Guinevere S Book Of Great Ideas And Thoughts

Guinevere's Notebook Specifications; 150 Dotted grid and numbered cream 90g/m2 pages. Perfect matte 220g/m2 soft cover with clean design. "If Lost contact..." page Customised design for: Guinevere 6" x 9" dimensions; fits backpack, school, home or work. Good compromise between size and portability. Can be used as a notebook, journal, diary, composition book for school and work, and any other practical application where a medium sized notebook is required. Perfect gift for adults and kids for any gift giving occasion ( Christmas, Birthdays and other festive occasions. ) Designed with Love by the team at 2Scribble.

“Deft and lovely...The perfect weight, in all ways. It’s suitable for a vacation, and you can describe it in one inviting line, but then it keeps unfolding and deepening, taking unexpected turns.” —The New York Times Book Review To four girls who have nothing, their friendship is everything: they are each other’s confidants, teachers, and family. The girls are all named Guinevere—Vere, Gwen, Ginny, and Win—and it is the surprise of finding another Guinevere in their midst that first brings them together. They come to The Sisters of the Supreme Adoration convent by different paths, delivered by their families, each with her own complicated, heartbreaking story that she safeguards. Gwen is all Hollywood glamour and swagger; Ginny is a budding artiste with a sentiment to match; Win’s tough bravado isn’t even skin deep; and Vere is the only one who seems to be a believer, trying to hold onto her faith that her mother will one day return for her. However, the girls are more than the sum of their parts and together they form the all powerful and confident The Guineveres, bound by the extraordinary coincidence of their names and girded against the indignities of their plain, sequestered lives. The nuns who raise them teach the Guineveres that faith is about waiting: waiting for the mail, for weekly wash day, for a miracle, or for the day they turn eighteen and are allowed to leave the convent. But the Guineveres grow tired of waiting. And so when four comatose soldiers from the War looming outside arrive at the convent, the girls realize that these men may hold their ticket out. In prose shot through with beauty, Sarah Domet weaves together the Guineveres’ past, present, and future, as well as the stories of the female saints they were raised on, to capture the wonder and tumult of girlhood and the magical thinking of young women as they cross over to adulthood.

'Tightly plotted and hugely readable' Jane Rogers, author of PROMISED LANDS 'Marvellous . . . fans of immersive historical fiction, the 18th century, all things French and a dash of peril, this one's for you' Emily Brand, author of THE FALL OF THE HOUSE OF BYRON 'Glasfurd deftly, elegantly captures this volatile world of impoverished attic rooms and gilded literary salons' DAILY MAIL The King knows the true power and privilege of books. When every book is cause for suspicion, you risk execution for possessing the wrong ones. 1766, PARIS. Ten years have passed since Delphine Vimond last saw her father. After his violent arrest, his library of books is burned. Young Delphine, bereft and fatherless, is forced to seek refuge in the city. Now working as a housekeeper for the radical Monsieur Diderot, her settled life is suddenly disrupted by the arrival of Chancery Smith. A printer's apprentice, he has been sent from London to hunt down the mysterious author of revolutionary papers marked only with the initial D - the possession of which could prove fatal. Pursued by the brutal French censor, Henri Gilbert, Delphine and Chancery set off on a frantic and deadly search that will take them across the country. But can they catch up with D before Gilbert catches up with them? 'Among historical novelists, Glasfurd rides high' FINANCIAL TIMES

Welcome to the dark side of Camelot. The acclaimed author of Mortal Engines delivers a “powerfully inventive” re-creation of the King Arthur tale (Booklist, starred review). Gwynna is just a girl who is forced to run when her village is attacked and burns to the ground. To her horror, she is discovered, but it is Myrddin the bard, a traveler and spinner of tales, who has found her. He agrees to protect Gwynna if she will agree to be bound in service to him. Gwynna is frightened but intrigued, for this Myrddin serves the young, rough, and powerful Arthur. In the course of their travels, Myrddin transforms Gwynna into the mysterious Lady of the Lake, a boy warrior, and a spy. It is part of a plot to transform Arthur from the leader of a ragtag war-band into King Arthur, the greatest hero of all time. If Gwynna and Myrrdin’s trickery is discovered, what will become of Gwynna? Worse, what will become of Arthur? Only the endless battling, the mighty belief of men, and the sheer cunning of one remarkable girl will tell. “Nodding to canon and history while not particularly following either Reeve, like Myrddin, turns hallowed myth and supple prose to political purposes, neatly skewering the modern-day cult of spin and the age-old trickery behind it. Smart teens will love this.” —Publishers Weekly (starred review) “Is there room for yet another reworking of the Arthur legend? If it’s this one, yes . . . Absorbing, thought-provoking and unexpectedly timely.” —Kirkus Reviews (starred review) “A multilayered tour de force for mature young readers.” —School Library Journal

If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...

In 1815, a supervolcanic eruption led to the extraordinary 'Year Without Summer' in 1816: a massive climate disruption causing famine, poverty and riots. Snow fell in August. Lives, both ordinary and privileged, changed forever. Mary Shelley wrote Frankenstein. The artist, John Constable, sought refuge in Suffolk. As crops failed, the dispossessed rose up in rebellion, threatening to burn the old order to the ground.

"An absorbing portrait of the Arthurian age." —San Francisco Chronicle Among the first to look at the story of Camelot through Guinevere's eyes, Woolley sets the traditional tale in the time of its origin, after Britain has shattered into warring fiefdoms. Hampered by neither fantasy nor medieval romance, this young Guinevere is a feisty Celtic tomboy who sees no reason why she must learn to speak Latin, wear dresses, and go south to marry that king. But legends being what they are, the story of Arthur's rise to power soon intrigues her, and when they finally meet, Guinevere and Arthur form a partnership that has lasted for 1500 years. This is Arthurian epic at its best—filled with romance, adventure, authentic Dark Ages detail, and wonderfully human people. Praise for Persia Woolley's Guinevere Trilogy "Original...accurate in detail...Child of the Northern Spring is rich and sweet." —New York Times "Vivid...dramatic...once again we are captivated by the magic of the legend that has long fed our appetite for pageantry and romantic adventure." —Washington Post "Vividly re-creates sixth-century Britain in the throes of change...Child of the Northern Spring portrays a sensitive young woman who will appeal to modern readers." —Publishers Weekly "Richly textured, evoking the sights and sounds of castle and countryside, the qualities of knight and servant. Highly recommended." —Library Journal