Greek Gold From Hellenistic Egypt

Although much is left to the imagination, the basic facts do come to light, and the facets and surfaces of the Getty's golden treasure enrich us with new understanding."--BOOK JACKET.

This is the first comprehensive sourcebook in English concentrating entirely on the Hellenistic age.

From about 2000 BCE onward, Egypt served as an important nexus for cultural exchange in the eastern Mediterranean, importing and exporting not just wares but also new artistic techniques and styles. Egyptian, Greek, and Roman craftsmen imitated one another’s work, creating cultural and artistic hybrids that transcended a single tradition. Yet in spite of the remarkable artistic production that resulted from these interchanges, the complex vicissitudes of exchange between Egypt and the Classical world over the course of nearly 2500 years have not been comprehensively explored in a major exhibition or publication in the United States. It is precisely this aspect of Egypt’s history, however, that Beyond the Nile uncovers. Renowned scholars have come together to provide compelling analyses of the constantly evolving dynamics of cultural exchange, first between Egyptians and Greeks—during the Bronze Age, then the Archaic and Classical periods of Greece, and finally Ptolemaic Egypt—and later, when Egypt passed to Roman rule with the defeat of Cleopatra. Beyond the Nile, a milestone publication issued on the occasion of a major international exhibition, will become an indispensable contribution to the field. With gorgeous photographs of more than two hundred rare objects, including frescoes, statues, obelisks, jewelry, papyri, pottery, and coins, this volume offers an essential and inter-disciplinary approach to the rich world of artistic cross-pollination during antiquity.

This book presents in translation 175 of the most revealingdocuments that have survived on stone and papyrus from theHellenistic period. Presents over 150 sources in translation. Captures the political, social, economic and religious dynamismof the Hellenistic kingdoms and cities. Covers the entire Hellenistic world, with extensive coverage ofthe Ptolemaic kingdom.

Annotation. Ancient West & East is a peer-reviewed journal devoted to the study of the history and archaeology of the periphery of the Graeco-Roman world, concentrating on local societies and cultures and their interaction with the Graeco-Roman, Near Eastern and early Byzantine worlds.

This work presents systematic and objective examination of the large corpus of Hellenistic gold Eros jewellery. By focusing on the question of the interconnections between the major centres of production - Egypt, South Italy and South Russia, Western Asia Minor, Greece and Syria a number of regional schools and new jewellery groups are identified. The keys to the discussion are the well documented find contexts from Northern Greece, South Italy and Tel Atrib (Egypt) that make it possible to arrive at a relative chronology for a particular type of Eros, found throughout the Hellenistic world. The morphological, stylistic, iconographic and technical continuities between Hellenistic jewellery and in particular the Eros motif ensure the successful use of this methodology. Evidence from Koroni in Attica and from several South Italian tomb groups has been examined in detail and dated, according to the methodology described above to ca. 240 BC. The study includes a discussion of the significance of Eros in the Hellenistic period. The study has shown the value of Eros jewellery as an indicator of the cultural life of the Hellenistic world - its values, literature and basic lore about nature and the arts. The Eros motif and its morphological lineage are traced through related depictions in contemporaneous decorative arts. The catalogue has brought together as much material as possible to establish a typology and chronology of Eros jewellery in the hope that it will provide the maximum amount of information for future studies. 32 plates, including 12 in colour, illustrate the work.

Recent years have witnessed a revival of interest in the influence of archaic lyric poetry on Hellenistic poets. However, no study has yet examined the reception of Pindar, the most prominent of the lyric poets, in the poetry of this period. This monograph is the first book to offer a systematic examination of the evidence for the reception of Pindar in the works of Callimachus of Cyrene, Theocritus of Syracuse, Apollonius of Rhodes and Posidippus of Pella. Through a series of case studies, it argues that Pindaric poetry exercised a considerable influence on a variety of Hellenistic genres: epinician elegies and epigrams, hymns, encomia, and epic poetry. For the poets active at the courts of the first three Ptolemies, Pindar's poetry represented praise discourse in its most successful configuration. Imitating aspects of it, they lent their support to the ideological apparatus of Greco-Egyptian kingship, shaped the literary profile of Pindar for future generations of readers, and defined their own role and place in Greek literary history. The discussion offered in this book suggests new insights into aspects of literary tradition, Ptolemaic patronage, and Hellenistic poetics, placing Pindar's work at the very heart of an intricate nexus of political and poetic correspondences.

The Milan Papyrus ( P. Mil. Volg. VIII. 309), containing a collection of epigrams apparently all by Posidippus of Pella, provides one of the most exciting new additions to the corpus of Greek literature in decades. It not only contains over 100 previously unknown epigrams by one of the most prominent poets of the third century BC, but as an artefact it constitutes our earliest example of a Greek poetry book. In addition to a poetic translation of the entire corpus of Posidippus' poetry, this volume contains essays about Posidippus by experts in the fields of papyrology, Hellenistic and Augustan literature, Ptolemaic history, and Graeco-Roman visual culture.