Halfway Home

A "persuasive and essential" (Matthew Desmond) work that will forever change how we look at life after prison in America through Miller's "stunning, and deeply painful reckoning with our nation's carceral system" (Heather Ann Thompson). Each year, more than half a million Americans are released from prison and join a population of twenty million people who live with a felony record. Reuben Miller, a chaplain at the Cook County Jail in Chicago and now a sociologist studying mass incarceration, spent years alongside prisoners, ex-prisoners, their friends, and their families to understand the lifelong burden that even a single arrest can entail. What his work revealed is a simple, if overlooked truth: life after incarceration is its own form of prison. The idea that one can serve their debt and return to life as a full-fledge member of society is one of America's most nefarious myths. Recently released individuals are faced with jobs that are off-limits, apartments that cannot be occupied and votes that cannot be cast. As The Color of Law exposed about our understanding of housing segregation, Halfway Home shows that the American justice system was not created to rehabilitate. Parole is structured to keep classes of Americans impoverished, unstable, and disenfranchised long after they've paid their debt to society. Informed by Miller's experience as the son and brother of incarcerated men, captures the stories of the men, women, and communities fighting against a system that is designed for them to fail. It is a poignant and eye-opening call to arms that reveals how laws, rules, and regulations extract a tangible cost not only from those working to rebuild their lives, but also our democracy. As Miller searchingly explores, America must acknowledge and value the lives of its formerly imprisoned citizens. PEN America 2022 John Kenneth Galbraith Award for Nonfiction Finalist Winner of the 2022 PROSE Award for Excellence in Social Sciences 2022 PROSE Awards Finalist 2022 PROSE Awards Category Winner for Cultural Anthropology and Sociology An NPR Selected 2021 Books We Love As heard on NPR’s Fresh Air

Nearly sixty teens awaken halfway through their training, stranded on a harsh alien world with few supplies, no adults, and led by a treacherous artificial intelligence, but their greatest enemy is each other.

My name is Francis Earline Edison- Broomfi eld and I was born on December 4, 1929. I was the eighth child, third daughter, born to Edd and Lela Edison. I have been trying to cook as long as I can remember. My mama taught me to do my best. Even if it was only fi eld peas, corn bread, and kool aid. Now after 80 years, I want to leave my soul food recipes to my sons and all my customers at Davey’s HalfWay Home Cafe 5628 Hwy. 15 Louin, MS 39338 Community of Montrose, MS

Tom tried everything to get away from the world—but it had a way of getting back to him When Tom was diagnosed with AIDS, he thought of it as a death sentence. His life was effectively over. He packed up everything and moved to a beach house in California. There, he could live out what remained of his life in peace. His landlord was kind, understanding—and interested in him romantically. Tom had found the safe haven he sought. That is, until his brother, Brian, reappeared in his life. Brian’s shady business connections back home have him and his family on the run. With him are his homophobic wife, Susan, and his son, Daniel, who has never met his uncle. Thrown into an explosive situation, Tom and his family struggle to become closer. But when Brian’s dirty dealings follow him to California and threaten the lives of the entire family, the bond between the two brothers is put to the test. Paul Monette displays a keen awareness of family dynamics as he explores coming out, life-threatening illness, and the lifelong consequences of brotherly conflicts. Halfway Home is a novel about anger and reconciliation, love and danger. This ebook features an illustrated biography of Paul Monette including rare images and never-before-seen documents from the Paul Monette papers of the UCLA Library Special Collections.

“A teenager’s psychotic break unhinges her family in this sure-footed first novel.” —The New York Times Book Review A New York Times Editors’ Choice Winner of the Kate Chopin Writing Award Winner of the Ken/NAMI Award One day, Angie Voorster—diligent student, all-star swimmer, and ivy-league bound high school senior—dives to the bottom of a pool and stays there. In that moment, everything the Voorster family believes they know about each other changes. Katharine Noel’s extraordinary debut illuminates the fault lines in one family’s relationships, as well as the complex emotional ties that bind them together. With grace and precision rarely seen in a first novel, Noel guides her reader through a world where love is imperfect, and where longing for an imagined ideal can both destroy one family’s happiness and offer them redemption. Halfway House introduces a powerful, eloquent new literary voice. “An eloquent literary performance . . . [A] memorable first novel with a uniquely powerful grace.” —The Boston Globe

A Finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay Insightful and searing essays that celebrate the vibrancy and strength of black history and culture in America by critically acclaimed writer Jabari Asim In We Can’t Breathe, Jabari Asim disrupts what Toni Morrison has exposed as the “Master Narrative” and replaces it with a story of black survival and persistence through art and community in the face of centuries of racism. In eight wide-ranging and penetrating essays, he explores such topics as the twisted legacy of jokes and falsehoods in black life; the importance of black fathers and community; the significance of black writers and stories; and the beauty and pain of the black body. What emerges is a rich portrait of a community and culture that has resisted, survived, and flourished despite centuries of racism, violence, and trauma. These thought-provoking essays present a different side of American history, one that doesn’t depend on a narrative steeped in oppression but rather reveals black voices telling their own stories.

Every life is a journey and every journey is unique. There are incidents in our lives that are common to those in other persons' lives, but the overall journey is as different and distinct as our fingerprints. It is also true that some parts of our journey take place on roads that are rough and rocky while others take place on roads that are paved and smooth. In Halfway Home Jackie K. Cooper takes a look at his journey when he reached what he considered to be the halfway point of his life. He had turned fifty, his kids were teenagers, he had been married for over twenty years. Every day brought something new, while every day was the same. It was a time for thinking about his yesterdays, and a time for contemplating his tomorrows. In this book there are stories that reflect his thoughts on his family, friends, and events. Some of the moments captured are funny, some are sad, some are important and some are silly; but all are sure to affect your heart and your mind. This collection of stories from a life's journey will remind you of times in your own life; times you may have forgotten and now will relive. Jackie K. Cooper's journey continues and every bend of the road, every spot on the horizon creates a new tale to be savored and enjoyed.

Award-winning author Christina Myers navigates the uncharted territory of midlife in a time of rapid social, cultural, and environmental change. Modern midlife is finding oneself halfway home but without any reliable maps for the route ahead. With wit and warmth, these personal essays move from a first bra to first hot flashes to consider the lessons we learn through media and culture––and from each other––about bodies, sexuality, fatphobia, gender roles, and what we should want in life. Christina Myers explores the ways that beauty standards and cultural expectations around femininity have shaped our identities and how we might shed those going forward; the power of friendships and the value of having other women to learn from; the anxiety of moving through motherhood into menopause in a time of global environmental crisis and political upheaval; and the uncertainty of how this stage of life should unfold, as old systems shift and crumble. Though our maps for midlife are never identical, we discover familiar paths and common landmarks in each other’s stories; these essays remind us there are others on this trail with us, just behind or just ahead, out of sight. We are not alone.