Green Glass Beads

'The joy for me is that this is my anthology, and I love every single poem in this book.' Jacqueline Wilson This is a gorgeous, stunningly produced collection of classic and modern poems that girls will turn to again and again throughout their lives. Jacqueline has taken great delight in selecting and arranging her favourite poems for this book, and you can hear her voice in the beautiful poems she has chosen, making it a truly personal collection. There are poems that will make you smile, laugh, frown and cry, and poems that will stay with you for the rest of your life.

Table of Contents Making a Basic Bead Preparing Mandrels 27 Igniting the Torch 28 Forming a Bead 30 Extinguishing the Torch 34 Removing Your Bead from the Mandrel 34 Finishing Touches 36 Simple Variations Shaping Your Beads 38 Overwraps 43 Multicolored Beads 44 Spots, Dots & Eyes 45 Stripes & Trails 47 Pulling Stringer 49 Fun with Stringer 53 Raked Patterns 56 Taking the Next Step Mixing Colors 59 Ribbon Cane 60 Twisties 61 Making Your Own Filigrana & Cased Stringer 64 Combing, Feathering, Side-Shifting & Furrowing 68 Pinching, Poking, Snipping & Plunging 71 Adding Metals 74 Inclusions & Surface Treatments 77 Commercial Millefiori 78 Advanced Techniques Making Your Own Millefiori 82 Cased Beads 87 Dichroic Glass 90 Sculpted Beads 91 Hollow Beads 98 Buttons 99 Marbles 101 Core Vessels 102 Appendix A. Jewelry-Making Basics 105 Appendix B. The Nature of Glass 108 Appendix C. Troubleshooting 110 Contributing Artists 111 Acknowledgments 112 Index 112.

This is the first systematic attempt to survey in detail the archaeological evidence for the crafts and craftsmanship of the Sumerians, Babylonians, and Assyrians in ancient Mesopotamia, covering the period ca. 8000-300 B.C.E. As creators of some of the earliest farming and urban communities known to us, these people were among the first pioneers of many crafts and skills that remain fundamental to modern ways of life. Many of the raw materials for crafts had to be imported from outside the river valley of the Tigris and Euphrates, providing an unusually sensitive indicator of the commercial and cultural contacts of Mesopotamia. In this book, Dr. Moorey reviews briefly the textual evidence, and then goes on to examine in detail the material evidence for a wide range of crafts using stones, both common and ornamental, animal products--from hippopotamus ivory to ostrich egg-shells--ceramics, glazed materials and glass, metals, and building materials. With a comprehensive bibliography, this will be a key work of reference for archaeologists and those interested in the early history of crafts and technology, as well as for specialist historians of the ancient Near East.

"These stories interconnect the friendships of four First Nations people spanning over two decades against the cultural, political, and historical backdrop of the 1990s and early 2000s."--

This innovative resource includes tools for classroom management that range from assessment techniques to tips for choosing and displaying poems.

They’re the very best in contemporary glass beadmaking, 1000 dazzling and unique examples by an international array of artists. This color survey has it all: the beads come single or in multiples, in jewelry or sculptural pieces, flameworked and kilnformed; and their diversity and beauty are amazing. Julia Skop’s intriguing Secret Surprise showcases clear glass beads with millefiori slices at the ends. Bruce St. John crafts his beads out of diachroic glass, then fuses and coldworks them at the lapidary well after completion. Nebula Black Necklace, from Rene Roberts, features an organic-looking focal bead adorned with fine metal leaf, glass shards, and a subtle dot decoration. An artist’s comment and detail image accompany many of the photos. A Selection of the Crafters Choice Book Club.

A goblin is happily making salt-crystal "bling" for himself, until he spots the nymph's green glass beads and is overwhelmed by desire for them. He asks for the beads, he demands the beads, he whines and begs for the beads. But the nymph has her own purpose for the beads, using them to do her science-magic ... Marcia Santore's colorful pictures retell the story of Overheard on a Saltmarsh, introducing Harold Monro's beloved poem to a new generation of children, while raising an important question: Just because some guy asks you for something, does that mean you have to give it him? Children (and adults!) will identify with the envy and desire of the tantruming goblin on the one hand, and with the serious-minded work of the gentle but firm nymph. The book also provides an opportunity to talk with children about when sharing is important and when maintaining personal boundaries is important, as well as the difference between "want" and "need." And that sometimes the right answer is "No." Don't miss the salt crystal-making activity in the back!