Hate Crime Hoax

If you believe the news, today's America is plagued by an epidemic of violent hate crimes. But is that really true? In Hoax, Professor Wilfred Reilly examines over one hundred widely publicized incidents of so-called hate crimes that never actually happened. With a critical eye and attention to detail, Reilly debunks these fabricated incidents—many of them alleged to have happened on college campuses—and explores why so many Americans are driven to fake hate crimes. We're not experiencing an epidemic of hate crimes, Reilly concludes—but we might be experiencing an unprecedented epidemic of hate crime hoaxes.

You Can’t Say That! Do you have a right to be offended by the facts? Against all the evidence, the mainstream media insist that America has never been more racist and sexist. The police are waging a war on Black people. “White privilege” means minorities never get a fair shake. Although this narrative of oppression is demonstrably fictitious, it is taboo to question it, and those who do so risk being labeled racist or sexist themselves. America needs an honest conversation based on common sense and cold, hard facts. Honesty and respect for the facts are the specialty of Wilfred Reilly, the celebrated author of Hate Crime Hoax. In Taboo, he fearlessly examines ten forbidden truths that have been buried by political correctness. They include: -The Black rate of violent crime is roughly 2.5 times the white rate. When demographic variables are taken into account, there are no racial differences in the rate of police-involved shootings. -Interracial crime is remarkably rare, but 75 to 80 percent of it occurs against white people. -Minorities can be racist—take the Nation of Islam, which holds that white people are an inferior race created by a Black scientist. -Disparities between racial groups in IQ testing and SAT performance are the result of cultural variables, such as the presence of a father in the home, not racism. Reilly goes where most social scientists fear to tread, using objective statistics and common sense to tackle taboo topics. Taboo is an essential takedown of the lies you hear every day from ideological activists and lazy, biased media.

From one of the foremost authorities on education in the United States, former U.S. assistant secretary of education, an incisive, comprehensive look at today’s American school system that argues against those who claim it is broken and beyond repair; an impassioned but reasoned call to stop the privatization movement that is draining students and funding from our public schools. In a chapter-by-chapter breakdown she puts forth a plan for what can be done to preserve and improve our public schools. She makes clear what is right about U.S. education, how policy makers are failing to address the root causes of educational failure, and how we can fix it.

“Liberals seem to have hit upon a reverse Christ story as their belief system. He suffered and died for our sins; liberals make the rest of us suffer for sins we didn’t commit.” Who are the victims here? To hear liberals tell it, you’d think they do nothing but suffer at the hands of ruthless entities like the “Republican Attack Machine” and Fox News. Really? It’s just another instance of the Big Lie, of course, told so often that some people have actually started to believe it. In Guilty, Ann Coulter explodes this myth to reveal that when it comes to bullying, no one outdoes the Left. Citing case after case, ranging from the hilariously absurd to the shockingly vicious, Coulter dissects these so-called victims who are invariably the oppressors. For instance: •Single mothers: Getting pregnant isn’t like catching the flu. There are volitional acts involved–someone else explain it to Dennis Kucinich. By this purposeful act, single mothers cause irreparable harm to other human beings–their own children–as countless studies on the subject make clear. •The myth of the Republican Attack Machine: The most amazing thing liberals have done is create the myth of a compliant right-wing media with Republicans badgering baffled reporters into attacking Democrats. It’s so mad, it’s brilliant. It’s one kind of lie to say the Holocaust occurred when the Swedes killed the Jews. But it’s another kind of lie entirely to say the Holocaust occurred when the Jews killed the Nazis. •“Brave” liberals: In addition to being beautiful, compassionate tribunes of the downtrodden, liberals are brave. I know that because they’re always telling me how brave they are. Why, five nights a week, MSNBC’s Keith Olbermann courageously books guests who completely agree with him. It doesn’t get much braver than that. •Obambi’s luck: While B. Hussein Obama piously condemned attacks on candidates’ ­families, his media and campaign surrogates ripped open the court-sealed divorce records of his two principal opponents in his Senate race in Illinois. •The offenders are offended!: Republican senator George Allen’s career was destroyed when he made a joking remark to a privileged Indian American harassing him at campaign stops. When did rich kids become a new protected category that must be shielded from words that are insulting in other languages? How did Sidarth become a specially anointed victim? What did we ever do to India? And why didn’t we ever hear about the far more offensive anti-Semitic flyers of Allen’s opponent Jim Webb? One essential and recurring truth about self-righteous liberals, says Coulter, is that “they viciously attack all while wailing that they are the true victims.” With Guilty–a mordantly witty and shockingly specific catalog of offenses that liberals would rather we ignore and forget–Ann Coulter presents exhibits A through Z.

