Hacienda Book 1

Mexican Gothic meets Rebecca in this debut supernatural suspense novel, set in the aftermath of the Mexican War of Independence, about a remote house, a sinister haunting, and the woman pulled into their clutches... During the overthrow of the Mexican government, Beatriz’s father was executed and her home destroyed. When handsome Don Rodolfo Solórzano proposes, Beatriz ignores the rumors surrounding his first wife’s sudden demise, choosing instead to seize the security that his estate in the countryside provides. She will have her own home again, no matter the cost. But Hacienda San Isidro is not the sanctuary she imagined. When Rodolfo returns to work in the capital, visions and voices invade Beatriz’s sleep. The weight of invisible eyes follows her every move. Rodolfo’s sister, Juana, scoffs at Beatriz’s fears—but why does she refuse to enter the house at night? Why does the cook burn copal incense at the edge of the kitchen and mark the doorway with strange symbols? What really happened to the first Doña Solórzano? Beatriz only knows two things for certain: Something is wrong with the hacienda. And no one there will save her. Desperate for help, she clings to the young priest, Padre Andrés, as an ally. No ordinary priest, Andrés will have to rely on his skills as a witch to fight off the malevolent presence haunting the hacienda and protect the woman for whom he feels a powerful, forbidden attraction. But even he might not be enough to battle the darkness. Far from a refuge, San Isidro may be Beatriz’s doom.

A young Englishwoman, Diana Carstairs, goes out to the Central American police state of Costa Negra to reclaim her inheritance, only to be arrested on trumped-up charges of drug smuggling.Sentenced to years of harsh imprisonment, she is acquired as an indentured servant by the man she had sought to supplant, the harsh owner of the remote plantation.Her owner is a keen breeder and trainer of two and four legged ponies and Diana finds herself being put through her paces!

Legendary musician Peter Hook tells the whole story - the fun, the music, the vast loss of money, the legacy - of Manchester's most iconic nightclub Peter Hook, as co-founder of Joy Division and New Order, has been shaping the course of popular music for thirty years. He provided the propulsive bass guitar melodies of 'Love Will Tear Us Apart' and the bestselling 12-inch single ever, 'Blue Monday' among many other songs. As co-owner of Manchester's Hacienda club, Hook propelled the rise of acid house in the late 1980s, then suffered through its violent fall in the 1990s as gangs, drugs, greed and a hostile police force destroyed everything he and his friends had created. This is his memory of that era and 'it's far sadder, funnier, scarier and stranger' than anyone has imagined. As young and naive musicians, the members of New Order were thrilled when their record label Factory opened a club. Yet as their career escalated, they toured the world and had top ten hits, their royalties were being ploughed into the Hacienda and they were only being paid £20 per week. Peter Hook looked back at that exciting and hilarious time to write HACIENDA. All the main characters appear - Tony Wilson, Barney, Shaun Ryder - and Hook tells it like it was - a rollercoaster of success, money, confusion and true faith.

Cursum Perficio is the name of Marilyn Monroe's last home. Cursum Perficio, the book, is author Gary Vitacco-Robles' exploration of Marilyn's last home as a touchstone to her brief and extraordinary life. A definitive testament of Marilyn Monroe's modest nature, simple tastes and spirituality was her selection of a house in which to settle at age 35. The Spanish Colonial hacienda symbolizes Marilyn's unfulfilled dreams and unfinished life. The Latin inscription on the tiles adorning the front doorstep, Cursum Perficio (translating to "My journey ends"), prophesied the screen goddess' death in the home in 1962. Cursum Perficio invites us inside Marilyn's private life through 120 illustrations and previously unpublished photos of her hacienda and its contents. See the interior, Marilyn's art and decorations purchased on a shopping spree in Mexico, and the furniture delivered days before her death. Vitacco-Robles reveals the events during Marilyn's last months, her daily routine, and her random acts of kindness. Cursum Perficio is not a sensational exploitation of Marilyn Monroe but a celebration of the human being behind the legend. It is a rare and refreshing exploration for the most devout fan and an insightful introduction for those just discovering this enduring icon of the Twentieth Century. This expanded second edition contains added chapters and new images by Brandon Heidrick.

From the colonial period through the mid-twentieth century, haciendas dominated the Latin American countryside. In the Ecuadorian Andes, Runa—Quichua-speaking indigenous people—worked on these large agrarian estates as virtual serfs. In Remembering the Hacienda: Religion, Authority, and Social Change in Highland Ecuador, Barry Lyons probes the workings of power on haciendas and explores the hacienda's contemporary legacy. Lyons lived for three years in a Runa village and conducted in-depth interviews with elderly former hacienda laborers. He combines their wrenching accounts with archival evidence to paint an astonishing portrait of daily life on haciendas. Lyons also develops an innovative analysis of hacienda discipline and authority relations. Remembering the Hacienda explains the role of religion as well as the reshaping of Runa culture and identity under the impact of land reform and liberation theology. This beautifully written book is a major contribution to the understanding of social control and domination. It will be valuable reading for a broad audience in anthropology, history, Latin American studies, and religious studies.

Married at sixteen to a man twenty years her senior who spoke no English, she was taken to his ancestral home and estate where she found herself living in the most primitive of conditions, isolated and alone. St. Aubin de Teran ended up virtually running the plantation that belonged to her increasingly demented husband but enjoyed learning the mores and magic of a place that had remained practically unchanged for more than a century. Written in mesmerising prose, this is the extraordinary story of a young woman surviving by her wits and fantasies.

Traveling the country in search of the most significant aspects of Colombia's colonial ranch houses, this book brings to life the convergence of decisive elements of the country's past and tradition. These ranch houses were the scene of struggles, epiphanies, and downfalls in the country's history—all evoked through the point of view of a historian specializing in architecture.

What the plantation has been to the history and literature of the American South, the hacienda has been to Mexico and the American Southwest. In Remembering the Hacienda, Vincent Perez makes the case that the hacienda offers the emblem of an antebellum, agrarian social order that predates the United States. It is the site in which the Mexican American community's heroic, genteel forebears lived in dignity and pride, and it is the heritage from which they were cast out as orphans, both in mother Mexico by the Revolution and in the American Southwest when the wars of 1836 and 1846-48 and capitalist land grabs dispossessed the Mexican hacendados. The hacienda, Perez argues, had its own orphans, too: Indians, mestizos, women, and peons. American culture, Perez examines five novels and autobiographies: Jovita Gonzalez and Eve Raleigh's Caballero: A Historical Novel (written in the 1930s and 1940s and later published by Texas A&M University Press), Maria Maparo Ruiz de Burton's The Squatter and the Don (1885), Mariano Guadalupe Vallejo's Historical and Personal Memoirs Relating to Alta, California (1874), Leo Carrillo's The California I Love (1961), and Francisco Robles Perez's immigrant autobiography Memorias. The last work is Perez's own grandfather's life narrative.