Gramophone Recordings

This Painstakingly Researched, Unique Volume, A Definitive Discography Of Indian Music, Is A Tribute Not Only To Indian Music, But Also To An Institution Whose Contribution To Indian Music Has Been Monumental -The Gramophone Company. Without Dustjacket In Good Condition.

This book explores the fascinating world of the record business, its technology, the music and the musicians from Edison's phonograph to the compact disc. The great artists - Caruso, Toscanini, Louis Armstrong, Elvis Presley and their successors - all achieved fame through the medium of records, and in turn have influenced the recording industry. But just as important are the record producers, those invisible figures who decide from behind the scenes how a record will sound. The history of recording is also the history of record companies: the book follows the vicissitudes of the multinational giants, without neglecting the small pioneering labels which have brought valuable new talents to the fore.

Once musicians such as Mozart were little more than court servants; now they are multimillionaire superstars wielding more power than politicians. How did this extraordinary change come about? Tim Blanning's brilliantly enjoyable book examines how everything from the cult of the romantic to technology and travel all fed the inexorable rise of music in the West, making it the most dominant and ubiquitous of the art forms. Encompassing balladeers, the great composers, jazz legends and rock gods, this is an enthralling story of power, patronage, creativity and genius.

A complete numerical catalogue, by matrix serials, of Indian Gramophone recordings made from 1908 to 1910, detailing all known and traced recordings by The Gramophone Company, Ltd., in India. This is the second volume in the series of discographical studies on the recordings taken in India and released by The Gramophone Company, Ltd., of Indian repertoires, together with a detailed historical examination of the development of the sound recording industry in India up to 1914.

A discography of recordings taken in Persia by The Gramophone Company and its successor concerns, from 1899 to 1934. With a history of the activities of various recording companies who operated in Persia and the sessions conducted at Teheran and London of Persian repertoire. With a supplementary discography of Persian recordings taken by the Columbia Graphophone Co., Ltd., between 1928 and 1934.

Just over 100 years ago, Emile Berliner invented the gramophone and disc record. This is the first discography assembled of the first disc recordings in the United States. It documents over 3,000 discs, which were sold to the American public from 1892 to 1900. Listings are arranged by catalogue number and cross-indexed by title, performer, and recording date. The gramophone discs are valuable research tools in the study of popular culture, providing objective data about what was offered to the public, and how it was performed. Since this information has never been published, scholars may well find new materials. Berliner's successor was the Victor Talking Machine Company (an ongoing Greenwood discography series). An introductory essay discusses the earliest years of the invention and the repertoire appearing on the discs. Their physical properties are noted and illustrated with photographs of the records. A descriptive bibliography guides readers to other books and articles of interest. Another section lists Berliner Gramophone records that have been reissued on long-playing and compact discs. This volume will be of interest to gramophone record collectors, record archives, and music libraries, as well as to scholars, music students, and buffs.

From Keroncong to Xinyao presents a captivating and groundbreaking exploration of Singapore’s vibrant record industry from 1903 to 1985, revealing how Singapore was once a significant recording centre in Southeast Asia. The book highlights the pioneers and innovators of the industry, from performing artists to recording engineers. Records made during this musical heyday covered diverse genres, from Malay keroncong to Chinese opera and pop songs, and, from the 1950s, the rock ’n’ roll wave that was sweeping the world. Beautifully illustrated with photographs, record album art and archival images, this book takes readers on a fascinating journey through the music industry’s triumphs and challenges, revealing its resonating contributions to Singapore’s cultural heritage.