Gor E Island Of Memories

Abram Bobrow is a man tormented by the ghosts and horrors of the past. Relentless nightmares force him to relive a time in his life that was unimaginably horrible. A decade after the end of World War II and the Bobrow family's emigration to the United States, Abram's young sons, Jerry and Bill (ten and twelve years old) become aware of their father's nightly torment, and beg to know why these terrible dreams still occur. Deciding that they are finally old enough to hear this harrowing story, over the next seven days, Abram carefully details what it was like to live though one of the most terrible, tragic and darkest periods of human history. This is Abram Bobrow's true story-how he and his wife Julia, who lived through a Nazi firing squad, escaped into the vast forests of western Byelorussia, became Jewish partisan fighters and fought back against the Nazis. This is a unique story of the triumph and indomitability of the human spirit.

This ethnography connects the memories of the 1947 Partition to Hindu nationalism and the global swing to the right.

How is the slave trade remembered in West Africa? In a work that challenges recurring claims that Africans felt (and still feel) no sense of moral responsibility concerning the sale of slaves, Rosalind Shaw traces memories of the slave trade in Temne-speaking communities in Sierra Leone. While the slave-trading past is rarely remembered in explicit verbal accounts, it is often made vividly present in such forms as rogue spirits, ritual specialists' visions, and the imagery of divination techniques. Drawing on extensive fieldwork and archival research, Shaw argues that memories of the slave trade have shaped (and been reshaped by) experiences of colonialism, postcolonialism, and the country's ten-year rebel war. Thus money and commodities, for instance, are often linked to an invisible city of witches whose affluence was built on the theft of human lives. These ritual and visionary memories make hitherto invisible realities manifest, forming a prism through which past and present mutually configure each other.

Inspired by Baudelaire's art criticism and contemporary theories of emotions, and developing a new aesthetic approach based on the idea that memory and imagination are strongly connected, Lombardo analyzes films by Scorsese, Lynch, Jarmusch and Van Sant as imaginative uses of the history of cinema as well as of other media.

This is the first dictionary to identify, chart, and explain in context the many proper names and place names that so famously enrich the poetry of William Butler Yeats and, just as famously, anchor that poetry to Ireland. In compiling this work, Lester I. Conner has relied upon Yeats's own prose, the principal Yeats criticism, and the writings of Yeats's friends and critics. The result is a work that warmly ushers us into the poems, where we find we are not strangers after all.