Harlan Ellison

From “one of the great . . . American short story writers,” comes a collection of dark fantastical fiction (The Washington Post). In the Locus Award–winning “Croatoan,” a man descends into the sewers of New York City to confront the detritus of his irresponsibility. An “Emissary from Hamelin” presents humanity with an ultimatum, or everyone on Earth will have a dear price to pay the piper. And in the title story—famously written by the author in the storefront window of a Santa Monica bookshop—Willis Kaw is convinced that he is an alien trapped inside an Earthman’s body, only to discover his suffering serves a purpose. Strange Wine includes these three stories and a dozen more unique visions from the writer the Washington Post hails as a “lyric poet, satirist, explorer of odd psychological corners, and purveyor of pure horror and black comedy.” Includes: “Croatoan,” “Working With the Little People,” “Killing Bernstein,” “Mom,” “In Fear of K,” “Hitler Painted Roses,” “The Wine Has Been Left Open Too Long and the Memory Has Gone Flat,” “From A to Z, in the Chocolate Alphabet,” “Lonely Women Are the Vessels of Time,” “Emissary from Hamelin,” “The New York Review of Bird Seeing,” “The Boulevard of Broken Dreams,” “Strange Wine,” “The Diagnosis of Dr. D’arqueAngel”

“An enjoyable, irascible collection” of smart and sometimes-scathing film criticism from a famously candid author (Library Journal). Everyone’s a critic, especially in the digital age—but no one takes on the movies like multiple award-winning author Harlan Ellison. Renowned both for fiction (A Boy and His Dog) and pop-culture commentary (The Glass Teat), Ellison offers in this collection twenty-five years’ worth of essays and film criticism. It’s pure, raw, unapologetic opinion. Star Wars? “Luke Skywalker is a nerd and Darth Vader sucks runny eggs.” Big Trouble in Little China? “A cheerfully blathering live-action cartoon that will give you release from the real pressures of your basically dreary lives.” Despite working within the industry himself, Ellison never learned how to lie. So punches go unpulled, the impersonal becomes personal, and sometimes even the critics get critiqued, as he shares his views on Pauline Kael or Siskel and Ebert. Ultimately, it’s a wild journey through the cinematic landscape, touching on everything from Fellini to the Friday the 13th franchise. As Leonard Maltin writes in his preface, “I don’t know how valuable it is to learn Harlan Ellison’s opinion of this film or that, but I do know that reading an Ellison essay is gong to be provocative, infuriating, hilarious, or often a combination of the above. It is never time wasted. . . . Let me assure you, Harlan Ellison is never dull.”

Masterpieces of myth and terror about modern gods from technology to drugs to materialism—“fantasy at its most bizarre and unsettling” (The New York Times). As Earth approaches Armageddon, a man embarks on a quest to confront God in the Hugo Award–winning novelette, “The Deathbird.” In New York City, a brutal act of violence summons a malevolent spirit and a growing congregation of desensitized worshippers in “The Whimper of Whipped Dogs,” an Edgar Award winner influenced by the real-life murder of Queens resident Kitty Genovese in 1964. In “Paingod,” the deity tasked with inflicting pain and suffering on every living being in the universe questions the purpose of its cruel existence. Deathbird Stories collects these and sixteen more provocative tales exploring the futility of faith in a faithless world. A legendary author of speculative fiction whose best-known works include A Boy and His Dog and I Have No Mouth, and I Must Scream—and whose major awards and nominations number in the dozens, Harlan Ellison strips away convention and hypocrisy and lays bare the human condition in modern society as ancient gods fade and new deities rise to appease the masses—gods of technology, drugs, gambling, materialism—that are as insubstantial as the beliefs of those who venerate them. In addition to his Nebula, Hugo, World Fantasy, Bram Stoker, Edgar, and other awards, Ellison was called “one of the great living American short story writers” by the Washington Post—and this collection makes it clear why he has earned such an extraordinary assortment of accolades. Stories include: “Introduction: Oblations at Alien Altars” “The Whimper of Whipped Dogs” “Along the Scenic Route” “On the Downhill Side” “O Ye of Little Faith” “Neon” “Basilisk” “Pretty Maggie Moneyeyes” “Corpse” “Shattered Like a Glass Goblin” “Delusion for a Dragon Slayer” “The Face of Helene Bournouw” “Bleeding Stones” “At the Mouse Circus” “The Place with No Name” “Paingod” “Ernest and the Machine God” “Rock God” “Adrift Just Off the Islets of Langerhans: Latitude 38° 54' N, Longitude 77° 00' 13" W” “The Deathbird”

When young Devon is forbidden from marrying his beloved by the Elders of the agrarian Cypress Corners community, he begins to question not only their authority, but why the sky is metal and the ground is not, and other troubling questions.

In Advice to Writers, Jon Winokur, author of the bestselling The Portable Curmudgeon, gathers the counsel of more than four hundred celebrated authors in a treasury on the world of writing. Here are literary lions on everything from the passive voice to promotion and publicity: James Baldwin on the practiced illusion of effortless prose, Isaac Asimov on the despotic tendencies of editors, John Cheever on the perils of drink, Ivan Turgenev on matrimony and the Muse. Here, too, are the secrets behind the sleight-of-hand practiced by artists from Aristotle to Rita Mae Brown. Sagacious, inspiring, and entertaining, Advice to Writers is an essential volume for the writer in every reader.

Winner of the Hugo and Nebula Awards: A science fiction classic about an antiestablishment rebel set on overthrowing the totalitarian society of the future. One of science fiction’s most antiestablishment authors rails against the accepted order while questioning blind obedience to the state in this unique pairing of short story and essay. “‘Repent, Harlequin!’ Said the Ticktockman” is set in a dystopian future society in which time is regulated by a heavy bureaucratic hand known as the Ticktockman. The rebellious Everett C. Marm flouts convention, masquerading as the anarchic Harlequin, disrupting the precise schedule with bullhorns and jellybeans in a world where being late is nothing short of a crime. But when his love, Pretty Alice, betrays Everett out of a desire to return to the punctuality to which she is programmed, he is forced to face the Ticktockman and his gauntlet of consequences. The bonus essay included in this volume, “Stealing Tomorrow,” is a hard-to-find Harlan Ellison masterwork, an exploration of the rebellious nature of the writer’s soul. Waxing poetic on humankind’s intellectual capabilities versus its emotional shortcomings, the author depicts an inner self that guides his words against the established bureaucracies, assuring us that the intent of his soul is to “come lumbering into town on a pink-and-yellow elephant, fast as Pegasus, and throw down on the established order.” Winner of the Prometheus Hall of Fame Award, “‘Repent, Harlequin!’ Said the Ticktockman” has become one of the most reprinted short stories in the English language. Fans of George Orwell’s Nineteen Eighty-Four and Aldous Huxley’s Brave New World will delight in this antiestablishment vision of a Big Brother society and the rebel determined to take it down. The perfect complement, “Stealing Tomorrow” is a hidden gem that reinforces Ellison’s belief in humankind’s inner nobility and the necessity to buck totalitarian forces that hamper our steady evolution.

Winner of the World Fantasy Award for best short story collection, this volume by one of the most acclaimed authors of the 20th century takes an intense look at how the specter of death haunts everyday life.