Gorgias And Phaedrus

With a masterful sense of the place of rhetoric in both thought and practice and an ear attuned to the clarity, natural simplicity, and charm of Plato's Greek prose, James H. Nichols Jr., offers precise yet unusually readable translations of two great Platonic dialogues on rhetoric. The Gorgias presents an intransigent argument that justice is superior to injustice: To the extent that suffering an injustice is preferable to committing an unjust act. The dialogue contains some of Plato's most significant and famous discussions of major political themes, and focuses dramatically and with unrivaled intensity on Socrates as a political thinker and actor. Featuring some of Plato's most soaringly lyrical passages, the Phaedrus investigates the soul's erotic longing and its relationship to the whole cosmos, as well as inquiring into the nature of rhetoric and the problem of writing. Nichols's attention to dramatic detail brings the dialogues to life. Plato's striking variety in conversational address (names and various terms of relative warmth and coolness) is carefully reproduced, as is alteration in tone and implication even in the short responses. The translations render references to the gods accurately and non-monotheistically for the first time, and include a fascinating variety of oaths and invocations. A general introduction on rhetoric from the Greeks to the present shows the problematic relation of rhetoric to philosophy and politics, states the themes that unite the two dialogues, and outlines interpretive suggestions that are then developed more fully for each dialogue. The twin dialogues reveal both the private and the political rhetoric emphatic in Plato's philosophy, yet often ignored in commentaries on it. Nichols believes that Plato's thought on rhetoric has been largely misunderstood, and he uses his translations as an opportunity to reconstruct the classical position on right relations between thought and public activity.

This book explores Plato's views on what an 'art of argument' should look like, investigating the relationship between psychology and rhetoric.

With a masterful sense of the place of rhetoric in both thought and practice and an ear attuned to the clarity, natural simplicity, and charm of Plato's Greek prose, James H. Nichols Jr., offers precise yet unusually readable translations of two great Platonic dialogues on rhetoric. The Gorgias presents an intransigent argument that justice is superior to injustice: To the extent that suffering an injustice is preferable to committing an unjust act. The dialogue contains some of Plato's most significant and famous discussions of major political themes, and focuses dramatically and with unrivaled intensity on Socrates as a political thinker and actor. Featuring some of Plato's most soaringly lyrical passages, the Phaedrus investigates the soul's erotic longing and its relationship to the whole cosmos, as well as inquiring into the nature of rhetoric and the problem of writing. Nichols's attention to dramatic detail brings the dialogues to life. Plato's striking variety in conversational address (names and various terms of relative warmth and coolness) is carefully reproduced, as is alteration in tone and implication even in the short responses. The translations render references to the gods accurately and non-monotheistically for the first time, and include a fascinating variety of oaths and invocations. A general introduction on rhetoric from the Greeks to the present shows the problematic relation of rhetoric to philosophy and politics, states the themes that unite the two dialogues, and outlines interpretive suggestions that are then developed more fully for each dialogue. The twin dialogues reveal both the private and the political rhetoric emphatic in Plato's philosophy, yet often ignored in commentaries on it. Nichols believes that Plato's thought on rhetoric has been largely misunderstood, and he uses his translations as an opportunity to reconstruct the classical position on right relations between thought and public activity.

The Phaedrus, written by Plato, is a dialogue between Plato's protagonist, Socrates, and Phaedrus, an interlocutor in several dialogues. The Phaedrus was presumably composed around 370 BC, about the same time as Plato's Republic and Symposium.

Dialogue 1: Engage in the philosophical discourse of love and rhetoric with “Phaedrus by Plato.” In this dialogue, Socrates and Phaedrus explore the nature of love, the soul, and the power of rhetoric. Plato weaves a rich tapestry of ideas that delves into the complexities of human relationships and the pursuit of wisdom. Dialogue 2: Contemplate the immortality of the soul in “Phaedo by Plato.” This dialogue unfolds as Socrates faces his impending death and engages in a discussion on the nature of the afterlife. Plato's exploration of the soul's journey beyond the physical realm provides a profound meditation on life, death, and the pursuit of knowledge. Dialogue 3: Delve into the nature of rhetoric and the morality of persuasion with “Gorgias by Plato.” In this dialogue, Socrates engages with Gorgias, a famous rhetorician, and explores the distinctions between true knowledge and the art of persuasive speech. Plato's examination of rhetoric and virtue invites readers to reflect on the ethical implications of persuasive communication.

Stauffer demonstrates the complex unity of Plato's Gorgias through a careful analysis of the dialogue's three main sections. This includes Socrates' famous argumentative duel with Callicles, a passionate critic of justice and philosophy, showing how the seemingly disparate themes of rhetoric, justice and the philosophic life are woven together into a coherent whole. His interpretation of the Gorgias sheds new light on Plato's thought, showing that Plato and Socrates had a more favourable view of rhetoric than is usually supposed. Stauffer also challenges common assumptions concerning the character and purpose of some of Socrates' most famous claims about justice. Written as a close study of the Gorgias, Stauffer also treats broad questions concerning Plato's moral and political psychology and uncovers the view of the relationship between philosophy and politics that guided Plato as he wrote his dialogues.

THE Phaedrus is closely connected with the Symposium, and may be regarded either as introducing or following it. The two Dialogues together contain the whole philosophy of Plato on the nature of love, which in the Republic and in the later writings of Plato is only introduced playfully or as a figure of speech. But in the Phaedrus and Symposium love and philosophy join hands, and one is an aspect of the other. The spiritual and emotional part is elevated into the ideal, to which in the Symposium mankind are described as looking forward, and which in the Phaedrus, as well as in the Phaedo, they are seeking to recover from a former state of existence. Whether the chief subject of the Dialogue is love or rhetoric, or the union of the two, or the relation of philosophy to love and to art in general, and to the human soul, will be hereafter considered. Aeterna Press