Hang Dog

The loneliest dog in the world, unable to make friends, sets off on a journey in a makeshift boat, hoping to find a friend somewhere in the world.

Fast-paced history-cum-memoir about rock climbing in the wild-and-wooly ’80s Highlights ground-breaking achievements from the era Hangdog Days vividly chronicles the era when rock climbing exploded in popularity, attracting a new generation of talented climbers eager to reach new heights via harder routes and faster ascents. This contentious, often entertaining period gave rise to sport climbing, climbing gyms, and competitive climbing--indelibly transforming the sport. Jeff Smoot was one of those brash young climbers, and here he traces the development of traditional climbing “rules,” enforced first through peer pressure, then later through intimidation and sabotage. In the late ’70s, several climbers began introducing new tactics including “hangdogging,” hanging on gear to practice moves, that the old guard considered cheating. As more climbers broke ranks with traditional style, the new gymnastic approach pushed the limits of climbing from 5.12 to 5.13. When French climber Jean-Baptiste Tribout ascended To Bolt or Not to Be, 5.14a, at Smith Rock in 1986, he cracked a barrier many people had considered impenetrable. In his lively, fast-paced history enriched with insightful firsthand experience, Smoot focuses on the climbing achievements of three of the era’s superstars: John Bachar, Todd Skinner, and Alan Watts, while not neglecting the likes of Ray Jardine, Lynn Hill, Mark Hudon, Tony Yaniro, and Peter Croft. He deftly brings to life the characters and events of this raucous, revolutionary time in rock climbing, exploring, as he says, “what happened and why it mattered, not only to me but to the people involved and those who have followed.”

A history of mentalities, emotions, and attitudes rather than of policies and ideas, it analyses responses to the scaffold at all social levels: among the crowds which gathered to watch executions; among 'polite' commentators from Boswell and Byron on to Fry, Thackeray, and Dickens; and among the judges, home secretary, and monarch who decided who should hang and who should be reprieved. Drawing on letters, diaries, ballads, broadsides, and images, as well as on poignant appeals for mercy which historians until now have barely explored, the book surveys changing attitudes to death and suffering, 'sensibility' and 'sympathy', and demonstrates that the long retreat from public hanging owed less to the growth of a humane sensibility than to the development of new methods of punishment and law enforcement, and to polite classes' deepening squeamishness and fear of the scaffold crowd.

Shakespeare wrote of lions, shrews, horned toads, curs, mastiffs, and hellhounds. But the word “animal” itself only appears very rarely in his work, which was in keeping with sixteenth-century usage. As Laurie Shannon reveals in The Accommodated Animal, the modern human / animal divide first came strongly into play in the seventeenth century, with Descartes’s famous formulation that reason sets humans above other species: “I think, therefore I am.” Before that moment, animals could claim a firmer place alongside humans in a larger vision of belonging, or what she terms cosmopolity. With Shakespeare as her touchstone, Shannon explores the creaturely dispensation that existed until Descartes. She finds that early modern writers used classical natural history and readings of Genesis to credit animals with various kinds of stakeholdership, prerogative, and entitlement, employing the language of politics in a constitutional vision of cosmic membership. Using this political idiom to frame cross-species relations, Shannon argues, carried with it the notion that animals possess their own investments in the world, a point distinct from the question of whether animals have reason. It also enabled a sharp critique of the tyranny of humankind. By answering “the question of the animal” historically, The Accommodated Animal makes a brilliant contribution to cross-disciplinary debates engaging animal studies, political theory, intellectual history, and literary studies.

When exiled bank robber Moses Kane arrives in Haven''s Hangdog Saloon, he is with deadly gunslingers and wanting revenge. Old-timer Gannon smells trouble, Flint is concerned for Gannon, Baxter wants his money, and the Sioux Long Arrow wants Kane.'

"You won't want to put it down. This dramatic, suspenseful work of Christian fiction will draw you in from the first chapter, and leave you begging for more in the end." Hangdog - Shoulder to Shoulder is the first of three books in the highly anticipated Christian Fiction series by Tylie Eaves. Beau and Eli McKnight are brothers, identical twins who have lived an idyllic existence for eighteen years. But, when careless choices turn a right of passage into an unspeakable tragedy, everything changes in an instant. The entire McKnight family ends up in the fight of their lives. Battling anger, bitterness, fear, guilt, shame and uncertainty, they must strike back against pain, doubt and evil, lean into God’s grace and trust that miracles are real, forgiveness is free, and healing -- inside and out -- is an inevitable byproduct of faith.

Book Three in the Hangdog Trilogy. "This is one of the best series I have ever read. I read the first two books and was waiting for the release of this book." Things have come to a tipping point. Something has to give. The McKnight family story continues in this final book of the Hangdog trilogy. Will Beau survive? Will Julia leave? Will Eli confront Mark? Is Ivy gone for good? Can Joe and Valerie continue to stand strong under the weight of it all? Join the fight for victory while the McKnight family learns what faith is really all about, as their saga finally comes to a powerful, life-altering conclusion.

Our Dance Across the Plains takes place in an altered reality of a crow and friends. This satirical story accompanies them as they journey on their paths in life through trials and tribulations faced along the way. Set around the turn into the second millennium, this movement of stories features common themes of justice, fair play and harmony on planet Earth told from light-hearted perspectives.