Govern Like A Girl

Only twelve women have ever served as the Premier of a Canadian province or territory, and only one has risen to the very top to serve as Prime Minister. In Govern Like a Girl, Kate Graham tells the stories of these thirteen women, from childhood to political power. Their experiences span three decades, every political stripe, and extend from coast to coast to coast. What motivated them to run for office? What did they accomplish once they were elected? And how did their style of governing differ from male politicians? From Indigenous premiers, Eva Aariak and Nellie Cornoyea, to Premier and later Senator Catherine Calbeck of Prince Edward Island, to Quebec's first female premier, Pauline Marois, these powerful women changed Canada for the better and showed the world how to govern like a girl.

Only twelve women have ever served as the premier of a Canadian province or territory, and only one has risen to the very top to serve as prime minister. In Govern Like a Girl, Kate Graham tells the stories of these thirteen women, from childhood to political power. Their experiences span three decades, every political stripe, and extend from coast to coast to coast. What motivated them to run for office? What did they accomplish once they were elected? And how did their style of governing differ from male politicians? From Indigenous premiers, Eva Aariak and Nellie Cournoyea, to Premier and later Senator Catherine Callbeck of Prince Edward Island, to Québec's first female premier, Pauline Marois, these powerful women changed Canada for the better and showed the world how to govern like a girl.

"A delightful page-turner…that will put the lucky reader within the feverish excitement of a hopeful and tragic time.” —Andrei Codrescu, NPR commentator and author of The Posthuman Dada Guide: Tzara and Lenin Play Chess A memoir of being young and female in the Clinton White House Stacy Parker Aab was born in Detroit in 1974, the only daughter of a white Kansas farm girl and a young black Detroiter fresh from two tours of Vietnam. An excellent student, Aab gravitated toward public service and moved to Washington, D.C., for college in the hopeful days of 1992. Not only would Aab study political communication at The George Washington University, but she would also intern at the White House. For three years, she worked for George Stephanopoulos. In 1997 she became White House staff, serving as Paul Begala's special assistant. At first, life was charmed, with nurturing mentors, superstar politicos, and handsome Secret Service agents. In January 1998, the world of the Clinton White House changed radically. Monica Lewinsky became a household name, and Aab learned quickly that in Washington, protectors can become predators, investigators will chase you like prey, and if you make mistakes with a powerful man, the world will turn your name into mud. Government Girl is a window into the culture of the Clinton White House, as seen through the eyes of an idealistic young female aide. Stacy Parker Aab's intimate memoir tells of her coming-of-age in the lion's den. Her story provides a searing look at the dynamics between smart young women and the influential older men who often hold the keys to their dreams.

To anyone interested in the roots of modern science fiction, the name of Ray Cummings should be well known. He wrote science fiction and fantasy before the name "science fiction" had been coined, publishing fantastic yarns in Argosy, Munsey's Magazine, and other mainstream pulp magazines. Of course, as soon as the science fiction pulps debuted, he moved to them, where his work received a hearty welcome from fans. Cummings publishing more than 750 novels and short stories over his long career, producing work in many genres, including the mystery field (see "Atom Boy" in this Megapack for one prime example). We are pleased to showcase 25 of his tales, ranging from science fiction to fantasy to mystery...more than 1,500 pages of great reading! Included are: THE GIRL IN THE GOLDEN ATOM (1919-1920) THE GIRL IN THE GOLDEN ATOM, PART 2 THE SILVER VEIL (1921) THE FIRE PEOPLE (1922) TWO PROPOSALS (1923) JETTA OF THE LOWLANDS (1930) THE WHITE INVADERS (1931) REQUIEM FOR A SMALL PLANET (1958) BRIGANDS OF THE MOON (1931) WANDL THE INVADER (1932) TARRANO THE CONQUEROR (1930) PHANTOMS OF REALITY (1930) DR. FEATHER IN "A SHOT IN THE DARK" (1936) DR. FEATHER IN "MURDER IN THE FOG" (1937) DR. FEATHER IN "THE DEAD MAN LAUGHS" (1938) DR. FEATHER IN "CLUE IN CRIMSON" (1943) THE WORLD BEYOND (1938) GADGET GIRL (1944) PRECIPICE (1945) PHOTOGRAPH OF DEATH (1945) STAMP OF DOOM (1946) THE SCALPEL OF DOOM (1947) ATOM BOY (1947) THE LIFTED VEIL (1947) BEYOND THE VANISHING POINT (1958) THE GIRL FROM INFINITE SMALLNESS (1940) PLANET STORIES' FEATURE FLASH: MEET RAY CUMMINGS And don't forget to search this ebook store for "Wildside Megapack" to see more entries in the series, covering science fiction, fantasy, horror, mysteries, westerns -- and much, much more!

When twenty-three-year-old Carrie Prudence Winter caught her first glimpse of Honolulu from aboard the Zealandia in October 1890, she had "never seen anything so beautiful." She had been traveling for two months since leaving her family home in Connecticut and was at last only a few miles from her final destination, Kawaiaha'o Female Seminary, a flourishing boarding school for Hawaiian girls. As the daughter of staunch New England Congregationalists, Winter had dreamed of being a missionary teacher as a child and reasoned that "teaching for a few years among the Sandwich Islands seemed particularly attractive" while her fiancé pursued a science degree. During her three years at Kawaiaha'o, Winter wrote often and at length to her "beloved Charlie"; her lively and affectionate letters provide readers with not only an intimate look at nineteenth-century courtship, but many invaluable details about life in Hawai'i during the last years of the monarchy and a young woman's struggle to enter a career while adjusting to surroundings that were unlike anything she had ever experienced. In generous excerpts from dozens of letters, Winter describes teaching and living with her pupils, her relationships with fellow teachers, and her encounters with Hawaiian royalty (in particular Kawaiaha'o enjoyed the patronage of Queen Lili'uokalani, whose adopted daughter was enrolled as a pupil) and members of influential missionary families, as well as ordinary citizens. She discusses the serious health concerns (leprosy, smallpox, malaria) that irrevocably affected the lives of her students and took a keen (if somewhat naive) interest in relaying the political turmoil that ended in the annexation of the Hawaiian Islands by the U.S. in 1898. The book opens with a magazine article written by Winter and published while she was still teaching at Kawaiaha'o, which humorously recounts her journey from Connecticut to Hawai'i and her arrival at the seminary. The work is augmented by more than fifty photographs, four autobiographical student essays, and an appendix identifying all of Winter's students and others mentioned in the letters. A foreword by education historian C. Kalani Beyer provides a context for understanding the Euro-centric and assimilationist curriculum promoted by early schools for Hawaiians like Kawaiaha'o Female Seminary and later the Kamehameha Schools and Mid-Pacific Institute.

An instant classic and eerily prescient cultural phenomenon, from “the patron saint of feminist dystopian fiction” (New York Times). Now an award-winning Hulu series starring Elizabeth Moss. In this multi-award-winning, bestselling novel, Margaret Atwood has created a stunning Orwellian vision of the near future. This is the story of Offred, one of the unfortunate “Handmaids” under the new social order who have only one purpose: to breed. In Gilead, where women are prohibited from holding jobs, reading, and forming friendships, Offred’s persistent memories of life in the “time before” and her will to survive are acts of rebellion. Provocative, startling, prophetic, and with Margaret Atwood’s devastating irony, wit, and acute perceptive powers in full force, The Handmaid’s Tale is at once a mordant satire and a dire warning.