Greek Poetry Of The Imperial Period

This book contains a selection of pagan Greek poetic texts ranging in date from the first to the sixth century AD. It makes easily accessible for the first time work by poets such as Quintus Smyrnaeus, Nonnus, Musaeus and Babrius hitherto neglected in Classical syllabuses. Genres represented include epic, epyllion, didactic, epigram, lyric and the verse fable. There is a brief general introduction, and in addition each section of detailed commentary is prefaced by a discussion of literary aspects of the poems and of their wider contexts. The book is intended primarily for undergraduate and graduate students of Greek, but will be of interest also to Classical scholars.

This book offers the most comprehensive and up-to-date history of ancient Greek literature from Homer to Late Antiquity. Its clear structure and detailed presentation of Greek authors and their works as well as literary genres and phenomena makes it an indispensable reference work for all those interested in Greek Antiquity, particularly well-suited for use in the classroom.

"This work establishes and explores connections between Greek imperial literature and Latin poetry. As such, it challenges conventional thinking about literary and cultural interaction of the period, which assumes that imperial Greeks are not much interested in Roman cultural products (especially literature). Instead, it argues that Latin poetry is a crucially important frame of reference for Greek imperial literature. This has significant ramifications, bearing on the question of bilingual allusion and intertextuality, as well as on that of cultural interaction during the imperial period more generally. The argument mobilizes the Greek novels-a literary form that flourished under the Roman empire, offering narratives of love, separation, and eventual reunion in and around the Mediterranean basin-as a series of case studies. Three of these novels in particular-Chariton's Chaereas and Callirhoe, Achilles Tatius' Clitophon and Leucippe, and Longus' Daphnis and Chloe-are analysed for the extent to which they allude to Latin poetry, and for the effects (literary and ideological) of such allusion. After an Introduction that establishes the cultural context and parameters of the study, each chapter pursues the strategies of an individual novelist in connection with Latin poetry: Chariton and Latin love elegy (Chapter 1); Chariton and Ovidian epistles and exilic poetry (Chapter 2); Chariton and Vergil's Aeneid (Chapter 3); Achilles Tatius and Latin love elegy (Chapter 4); Achilles Tatius and Vergil's Aeneid (Chapter 5); Achilles Tatius and the theme of bodily destruction in Ovid's Metamorphoses, Lucan's Bellum Civile, and Seneca's Phaedra (Chapter 6); Longus and Vergil's Eclogues, Georgics, and Aeneid (Chapter 7). The work offers the first book-length study of the role of Latin literature in Greek literary culture under the empire, and thus provides fresh perspectives and new approaches to the literature and culture of this period"--

This book offers a critical re-examination of some important (and some lesser known) texts which are commonly labelled 'epyllia' in classical scholarship. It traces the history of the generic term 'epyllion' and sketches the literary and scholarly reception of these texts.

This dissertation examines the relationship between the Homeric epics, the Iliad and the Odyssey, and Quintus of Smyrna's Posthomerica, a 14-book epic of the third century CE. It argues that Quintus bridges the narratives of the Iliad and the Odyssey and redeploys Homeric style in order to re-activate the cultural power of Homer under the Roman Empire. The first chapter analyzes Quintus' depiction of the Muses. The ways in which the goddesses are represented encodes the contemporary conflict of constructing a Greek identity as panhellenic or epichoric in the language of the past. This demonstrates the Posthomerica's deep engagement with the position of Hellenism and its connection to the past. The lack of an opening invocation to the Muses is part of Quintus' strategy for tapping into Homeric power: he connects the Iliad with the Posthomerica but also respects the boundaries of the Homeric text. The second chapter explores how Quintus occasionally draws his audience's gaze away from the primary narrative of the heroic past and towards their own present. This is done through landscapes, a simile involving the arena, Odysseus' testudo maneuver, and Calchas' prophecy about the Roman empire. These passages fuse the two time-frames together, which implicates the past in the construction of the present. In the third chapter specific nodes of intertextuality between the Posthomerica and the Iliad/Odyssey are the primary focus. It is argued that the intertextual web is incomplete, and that the audience must engage their education (paideia) to fill in the narrative gaps. This engages them in creating a Hellenic identity from the narratives of the past with knowledge derived from the present. The fourth chapter contextualizes Quintus with other hexameter poets of the first through fourth centuries CE who treated the Trojan War narrative, including Nestor and Pisander of Laranda, Triphiodorus, and hexameter papyrus fragments.

Traditionally, the history of Ancient Greek literature ends with Antiquity: after the fall of Rome, the literary works in ancient Greek generally belong to the domain of the Byzantine Empire. However, after the Byzantine refugees restored the knowledge of Ancient Greek in the west during the early humanistic period (15th century), Italian scholars (and later their French, German, Spanish colleagues) started to use Greek, a purely literary language that no one spoke, for their own texts and poems. This habit persisted with various ups and downs throughout the centuries, according to the development of Greek studies in each country. The aim of this anthology - the first one of this kind - is to give a selective overview of this kind of humanistic poetry in Ancient Greek, embracing all major regions of Europe and trying to concentrate on remarkable pieces of important poets. The ultimate goal of the book is to shed light on an important and so far mostly neglected aspect of the European heritage.

Although Greek and Latin poetry from late antiquity each poses similar questions and problems, a real dialogue between scholars on both sides is even now conspicuously absent. A lack of evidence impedes discussion of whether there was direct interaction between the two language traditions. This volume, however, starts from the premise that direct interaction should never be a prerequisite for a meaningful comparative and contextualising analysis of both late antique poetic traditions. A team of leading and emerging scholars sheds new light on literary developments that can be or have been regarded as typical of the period and on the poetic and aesthetic ideals that affected individual works, which are both classicizing and 'un-classical' in similar and diverging ways. This innovative exploration of the possibilities created by a bilingual focus should stimulate further explorations in future research.

Latin Poetry in the Ancient Greek Novels establishes and explores connections between Greek imperial literature and Latin poetry. This work challenges conventional thinking about literary and cultural interaction of the period, which assumes that imperial Greeks were not much interested in Roman cultural products (especially literature). Instead, it argues that Latin poetry is a crucially important frame of reference for Greek imperial literature. This has significant ramifications, bearing on the question of bilingual allusion and intertextuality, as well as on that of cultural interaction during the imperial period more generally. Three of these novels in particular-Chariton's Chaereas and Callirhoe, Achilles Tatius' Clitophon and Leucippe, and Longus' Daphnis and Chloe-are analysed for the extent to which they allude to Latin poetry, and for the effects (literary and ideological) of such allusion. After establishing the cultural context and parameters of the study, each chapter pursues the strategies of an individual novelist in connection with Latin poetry. The work offers the first book-length study of the role of Latin literature in Greek literary culture under the empire, and thus provides fresh perspectives and new approaches to the literature and culture of this period.