwa is of the few people in her community (which constitutes the whole rig) to forgo bio-engineered enhancements. As such, she's the last truly organic person left on the rig—making her doubly an outsider, as well as a neglected daughter and bodyguard extraordinaire. Still, her expertise in the arts of self-defense and her record as a fighter mean that her services are yet in high demand. When the youngest Lynch needs training and protection, the family turns to Hwa. But can even she protect against increasingly intense death threats seemingly coming from another timeline? Meanwhile, a series of interconnected murders threatens the city's stability and heightens the unease of a rig turning over. All signs point to a nearly invisible serial killer, but all of the murders seem to lead right back to Hwa's front door. Company Town has never been the safest place to be—but now, the danger is personal. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Pictures depict busy people in a town throughout the year.