Gotham Writers Workshop Writing Fiction

Language, literature and biography.

To break into the screenwriting game, you need a screenplay that is not just good, but great. Superlative. Stellar. In Writing Movies you'll find everything you need to know to reach this level. And, like the very best teachers, Writing Movies is always practical, accessible, and entertaining. The book provides a comprehensive look at screenwriting, covering all the fundamentals (plot, character, scenes, dialogue, etc.) and such crucial-but seldom discussed-topics as description, voice, tone, and theme. These concepts are illustrated through analysis of five brilliant screenplays-Die Hard, Thelma & Louise, Tootsie, Sideways, and The Shawshank Redemption. Also included are writing assignments and step-by-step tasks that take writers from rough idea to polished screenplay. Written by Gotham Writers' Workshop expert instructors, Writing Movies offers the same winning style and clarity of presentation that have made a success of Gotham's previous book Writing Fiction, which is now in its 7th printing. Named the "best class for screenwriters" in New York City by MovieMaker Magazine, Gotham Writers' Workshop is America's leading private creative writing school, offering classes in Manhattan and on the Web at www.WritingClasses.com. The school's interactive online classes, selected as "Best of the Web" by Forbes, have attracted thousands of aspiring writers from across the United States and more than sixty countries.

A collection of short fiction selected by members of New York's acclaimed creative writing school presents works that range from F. Scott Fitzgerald's "The Curious Case of Benjamin Button," to "A Romantic Weekend by Mary Gaitskill, to Tobias Wolff's "Bullet in the Brain," reflecting a rich variety of themes, perspectives, and plot and character development. Original. 15,000 first printing.

Barbara DeMarco-Barrett offers fifteen-minute exercises designed to help aspiring writers find the time, and motivation, to write.

A deft analysis and appreciation of fiction—what makes it work and what can make it fail. Here is a book about the craft of writing fiction that is thoroughly useful from the first to the last page—whether the reader is a beginner, a seasoned writer, or a teacher of writing. You will see how a work takes form and shape once you grasp the principles of momentum, tension, and immediacy. "Tension," Stern says, "is the mother of fiction. When tension and immediacy combine, the story begins." Dialogue and action, beginnings and endings, the true meaning of "write what you know," and a memorable listing of don'ts for fiction writers are all covered. A special section features an Alphabet for Writers: entries range from Accuracy to Zigzag, with enlightening comments about such matters as Cliffhangers, Point of View, Irony, and Transitions.

As a young girl growing up in the Midwest, Sunny experiences the shame and stigma of scandal when her father is banned from their church for having an affair with the pastor’s best friend’s wife. As Sunny grows older, she begins to build the life she’s always wanted: she marries, buys a house, enrolls in graduate school, and soon has a baby on the way. But when she experiences the psychological phenomena of orgasmic labor, it triggers a chain of bizarre events, and she gradually descends into a world of delusion and paranoia. As Sunny struggles to separate the real from the unreal, she relies upon friends and family to ground her in truth and love—and keep her from going over the edge into madness.

I’ve been a problem baby, a lousy son, a distant brother, an off-putting neighbor, a piss-poor student, a worrisome seatmate, an unreliable employee, a bewildering lover, a frustrating confidante and a crappy husband. Among the things I do pretty well at this point I’d have to list darts, re-closing Stay-Fresh boxes, and staying out of the way. This is the self-eulogy offered early on by the unwilling hero of the opening story in this collection, a dazzling array of work in short fiction from a master of the form. The stories in Love and Hydrogen—familiar to readers from publications ranging from McSweeney’s to The New Yorker to Harper’s to Tin House—encompass in theme and compassion what an ordinary writer would seem to need several lifetimes to imagine. A frustrated wife makes use of an enterprising illegal-gun salesman to hold her husband hostage; two hapless adult-education students botch their attempts at rudimentary piano but succeed in a halting, awkward romance; a fascinated and murderous Creature welcomes the first human visitors to his Black Lagoon; and in the title story, the stupefyingly huge airship Hindenburg flies to its doom, representing in 1937 mankind's greatest yearning as well as its titanic failure. Generous in scope and astonishing in ambition, Shepard’s voice never falters; the virtuosity of Love and Hydrogen cements his reputation as, in the words of Rick Bass, “a passionate writer with a razor-sharp wit and an elephantine heart”—in short, one of the most powerful talents at work today.

Read Susan Breen's posts on the Penguin Blog. A witty, honest, and hugely entertaining story for anyone who loves books, or has a difficult mother. And, let’s face it, that’s practically everybody . . . On paper, Arabella Hicks seems more than qualified to teach her fiction class on the Upper West Side: she’s a writer herself; she’s passionate about books; she’s even named after the heroine in a Georgette Heyer novel. On the other hand, she’s thirty-eight, single, and has been writing the same book for the last seven years. And she has been distracted recently: on the same day that Arabella teaches her class she also visits her mother in a nursing home outside the city. And every time they argue. Arabella wants the fighting to stop, but, as her mother puts it, “Just because we’re family, doesn’t mean we have to like each other.” When her class takes a surprising turn and her lessons start to spill over into her weekly visits, she suddenly finds she might be holding the key to her mother’s love and, dare she say it, her own inspiration. After all, as a lifelong lover of books, she knows the power of a good story.