Groundwork

[T]he present groundwork is nothing more than the identification and vindication of the supreme principle of morality.' In the Groundwork for the Metaphysics of Morals (1785), Immanuel Kant makes clear his two central intentions: first, to uncover the principle that underpins morality, and secondly to defend its applicability to human beings. The result is one of the most significant texts in the history of ethics, and a masterpiece of Enlightenment thinking. Kant argues that moral law tells us to act only in ways that others could also act, thereby treating them as ends in themselves and not merely as means. Kant contends that despite apparent threats to our freedom from science, and to ethics from our self-interest, we can nonetheless take ourselves to be free rational agents, who as such have a motivation to act on this moral law, and thus the ability to act as moral beings. One of the most studied works of moral philosophy, this new translation by Robert Stern, Joe Saunders, and Christopher Bennett illuminates this famous text for modern readers.

Aiming to develop the categorical imperative, this collected volume contains papers on central theoretical aspects

An illuminating look at a fundamental yet understudied aspect of Italian Renaissance painting The Italian Renaissance picture is renowned for its depiction of the human figure, from the dramatic foreshortening of the body to create depth to the subtle blending of tones and colors to achieve greater naturalism. Yet these techniques rely on a powerful compositional element that often goes overlooked. Groundwork provides the first in-depth examination of the complex relationship between figure and ground in Renaissance painting. “Ground” can refer to the preparation of a work’s surface, the fictive floor or plane, or the background on which figuration occurs. In laying the material foundation, artists perform groundwork, opening the ground as a zone that can precede, penetrate, or fracture the figure. David Young Kim looks at the work of Gentile da Fabriano, Giovanni Bellini, Giovanni Battista Moroni, and Caravaggio, reconstructing each painter’s methods to demonstrate the intricacies involved in laying ground layers whose translucency and polychromy permeate the surface. He charts significant transitions from gold ground painting in the Trecento to the darkened grounds in Baroque tenebrism, and offers close readings of period texts to shed new light on the significance of ground forms such as rock face, wall, and cave. This beautifully illustrated book reconceives the Renaissance picture, revealing the passion and mystery of groundwork and discovering figuration beyond the human figure.

Groundwork helps product leaders center their efforts on the most impactful problems, prioritize the right customer needs, enable durable decisions, and create customer-driven organizations that consistently develop products people actually want.

A groundbreaking collection of essays on the civil rights movement focusing on smaller, regional civil organizations across the country - not just in the South.