Golden Bowl

Shy Maggie Verver, a young American heiress, shares an uncommonly close bond with her father. Widower Adam Verver, a financier and art connoisseur, has bought everything he wants, including a titled husband for his daughter. Maggie is charmed by Prince Amerigo, an Italian nobleman of reduced means. Wishing to provide her father with companionship, she persuades him to marry her best friend, Charlotte Stant. But unbeknownst to Maggie and Adam, Charlotte and the Prince are concealing a guilty secret that will strike at the foundations of both marriages. Henry James explores his favorite themes in this novel — money, class, desire, and the collision of European and American cultures. Rich in the author's characteristic psychological insights, the story constitutes a fascinating study of character in a privileged, claustrophobic backdrop. James examines the illusions that unite people, the deceits that keep them together, and the way that trust can become a form of denial.

The Golden Bowl is an intense, involved study of marriage, adultery and family ties. The central characters are a man and his daughter and James delves into their consciousness to explore the complexity of their relationship to each other and their respective spouses. The novel is often considered the completion of the "major phase" of James' career.

In The Columbia Anthology of Chinese Folk and Popular Literature, two of the world's leading sinologists, Victor H. Mair and Mark Bender, capture the breadth of China's oral-based literary heritage. This collection presents works drawn from the large body of oral literature of many of China's recognized ethnic groups--including the Han, Yi, Miao, Tu, Daur, Tibetan, Uyghur, and Kazak--and the selections include a variety of genres. Chapters cover folk stories, songs, rituals, and drama, as well as epic traditions and professional storytelling, and feature both familiar and little-known texts, from the story of the woman warrior Hua Mulan to the love stories of urban storytellers in the Yangtze delta, the shaman rituals of the Manchu, and a trickster tale of the Daur people from the forests of the northeast. The Cannibal Grandmother of the Yi and other strange creatures and characters unsettle accepted notions of Chinese fable and literary form. Readers are introduced to antiphonal songs of the Zhuang and the Dong, who live among the fantastic limestone hills of the Guangxi Zhuang Autonomous Region; work and matchmaking songs of the mountain-dwelling She of Fujian province; and saltwater songs of the Cantonese-speaking boat people of Hong Kong. The editors feature the Mongolian epic poems of Geser Khan and Jangar; the sad tale of the Qeo family girl, from the Tu people of Gansu and Qinghai provinces; and local plays known as "rice sprouts" from Hebei province. These fascinating juxtapositions invite comparisons among cultures, styles, and genres, and expert translations preserve the individual character of each thrillingly imaginative work.