Guests Of The Unspeakable

"Daum is her generation's Joan Didion." —Nylon Nearly fifteen years after her debut collection, My Misspent Youth, captured the ambitions and anxieties of a generation, Meghan Daum returns to the personal essay with The Unspeakable, a masterful collection of ten new works. Her old encounters with overdrawn bank accounts and oversized ambitions in the big city have given way to a new set of challenges. The first essay, "Matricide," opens without flinching: People who weren't there like to say that my mother died at home surrounded by loving family. This is technically true, though it was just my brother and me and he was looking at Facebook and I was reading a profile of Hillary Clinton in the December 2009 issue of Vogue. Elsewhere, she carefully weighs the decision to have children—"I simply felt no calling to be a parent. As a role, as my role, it felt inauthentic and inorganic"—and finds a more fulfilling path as a court-appointed advocate for foster children. In other essays, she skewers the marriage-industrial complex and recounts a harrowing near-death experience following a sudden illness. Throughout, Daum pushes back against the false sentimentality and shrink-wrapped platitudes that surround so much of contemporary American experience and considers the unspeakable thoughts many of us harbor—that we might not love our parents enough, that "life's pleasures" sometimes feel more like chores, that life's ultimate lesson may be that we often learn nothing. But Daum also operates in a comic register. With perfect precision, she reveals the absurdities of the New Age search for the "Best Possible Experience," champions the merits of cream-of mushroom-soup casserole, and gleefully recounts a quintessential "only-in-L.A." story of playing charades at a famous person's home. Combining the piercing insight of Joan Didion with humor reminiscent of Nora Ephron's, Daum dissects our culture's most dangerous illusions, blind spots, and sentimentalities while retaining her own joy and compassion. Through it all, she dramatizes the search for an authentic self in a world where achieving an identity is never simple and never complete.

Captive Anzacs explores the experiences of the 198 Australians who became prisoners of the Ottomans during the First World War. Kate Ariotti intertwines rich detail from letters, diaries and other personal papers with official records to provide a comprehensive, nuanced account of this aspect of Australian war history.

This book addresses the conflicts, myths, and memories that grew out of the Great War in Ottoman Turkey, and their legacies in society and politics. It is the third volume in a series dedicated to the combined analysis of the Ottoman Great War and the Armenian Genocide. In Australia and New Zealand, and even more in the post-Ottoman Middle East, the memory of the First World War still has an immediacy that it has long lost in Europe. For the post-Ottoman regions, the first of the two World Wars, which ended Ottoman rule, was the formative experience. This volume analyses this complex configuration: why these entanglements became possible; how shared or even contradictory memories have been constructed over the past hundred years, and how differing historiographies have developed. Remembering the Great War in the Middle East reaches towards a new conceptualization of the “long last Ottoman decade” (1912-22), one that places this era and its actors more firmly at the center, instead of on the periphery, of a history of a Greater Europe, a history comprising – as contemporary maps did – Europe, Russia, and the Ottoman world.

Greg Gutfeld, the acclaimed host of the popular, nightly Fox News show Red Eye, has packed this book full of his most aggressive (and funny) diatribes -- each chapter exploring Unspeakable Truths that cut right to the core and go well beyond just politics. Greg deconstructs pop culture, media, kids, disease, race, food, sex, celebrity, current events, and nearly every other aspect of life, with Truths including but not limited to: "if you're over 25 and still use party as a verb, then you're beyond redemption," "the media wanted bird flu to kill thousands," "attractive people don't write for a living," "death row inmates make the best husbands," and "the urge to punch Zach Braff in the face is completely natural." With an irreverent voice, incredible wit, and a firm take on just about everything, this is a manual for how to think about stuff, by a guy who has thought about precisely that same stuff. And, even if you disagree with Greg, this book will make you laugh--guaranteed.* *Not guaranteed