Half Wild

The second thrilling book in Sally Green's Half Bad trilogy, the inspiration for the Netflix series The Bastard Son & The Devil Himself "An enthralling fantasy in the Harry Potter tradition."—Time magazine on Half Bad Kept in a cage for two years by the Council of Fairborn Witches, Nathan was trained to kill his father, the most violent and feared of the Blood Witches. Now Nathan has escaped, and he dreams of a quiet life of freedom with Annalise, the girl he loves—but Annalise is a prisoner, wasting away in a deathlike sleep. Nathan’s friend, Gabriel, is missing, likely dead, and although Nathan has found his unique magical Gift, he can’t control it. The Council's Hunters are on his trail, so he is always on the run. Nathan's only hope of survival is to join with new allies and old enemies in an alliance to bring down the Council, and they want Nathan's help: they, too, want Nathan to be a killer. Maybe that is the only way out. Maybe that is just who he is now… Set in modern-day Europe, the second book in the Half Bad trilogy is more than a story about witches. It's a heart-poundingly visceral look at survival and exploitation, the nature of good and evil, and the risks we take for love. Now streaming on Netflix as The Bastard Son & The Devil Himself.

Maddie and Nick, refusing to listen to their parents' requests for them to behave, fall under a spell and become half-wild creatures until they are able to recall how nice it was to be good.

A stunningly original debut novel inspired by the life of Eugenia Falleni.

Half Wild is spiritual biography wound backwards, spiraling into the world rather than out of it. Though it reflects on the paradoxes of our violent times, Mary Rose O'Reilley's collection hangs on to life like the bee "up to his hips in love" who "will fall asleep in the snow" and "wake up still kissing his flower." In O'Reilley's poems, human, animal, and mineral creations interpenetrate and share surreal conversation -- even stones exchange stories of "hot times in the magma" and animals are listened to intently. Here sacred inquiry is grounded in a passion for the natural world, resolving questions through lyric, erotic, and sensual response. The poems of Half Wild revel in desire and longing as instruments of theological critique.You were the part of methat gave itself to death.Sometimes I dream of eyes,sealed with a membraneof unknowinglike a mystic's veil,that open to my glance without surprise.Sometimes I dreamof perfect understanding.Sometimes I snatchat hands that seem to seekas through a caul.Sometimes I wakenWith an infant's shriek. -- from "Twin"

“This heartbreakingly honest and authentic fiction will make you weep over, laugh at, and finally cheer for, mothers and daughters, sons and fathers, lovers and losers, and the human race in general. Half Wild is American fiction, and American literature, at its very best.”—Howard Frank Mosher, author of The Great Northern Express and Northern Borders Spanning nearly forty years, the stories in Robin MacArthur’s formidable debut give voice to the dreams, hungers, and fears of a diverse cast of Vermonters—adolescent girls, aging hippies, hardscrabble farmers, disconnected women, and solitary men. Straddling the border between civilization and the wild, they all struggle to make sense of their loneliness and longings in the stark and often isolating enclaves they call home—golden fields and white-veiled woods, dilapidated farmhouses and makeshift trailers, icy rivers and still lakes rouse the imagination, tether the heart, and inhabit the soul. In “Creek Dippers,” a teenage girl vows to escape the fate that has trapped her eccentric mother. In “God’s Country,” an elderly woman is unexpectedly reminded of a forbidden youthful passion and the chance she did not take. Returning to her childhood house when her mother falls ill, a daughter grapples with her own sense of belonging in “The Women Where I’m From.” With striking prose powerful in its clarity and purity, MacArthur effortlessly renders characters—men and women, young and old—cleaved to the fierce and beautiful land that has defined them.

Set in the same magical world as Sally Green's internationally beloved and acclaimed Half Bad series, this is the journal of Gabriel's younger sister, Michele, a teen witch living in Florida and grappling with the recent death of her mother, the restrictions placed on her because of her magical gifts, and her love for a boy who can never be hers. Now streaming on Netflix as The Bastard Son & The Devil Himself.

In modern-day England, Nathan embarks on a mission to turn the tide for the Alliance and end the bloody civil war between Black and White witches once and for all.

INDIGO'S #1 BEST BOOK OF 2019 NATIONAL BESTSELLER FROM THE AUTHOR OF THE MARROW THIEVES, THE #1 NATIONAL BESTSELLER, MULTI-AWARD WINNER AND CANADA READS FINALIST "Wildly entertaining and profound and essential." --Tommy Orange, The New York Times Broken-hearted Joan has been searching for her husband, Victor, for almost a year--ever since he went missing on the night they had their first serious argument. One hung-over morning in a Walmart parking lot in a little town near Georgian Bay, she is drawn to a revival tent where the local Métis have been flocking to hear a charismatic preacher. By the time she staggers into the tent the service is over, but as she is about to leave, she hears an unmistakable voice. She turns, and there is Victor. Only he insists he is not Victor, but the Reverend Eugene Wolff, on a mission to bring his people to Jesus. And he doesn't seem to be faking: there isn't even a flicker of recognition in his eyes. With only two allies--her odd, Johnny-Cash-loving, 12-year-old nephew Zeus, and Ajean, a foul-mouthed euchre shark with deep knowledge of the old ways--Joan sets out to remind the Reverend Wolff of who he really is. If he really is Victor, his life, and the life of everyone she loves, depends upon her success. Inspired by the traditional Métis story of the Rogarou--a werewolf-like creature that haunts the roads and woods of Métis communities--Cherie Dimaline has created a propulsive, stunning and sensuous novel.