Grass Castles

Fierce polemical booklet that affects to tell the real story of the pastoralist industry in Australia and how it impacted on indigenous Australians,the land ,wildlife,forests & soil.

Written in an appropriately clear and lucid style, Grass Castles evokes nostalgia for simpler times, simpler lives. But the human emotions explored in Jackie Flanagan's characters reveal men and women, grown and growing up, as complex as any we encounter in our late twentieth century literature. Set in mid-century Alberta, Grass Castles suggests dramatic moments "mixing memory and desire" in the lives of individuals living in a small community that will, unbeknownst to them, soon be swallowed up by Calgary, one of the most dynamic cities in North America today.

The true story of Robert Trimbole, Mr Asia and the disappearance of Donald Mackay. Robert Trimbole: race-fixer, drug boss, Mafia powerbroker, murder contractor, arms dealer. In the 1970s Trimbole and the Calabrian Mafia ruled Australia's marijuana trade from their castles in Griffith, NSW – dream homes built with drug money. The business expanded to heroin when Trimbole joined Terry Clark and the notorious Mr Asia syndicate, and then to murder when anti-drugs campaigner Donald Mackay blew the whistle. Walkley Award–winning journalist Keith Moor learned the truth about Mackay's disappearance from those involved, recording candid interviews in the late 1980s with the hit man, his contact and the infamous supergrass Gianfranco Tizzoni, as well as a top cop. His classic account now includes excerpts from the unpublished memoir of Mackay's widow and a dossier on the involvement of controversial federal minister Al Grassby. Moor asks why 'Aussie Bob' Trimbole was allowed to flee the country and was never brought back to face his crimes. He also questions how Trimbole's Griffith Mafia bosses – Australia's true Godfathers – are today able to maintain their links with the global drug trade as they continue to enjoy the view from their grass castles. 'Keith Moor did what no-one else could. He tracked down Australia's supergrass Gianfranco Tizzoni as part of his decade long investigation into the murder of Donald Mackay and the secret organisation behind that cold blooded assassination. He exposed the police who didn't try and won the confidence of those who did.' John Silvester, Underbelly: A Tale of Two Cities. 'Painstakingly researched' Ross Fitzgerald, Weekend Australian

The Durack family emigrated from Ireland to Australia in 1849 and 1853, settling in New South Wales, Queensland and elsewhere in Australia. Some related families are Tully, Costello, Bennett and Redgrave.

"This is a marvellous contribution by Chris Owen to the understanding of the role the Western Australian police force played in the colonial expansion into the Kimberley district of Western Australia."--Senator Patrick Dodson, Yawuru Elder ***Chris Owen provides a compelling account of policing in the Kimberley district from 1882, when police were established in the district, until 1905 when Dr. Walter Roth's controversial Royal Commission into the treatment of Aboriginal people was released. Owen's achievement is to take elements of all the pre-existing historiography and test them against a rigorous archival investigation. In doing so, a fuller understanding of the complex social, economic, and political changes occurring in Western Australia during the period are exposed. The policing of Aboriginal people changed from one of protection under law to one of punishment and control. The subsequent violence of colonial settlement and the associated policing and criminal justice system that developed, often of questionable legality, was what Royal Commissioner Roth termed a 'brutal and outrageous state of affairs.' Every Mother's Son is Guilty is a significant contribution to Australian and colonial criminal justice history. Subject: History, Aboriginal Studies, Criminal Justice, policing]

The possibility that works of art and literature might be forged and that identity might be faked has haunted the cultural imagination for centuries. That spectre seems to have returned with a vengeance recently, with a series of celebrated hoaxes and scandals ranging from the Alan Sokal hoax article in Social Text to Binjamin Wilkomirskiâ (TM)s â oefakeâ Holocaust memoir. But as well as creating anxiety, the possibility of â oefaking itâ has now been turned into entertainment. Traditionally these activities have been dismissed as dangerous and immoral, but more recently some scholars have begun to speculate, for example, that all forms of national identity rely on forged myths of origin. Recent cultural theory has likewise called into question traditional notions of authenticity and originality in both personal identity and in works of art. Despite critical pronouncements of the death of the author and the substitution of the simulacrum for the original, however, making a distinction between the genuine and the fake continues to play a major role in our everyday understanding and evaluation of culture, law and politics. Consider, for example, the fiasco surrounding the â oeforgedâ Hitler diaries, law suits against auction houses for failing to detect forgeries in the art market, or the problem of plagiarism at universities. It still seems to matter that we can spot the difference, especially in the historical moment when we are capable of making copies that are indistinguishableâ "perhaps even better thanâ "the original. This collection of essays considers the moral, aesthetic and political questions that are raised by the long history and current prevalence of fakes and forgeries. The international team of contributors consider the issues thrown up by a wide range of examples, drawn from fields ranging from literature to art history. These case studies include little-known subjects such as Eddie Burrup, the Australian aboriginal artist who turned out to be an 81-year-old white woman, as well as new interpretations of familiar cases such as faked holocaust memoirs. The strength of the collection is that it brings together not only a wide range of cultural examples of fakes and forgeries from different historical periods, but also offers a wide variety of theoretical takes that will form a useful introduction and casebook on this growing field of inquiry.

Psychoanalytic Ecology applies Freudian concepts, beginning with the uncanny, to environmental issues, such as wetlands and their loss, to alligators and crocodiles as inhabitants of wetlands, and to the urban underside. It also applies other Freudian concepts, such as sublimation, symptom, mourning and melancholia, to environmental issues and concerns. Mourning and melancholia can be experienced in relation to wetlands and to their loss. The city is a symptom of the will to fill or drain wetlands. This book engages in a talking cure of psychogeopathology (environmental psychopathology; mental land illness; environ-mental illness) manifested also in industries, such as mining and pastoralism, that practice greed and gluttony. Psychoanalytic Ecology promotes gratitude for generosity as a way of nurturing environ-mental health to prevent the manifestation of these psychogeopathological symptoms in the first place. Melanie Klein’s work on anal sadism is applied to mining and Karl Abraham’s work on oral sadism to pastoralism. Finally, Margaret Mahler’s and Jessica Benjamin’s work on psycho-symbiosis is drawn on to nurture bio- and psycho-symbiotic livelihoods in bioregional home habitats of the living earth in the symbiocene, the hoped-for age superseding the Anthropocene. Psychoanalytic Ecology demonstrates the power of psychoanalytic concepts and the pertinence of the work of several psychoanalytic thinkers for analysing a range of environmental issues and concerns. This book will be of great interest to students and scholars of environmental psychology, psychoanalysis and the environmental humanities.