Gutter

The true story of the Edelweiss Pirates, working-class teenagers who fought the Nazis by whatever means they could. Fritz, Gertrud, and Jean were classic outsiders: their clothes were different, their music was rebellious, and they weren’t afraid to fight. But they were also Germans living under Hitler, and any nonconformity could get them arrested or worse. As children in 1933, they saw their world change. Their earliest memories were of the Nazi rise to power and of their parents fighting Brownshirts in the streets, being sent to prison, or just disappearing. As Hitler’s grip tightened, these three found themselves trapped in a nation whose government contradicted everything they believed in. And by the time they were teenagers, the Nazis expected them to be part of the war machine. Fritz, Gertrud, and Jean and hundreds like them said no. They grew bolder, painting anti-Nazi graffiti, distributing anti-war leaflets, and helping those persecuted by the Nazis. Their actions were always dangerous. The Gestapo pursued and arrested hundreds of Edelweiss Pirates. In World War II’s desperate final year, some Pirates joined in sabotage and armed resistance, risking the Third Reich’s ultimate punishment. This is their story.

NATIONAL BESTSELLER Finalist for the Amazon Canada First Novel Award Cityline Book Club Pick “A deep, unflinching yet loving look at injustice and power.” —Chatelaine “A powerful and unforgettable novel” (Quill and Quire, starred review) about a young woman who must find the courage to secure her freedom and determine her own future Set in an imagined world in which the most vulnerable are forced to buy their freedom by working off their debt to society, Gutter Child uncovers a nation divided into the privileged Mainland and the policed Gutter. As part of a social experiment led by the Mainland government, Elimina Dubois is one of just one hundred babies taken from the Gutter and raised in the land of opportunity. But when her Mainland mother dies, Elimina finds herself alone, a teenager forced into an unfamiliar life of servitude, unsure of who she is and where she belongs. Sent to an academy with new rules and expectations, Elimina befriends children who are making their own way through the Gutter System in whatever way they know how. But when her life takes yet another unexpected turn, Elimina will discover that what she needs more than anything may not be the freedom she longed for after all. Gutter Child reveals one young woman’s journey through a fractured world of heartbreaking disadvantages and shocking injustices. As a modern heroine in an altered but all-too-recognizable reality, Elimina must find the strength within herself to forge her future in defiance of a system that tries to shape her destiny.

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When his infant son is kidnapped by a mage guild in a kingdom where everything runs on magic, Lord Edmund seeks assistance from Rosalind Featherstone, known as the Gutter Mage, who is feared by even the most magically adept.

Anglophone Verse Novels as Gutter Texts draws on the notion of the 'gutter' in graphic narratives – the gap between panels that a reader has to imaginatively fill to generate narrative sequence – to analyse the largely overlooked literary form of the verse novel. Marked at all levels by the tense constellation of segment and sequence, and a conspicuously 'gappy' texture, verse novels offer productive alternatives to the dominant prose novel in contemporary fiction, where a similar 'gappiness' has become a hallmark, as illustrated by the loosely interlaced multi-strand plot structures of influential 'world novels' (Bolaño, Mitchell, Powers). The verse novel is a form particularly prolific in the postcolonial world and among diasporic or minoritarian writers in the Global North. This study concentrates on two of the most prominent areas in which verse novels distinguish themselves from the prose novel to read texts by Derek Walcott, Anne Carson, Bernardine Evaristo, Patience Agbabi and others: In 'planetary' verse novels from the Caribbean, Canada, Samoa and Hawai'i, the central trope of the volcano evokes a world in constant un/making; while post-national verse novels, particularly in Britain, modify the established paradigms of imagined communities. Dirk Wiemann's study speculates whether the resurgence of verse novels correlates with the apprehension of inhabiting a world that has become unpredictable and dangerous but also promising: a 'post-prosaic' world.

"The Gutter Prayer is captivating and complex. Guerdon is a city that seethes with history, horror, and hidden secrets" (Nicholas Eames). A group of three young thieves are pulled into a centuries old magical war between ancient beings, mages, and humanity in this wildly original debut epic fantasy. Enter a city of saints and thieves . . . The city of Guerdon stands eternal. A refuge from the war that rages beyond its borders. But in the ancient tunnels deep beneath its streets, a malevolent power has begun to stir. The fate of the city rests in the hands of three thieves. They alone stand against the coming darkness. As conspiracies unfold and secrets are revealed, their friendship will be tested to the limit. If they fail, all will be lost, and the streets of Guerdon will run with blood. "A groundbreaking and extraordinary novel . . . Hanrahan has an astonishing imagination" (Peter McLean). The Gutter Prayer is an epic tale of sorcerers and thieves, treachery and revenge, from a remarkable new voice in fantasy.

There are roads out there that many of us cross daily without ever truly taking in that which surrounds us. This is the story of a young dope dealer that one day happened to take notice and felt a compassion to give back. And while he encountered mob bosses, crooked cops, rival gangs, and against all odds, he pushed back. This story will make you laugh out loud and perhaps even shed a tear. Perhaps you’ll discover what is truly an unselfish love. At any rate, I’m pretty sure you’ll be entertained as you witness what happens when the violent taketh by force.