Handbook The Guggenheim Museum Collection 1900 1980
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Handbook the Guggenheim Museum Collection 1900 1980
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Author | : Solomon R. Guggenheim Museum,Vivian Endicott Barnett |
Publsiher | : Solomon R Guggenheim Museum |
Total Pages | : 528 |
Release | : 1984 |
Genre | : Art |
ISBN | : 0892070463 |
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Handbook the Guggenheim Museum Collection 1900 1980
Author | : Solomon R. Guggenheim Museum,Vivian Endicott Barnett,Thomas M. Messer |
Publsiher | : Unknown |
Total Pages | : 478 |
Release | : 1980 |
Genre | : Travel |
ISBN | : 0892070218 |
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Mark Rothko
Author | : David Anfam |
Publsiher | : Yale University Press |
Total Pages | : 719 |
Release | : 1998-09-10 |
Genre | : Art |
ISBN | : 9780300074895 |
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This is the first volume of the catalogue raisonne of the work of Mark Rothko, the abstract artist. It documents Rothko's entire output of paintings on canvas and panel, reproducing all the works in colour. An introductory text investigates the essential features of Rothko's art.
A Handbook to the Solomon R Guggenheim Museum Collection
Author | : Solomon R. Guggenheim Museum |
Publsiher | : Unknown |
Total Pages | : 284 |
Release | : 1959 |
Genre | : Art |
ISBN | : UOM:39015013647303 |
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Invisible Colors
Author | : John C. Welchman |
Publsiher | : Yale University Press |
Total Pages | : 476 |
Release | : 1997-01-01 |
Genre | : Art |
ISBN | : 0300065302 |
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In one of his sparkling aphorisms on the end of 'optical' art, Marcel Duchamp suggested that the title of an artwork was an 'invisible color'. John Welchman now offers the first critical history of how and why modern artworks receive their titles. He shows that titles were seldom produced and can rarely be understood outside of the institutional parameters that made them visible - exhibitions, criticism, catalogues, and even national politics.
Nineteenth and Twentieth century Paintings
Author | : Richard R. Brettell,Paul Hayes Tucker,Natalie Henderson Lee,Metropolitan Museum of Art (New York, N.Y.) |
Publsiher | : Metropolitan Museum of Art |
Total Pages | : 482 |
Release | : 2009 |
Genre | : Painting, Modern |
ISBN | : 9781588393494 |
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Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.
Dal Surrealism and Cinema
Author | : Elliott H. King |
Publsiher | : Oldcastle Books |
Total Pages | : 282 |
Release | : 2010-10-21 |
Genre | : Performing Arts |
ISBN | : 9781842433768 |
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Salvador Dali is one of the most widely recognised and most controversial artists of the twentieth century. He was also an avant-garde filmmaker -- collaborating with such giants as Luis Bunuel, Walt Disney and Alfred Hitchcock -- though the impetus and endurance of his fascination with film has rarely been given the attention it merits. King surveys the full range of Dali's eccentric activities with(in) the cinema. Influenced by the Marx Brothers, Buster Keaton and Stanley Kubrick, Dali used the cinema to bring the 'dream subjects' of his paintings to life, providing the groundwork for revolutionary forays into television, video, photography and holography. Dali's writings continue to be relevant to discourses surrounding film and surrealism, and his embrace of academic technique partnered with contemporary technology and pop culture is a paradox still relevant today. From a movie-going experience that would incorporate all five senses to the tale of a woman's hapless love affair with a wheelbarrow, Dali's hallucinatory vision never fails to leave its indelible mark.
National Union Catalog
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 1032 |
Release | : 1981 |
Genre | : Catalogs, Union |
ISBN | : UIUC:30112024896414 |
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Includes entries for maps and atlases.