Grave Expectations

From the author of "Jayne Slayer" comes a clever retelling of Dickens's "Great Expectations," featuring Pip as a werewolf and Estella as a vampire slayer.

A fast-paced and hilarious debut crime novel, in which a burnt-out Millennial medium must utilize her ability to see ghosts and team-up with a band of oddball investigators to figure out which member(s) of a posh English family are guilty of murder. “This book has bags of humor, bags of heart, and a proper murder mystery at its core.” —Janice Hallett, author of The Appeal Almost-authentic medium Claire and her best friend, Sophie, agree to take on a seemingly simple job at a crumbling old manor in the English countryside: performing a seance for the family matriarch's 80th birthday. The pair have been friends since before Sophie went missing when they were seventeen. Everyone else is convinced Sophie simply ran away, but Claire knows the truth. Claire knows Sophie was murdered because Sophie has been haunting her ever since. Despite this traumatic past, Claire and Sophie are still unprepared for what they encounter when they arrive at the manor: a ghost, tragic and unrecognizable, and clearly the spirit of someone killed in a rage at the previous year's party. Given her obsession with crime shows—not to mention Sophie's ability to walk through walls—Claire decides they're the best people to solve the case. And with the help of the only obviously not-guilty members of their host family—sexy ex-policeman Sebastian and far-too-cool non-binary teen Alex—they launch an investigation into which of last year's guests never escaped the manor's grounds. What follows is somewhat irregular detective work involving stealing a priest's cassock, getting too drunk to remember to question your suspect, and of course, Chekhov's sparkly purple dildo. As Claire desperately tries to keep a lid on the shameful secret that would definitely alienate her new friends, the gang must race against their own incompetence to find the murderer before the murderer finds them.

Charlie's life is perfect. She has everything her heart desires. Until it all goes horribly wrong. Charlie and Lincoln return to London to find two supernaturals have been murdered, and Charlie might be next. As if that wasn't bad enough, the man who adopted her has escaped from prison, and the committee members have just learned some news that infuriates them. Now there's talk of sending Charlie away again. Far away. But the worst is yet to come. Charlie is kidnapped and forced to summon one of the murder victims - but she's unable to send him back. With an angry dead supernatural on the loose and the committee determined to get rid of her, Charlie's time with the Ministry of Curiosities, and Lincoln, is in grave danger of coming to an end.

Great Expectations has had a long, active and sometimes surprising life since its first serialized appearance in All the Year Round between 1 December 1860 and 3 August 1861. In this new publishing and reception history, Mary Hammond demonstrates that while Dickens’s thirteenth novel can tell us a great deal about the dynamic mid-Victorian moment into which it was born, its afterlife beyond the nineteenth-century Anglophone world reveals the full extent of its versatility. Re-assessing generations of Dickens scholarship and using newly discovered archival material, Hammond covers the formative history of Great Expectations' early years, analyses the extent and significance of its global reach, and explores the ways in which it has functioned as literature and stage, TV, film and radio drama from its first appearance to the latest film version of 2012. Appendices include contemporary reviews and comprehensive bibliographies of adaptations and translations. The book is a rich resource for scholars and students of Dickens; of comparative literature; and of publishing, readership, and media history.

One of the finest novels by iconic British author Charles Dickens, this Victorian tale follows the good-natured orphan Pip as he makes his way through life. As a boy, Pip crosses paths with a convict named Magwitch, a man who will heavily influence Pip’s adulthood. Meanwhile, the earnest young man falls for the beautiful Estella, the adoptive daughter of the affluent and eccentric Miss Havisham. Widely considered to be Dickens's last great book, the story is steeped in romance and features the writer's familiar themes of crime, punishment, and societal struggle.

A fast-paced and hilarious debut crime novel, in which a burnt-out Millennial medium must utilize her ability to see ghosts and team-up with a band of oddball investigators to figure out which member(s) of a posh English family are guilty of murder. “This book has bags of humor, bags of heart, and a proper murder mystery at its core.” —Janice Hallett, author of The Appeal Almost-authentic medium Claire and her best friend, Sophie, agree to take on a seemingly simple job at a crumbling old manor in the English countryside: performing a seance for the family matriarch's 80th birthday. The pair have been friends since before Sophie went missing when they were seventeen. Everyone else is convinced Sophie simply ran away, but Claire knows the truth. Claire knows Sophie was murdered because Sophie has been haunting her ever since. Despite this traumatic past, Claire and Sophie are still unprepared for what they encounter when they arrive at the manor: a ghost, tragic and unrecognizable, and clearly the spirit of someone killed in a rage at the previous year's party. Given her obsession with crime shows—not to mention Sophie's ability to walk through walls—Claire decides they're the best people to solve the case. And with the help of the only obviously not-guilty members of their host family—sexy ex-policeman Sebastian and far-too-cool non-binary teen Alex—they launch an investigation into which of last year's guests never escaped the manor's grounds. What follows is somewhat irregular detective work involving stealing a priest's cassock, getting too drunk to remember to question your suspect, and of course, Chekhov's sparkly purple dildo. As Claire desperately tries to keep a lid on the shameful secret that would definitely alienate her new friends, the gang must race against their own incompetence to find the murderer before the murderer finds them.