A “fascinating” memoir—and the inspiration for the movie starring Richard Gere—from the man behind the forged autobiography of Howard Hughes (Time). Novelist Clifford Irving’s no-holds-barred account of his faked autobiography of Howard Hughes—one of the greatest literary hoaxes of the twentieth century—is the ultimate caper story. The plan was concocted in the early 1970s, when eccentric billionaire Hughes was already living as a recluse in the Bahamas. An American author, Irving pitched the scheme to his friend, fellow writer Richard Suskind: Through forged letters and fake interviews, they would recount Hughes’s life “in his own words.” Meanwhile, Irving’s wife would open a Swiss bank account in the name of “Helga R. Hughes” using a fake passport. Their success hinged on the assumption that Hughes would never resurface to challenge the book, as he had not spoken to the press in over ten years. Conning Irving’s own publisher of nearly a decade out of a six-figure advance, the three conspirators embarked on a hoax that would fool journalists, handwriting experts, and even a lie-detector test. It was not until Hughes himself emerged from seclusion to denounce Irving that the book was exposed as fraud. This madcap, bestselling memoir “is a story which reads like the best thriller fiction and which contains the seeds of a dozen movie scripts. Mysterious meetings, false passports, a beautiful Danish baroness, Swiss bank accounts . . .” The Hoax is a masterpiece of international intrigue and startling revelations (The Tatler, England). “Brilliant!” —Newsday “A masterpiece!” —CBS Radio "Spellbinding!” —Publishers Weekly “Sensational!” —New York Daily New

This anthology offers the first comprehensive overview of media hype, a phenomenon often dismissed as ephemeral and unimportant. Despite that reputation, media storms actually do play an important role in political issues, scandals, and crises, sometimes creating an important shift in public opinion over the course of only a few hours. This book provides an overview of theoretical, conceptual, and methodological issues related to media hype through close explorations of case studies from around the world.

The riveting New York Times bestseller and Stonewall Book Award winner that will make you rethink all you know about race, class, gender, crime, and punishment. Artfully, compassionately, and expertly told, Dashka Slater's The 57 Bus is a must-read nonfiction book for teens that chronicles the true story of an agender teen who was set on fire by another teen while riding a bus in Oakland, California. Two ends of the same line. Two sides of the same crime. If it weren’t for the 57 bus, Sasha and Richard never would have met. Both were high school students from Oakland, California, one of the most diverse cities in the country, but they inhabited different worlds. Sasha, a white teen, lived in the middle-class foothills and attended a small private school. Richard, a Black teen, lived in the economically challenged flatlands and attended a large public one. Each day, their paths overlapped for a mere eight minutes. But one afternoon on the bus ride home from school, a single reckless act left Sasha severely burned, and Richard charged with two hate crimes and facing life imprisonment. The case garnered international attention, thrusting both teenagers into the spotlight. But in The 57 Bus, award-winning journalist Dashka Slater shows that what might at first seem like a simple matter of right and wrong, justice and injustice, victim and criminal, is something more complicated—and far more heartbreaking. Awards and Accolades for The 57 Bus: A New York Times Bestseller Stonewall Book Award Winner YALSA Award for Excellence in Nonfiction for Young Adults Finalist A Boston Globe-Horn Book Nonfiction Honor Book Winner A TIME Magazine Best YA Book of All Time A Los Angeles Times Book Prize Finalist Don’t miss Dashka Slater’s newest propulsive and thought-provoking nonfiction book, Accountable: The True Story of a Racist Social Media Account and the Teenagers Whose Lives It Changed, which National Book Award winner Ibram X. Kendi hails as “powerful, timely, and delicately written.”