Growing Old In The Middle Ages

This study draws a comprehensive picture of medieval old age in western Europe, combining primary sources and secondary litrature to produce a broad cultural history.

Research into old age and dying in the pre-modern world has examined not only the demographic aspects of ageing populations but also the social role of aged people. The volume, with its diverse topics, cuts across traditional scholarly barriers and provides valuable analytical tools for further studies on the subject.

After an extensive introduction that takes stock of the relevant research literature on Old Age in the Middle Ages and the early modern age, the contributors discuss the phenomenon of old age in many different fields of late antique, medieval, and early modern literature, history, and art history. Both Beowulf and the Hildebrandslied, both Wolfram von Eschenbach's Parzival and Titurel, both the figure of Merlin and the trans-European tradition of Perceval/Peredur/Parzival, then the figure of the vetula in a variety of medieval French, English, and Spanish texts, and of the Old Man in The Stricker's Daniel, both the treatment of old age in Langland's Piers the Plowman and in Jean Gerson's sermons are dealt with. Other aspects involve late-antique epistolary literature, early modern French farce in light of Disability Studies, the social role of old, impotent men in sixteenth- and seventeenth-century Netherlandish paintings, and the scientific discourse of old age and health since the 1500s. The discourse of Old Age proves to have been of central importance throughout the ages, so the critical examination of the issues involved sheds intriguing light on the cultural history from late antiquity to the seventeenth century.

Here is an absorbing and startlingly original illustrated study of one of the great - and most neglected - themes in all history: the ways in which society has perceived old people throughout the ages. From increased life expectancy and 'grey gap years' to dwindling pensions, the pros and cons of aging is a constant theme, yet much of the debate continues to be based on assumptions and misconceptions about the past. Is it true, for instance, that people were considered 'old' at fifty? How far have our ideas about the average life-span in previous centuries been distorted by infant mortality? Were the old respected and cared for? Did sexuality survive into old age? Here, for the first time, a group of leading historians address these and allied questions, writing vividly about a topic of great contemporary resonance that has for too long been surrounded by taboo. The visual evidence is a vital part of the story, and here the book is equally original. Drawing upon the rich legacy of art through two millennia, with works by a wide range of artists including Whistler, Rembrandt, Rego and Freud, this enthralling human story presents a picture that is sometimes compassionate, sometimes horrifying, but overall unexpectedly reassuring.

One of the hallmarks of contemporary culture is its attitude toward aging and the elderly. Youth and productivity are celebrated in today's society, while the elderly are increasingly marginalized. This not only poses difficulties for old people but is also a loss for the young and middle-agers, who could learn much from the elderly, including what it means to grow old (and die) "in Christ." Growing Old in Christ presents the first serious theological reflection ever on what it means to grow old, particularly in our culture and particularly as a Christian. In a full-orbed discussion of the subject, eighteen first-rate Christian thinkers survey biblical and historical perspectives on aging, look at aging in the modern world, and describe the "Christian practice of growing old." Along the way they address many timely issues, including the medicalization of aging, the debate over physician-assisted suicide, and the importance of friendships both among the elderly and between the elderly and the young. Weighty enough to instruct theologians, ethicists, and professional caregivers yet accessible enough for pastors and general readers, this book will benefit anyone seeking faith-based insight into growing old. Contributors: David Aers David Cloutier Rowan A. Greer Stanley Hauerwas Judith C. Hays Richard B. Hays Shaun C. Henson L. Gregory Jones Susan Pendleton Jones Patricia Beattie Jung D. Stephen Long M. Therese Lysaught David Matzko McCarthy Keith G. Meador Charles Pinches Joel James Shuman Carole Bailey Stoneking Laura Yordy

A SUNDAY TIMES HISTORY BOOK OF THE YEAR 'A triumph' Guardian 'Glorious ... makes the past at once familiar, exotic and thrilling.' Dominic Sandbrook 'A brilliant book' Mail on Sunday Just like us, medieval men and women worried about growing old, got blisters and indigestion, fell in love and had children. And yet their lives were full of miraculous and richly metaphorical experiences radically different to our own, unfolding in a world where deadly wounds might be healed overnight by divine intervention, or the heart of a king, plucked from his corpse, could be held aloft as a powerful symbol of political rule. In this richly-illustrated and unusual history, Jack Hartnell uncovers the fascinating ways in which people thought about, explored and experienced their physical selves in the Middle Ages, from Constantinople to Cairo and Canterbury. Unfolding like a medieval pageant, and filled with saints, soldiers, caliphs, queens, monks and monstrous beasts, it throws light on the medieval body from head to toe - revealing the surprisingly sophisticated medical knowledge of the time in the process. Bringing together medicine, art, music, politics, philosophy and social history, there is no better guide to what life was really like for the men and women who lived and died in the Middle Ages. Medieval Bodies is published in association with Wellcome Collection.

After an extensive introduction that takes stock of the relevant research literature on Old Age in the Middle Ages and the early modern age, the contributors discuss the phenomenon of old age in many different fields of late antique, medieval, and early modern literature, history, and art history. Both Beowulf and the Hildebrandslied, both Wolfram von Eschenbach's Parzival and Titurel, both the figure of Merlin and the trans-European tradition of Perceval/Peredur/Parzival, then the figure of the vetula in a variety of medieval French, English, and Spanish texts, and of the Old Man in The Stricker's Daniel, both the treatment of old age in Langland's Piers the Plowman and in Jean Gerson's sermons are dealt with. Other aspects involve late-antique epistolary literature, early modern French farce in light of Disability Studies, the social role of old, impotent men in sixteenth- and seventeenth-century Netherlandish paintings, and the scientific discourse of old age and health since the 1500s. The discourse of Old Age proves to have been of central importance throughout the ages, so the critical examination of the issues involved sheds intriguing light on the cultural history from late antiquity to the seventeenth century.

The goal of the twelve essays in this volume, contributed by scholars in the fields of history, literature, art history, and medicine, is to enrich our understanding of cultural discourses on ageing in early modern Europe. While a number of books examine old age in other eras, and a few touch on the early modern period, this is the first to focus explicitly on representations of ageing in Europe from 1350-1700. These studies invite the reader to take a closer look at images of ageing; they show that representations are embedded in specific communities, life situations, and structures of power. As well, the book explores how representations of old age function in various and often surprising ways: as repositories of socio-cultural anxieties, as strategies of self-fashioning, and as instruments of ideology capable of disciplining the body and the body politic. Since this book is about how old age as a cultural category was produced and maintained through representation, the essays in this volume are organised thematically across geographic, disciplinary, and media boundaries to foreground the politics and poetics of representational strategies. The contributors to this collection show that our understanding not only of ageing, but also of power, subjectivity, gender, sexuality, and the body is enriched by the study of cultural representations of old age. Through sensitive and sophisticated readings of a wide range of sources, these papers collectively demonstrate the formative influence and generative force of images of old age within early modern European culture.