Guardian S Spell

In this exquisite, haunting book, John Burnside describes his coming of age from the industrial misery of Cowdenbeath and Corby to the new world of Cambridge. The old Scots word ‘glamour’ means magical charm, and the first time he was played I Put a Spell on You, John Burnside thought he had never heard a more beautiful song – it was an enchantment, a fascination that would turn to obsession. Implicit in the song were all the ambiguities that intrigued him – love, possession, and danger – and this book is an exploration of the darker side of glamour and attraction. Beginning with memories of a brutal murder, the book follows the author through a series of uncanny encounters with ‘lost girls’, with brilliant digressions on murder ballads, voodoo, acid and insomnia, and a cast that includes Kafka and Narcissus, Diane Arbus and Mel Lyman, The Four Tops and Screamin’ Jay Hawkins, and time spent lost in the Arctic Circle, black-and-white films and a mental institution. Ending with the tender summoning of the ghost of his dying mother as she sings along to the radio in her empty kitchen, I Put a Spell on You is a book about memory, about the other side of love: a book of secrets and wonders. ‘A marvellously meandering, digressive study of the nature of love... Exact and enthralling.’ Tessa Hadley

The Lost Words by composer James Burton takes its inspiration and text from the award-winning 'cultural phenomenon' and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children's dictionary. Both the book and Burton's 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or 'spell', magically brought to life in Burton's music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton's piece was co-commissioned by the Hallé Concerts Society for the Hallé Children's Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children's Choir, of which Burton is founder and director. The Hallé Children's Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic. Vocal Score Co-commission by Boston Symphony and Hallé Concerts Society for their respective Children's Choirs. Two versions - with orchestral or with piano accompaniment. The vocal score is the same for both versions. James Burton is a composer but also a conductor. He is conductor of the Tanglewood Festival Chorus and choral director of the Boston Symphony. The book The Lost Words, exquisitely designed, has won multiple awards and is an international best-seller. The vocal score includes Jackie Morris's beautiful imagery in its cover design.

Clarice Bean, aspiring actress and author, unsuccessfully tries to avoid getting into trouble as she attempts to help a friend in need by following the rules of the fictional, "exceptionordinarily" spy, Ruby Redfort.

Why is there an 'h' in ghost? William Caxton, inventor of the printing press and his Flemish employees are to blame: without a dictionary or style guide to hand in fifteenth century Bruges, the typesetters simply spelled it the way it sounded to their foreign ears, and it stuck. Seventy-five per cent of English spelling is regular but twenty-five per cent is complicated, and in Spell It Out our foremost linguistics expert David Crystal extends a helping hand to the confused and curious alike. He unearths the stories behind the rogue words that confound us, and explains why these peculiarities entered the mainstream, in an epic journey taking in sixth century monks, French and Latin upstarts, the Industrial Revolution and the internet. By learning the history and the principles, Crystal shows how the spellings that break all the rules become easier to get right.

A water mage and the protector she never wanted. Rare water mage Sela is given no time to mourn the loss of her longtime protector and father figure before she's faced with the one man standing in the way of her freedom: her new guardian, mage-warrior Tieran.An Inlander with no honor, Tieran is loyal to no man, priest, king or god. If not for the magic binding him to the infuriating water mage, he would abandon her amidst the land-locked Inlands, away from the sea she yearns to visit, and pursue vengeance against those who killed his family.Sela and her reluctant protector are soon thrown into the middle of a power struggle raging among the rulers of the four island kingdoms. To survive, both mage and warrior must overcome their distrust of one another, for the longer they resist their bond, the more perilous their journey becomes.

Forged by Twilight Paranormal Romance Love Awakens Their Royal Soul For weeks, Blane Pazu, aka the immortal demon king Pazuzu, experienced the increasing pull of his lifemate— he’d felt her for years but suddenly it threatened to tear his insides apart. The timing couldn't have been worse; he needed to first find his lost amulet to break Lucifer’s curse on his kind and thereby save humanity… so he chose to ignore it. “This amulet chose you to form a mate-bond with the demon it belongs to. If you fail to find him, humanity will die.” Zara Santiago came to Sin City five years ago to hide from her past. She should’ve known better than to allow the supposed witch, Madame Hilda, to spout out her fortune. For one, she didn’t believe in anything as frivolous as the mystique world, let alone demons or angels. Therefore, the amulet was set aside in her home and forgotten about… until it started to glow. The day the black-haired pixie arrived at his gym, Blane knew he was lost. How could he trust a stranger who was asking too many questions and knew exactly what his amulet looked like? Was the evil goddess behind her appearance…or Lucifer himself? Why then, knowing the danger of trusting her held for them all, was it possible that the feisty mortal with the huge blue eyes managed to unleash Blane’s darkest passion? A Guardian’s Spell had been cast but Blane was left wondering… who wielded the power? Him… or the mortal human? Editor’s note: Otherworldly creatures, curses, and pleasures. Guardian’s Spell will keep your eyes wide, your jaw hanging open, and your mind wondering just what doing THAT with a demon king with TWO would be like.

Shortlisted for the 2014 T.S. Eliot Prize and the Forward Prize for Best Collection ‘There are lines in All One Breath for instance, that brand themselves into your brain with the fire of painful recognition. And yet it is also part of his genius to be ever alert to beauty, too.’ - Sebastian Barry, a New Statesman Book of the Year In this absorbing, brilliant new collection – his first since Black Cat Bone – John Burnside examines our shared experience of this mortal world: how we are ‘all one breath’ and – with that breath – how we must strive towards the harmony of choir. Recognising that our attitudes to other creatures – human and non-human – cause too much damage and hurt, that ‘we’ve been going at this for years: / a steady delete / of anything that tells us what we are’, these poems celebrate the fleeting, charged moments where, through measured and gracious encounters with other lives, we find our true selves, and bring some brief, insubstantial goodness and beauty into being. He presents the world in a series of still lifes, in tableaux vivants and tableaux morts, in laboratory tests, anatomy lessons, in a Spiegelkabinett where the reflections in the mirrors, distorted as they seem, reveal buried truths. All the images are in some sense self-portraits: all are, in some way, elegies. One of the finest and most celebrated lyric poets at work today, John Burnside is a master of the moment – when the frames of our film seem to slow and stop and a life slips through the gap in between – and each poem here is a perfect, uncanny hymn to humanity, set down ‘to tell the lives of others’.