Hatreds

Ethnic conflict has been the driving force of wars all over the world, yet it remains an enigma. What is it about ethnicity that breaks countries apart and drives people to acts of savage violence against their lifelong neighbors? Stuart Kaufman rejects the notion of permanent "ancient hatreds" as the answer. Dissatisfied as well with a purely rationalist explanation, he finds the roots of ethnic violence in myths and symbols, the stories ethnic groups tell about who they are. Ethnic wars, Kaufman argues, result from the politics of these myths and symbols—appeals to flags and faded glories that aim to stir emotions rather than to address interests. Popular hostility based on these myths impels groups to follow extremist leaders invoking such emotion-laden ethnic symbols. If ethnic domination becomes their goal, ethnic war is the likely result. Kaufman examines contemporary ethnic wars in the Caucasus and southeastern Europe. Drawing on information from a variety of sources, including visits to the regions and dozens of personal interviews, he demonstrates that diplomacy and economic incentives are not enough to prevent or end ethnic wars. The key to real conflict resolution is peacebuilding—the often-overlooked effort by nongovernmental organizations to change hostile attitudes at both the elite and the grassroots levels.

Eisenstein tracks developments such as racialized ethnic and gender conflict; the new male democracies of eastern Europe; the new Democrats of the Clinton era - exploring the `politics of hate'. In HATREDS, Zillah Eisenstein charts the plural politics of the twenty-first century, which she defines as having begun with the fall of communism and the gulf war. Exploring the politics of hate on both global and local levels, Eisenstein tracks developments such as racialized ethnic and gender conflict, the new male democracies of eastern Europe and the new Democrats of the Clinton era, the sexual exploitation of the west and the sexual violence of nationalisms, and the importance of western feminisms' promissory standpoint of freedom to women in the third world.

A study of Tambores en la Noche, two volumes of verse by Jorge Artel, black poet of 20th-century Colombia. It analyzes his work within the context of Colombian history and culture, modern Spanish American literature, and the poet's own career.

A book to challenge the status quo, spark a debate, and get people talking about the issues and questions we face as a country!

In showing why the Carbonari conspiracy developed and how it was handled, the author has illuminated the workings of the political system of the Restoration--the structure and organization of its administration and political police and the operation of political justice in its courts.

The story of Kein (Kīn) continues in the 9th installment of this novella series. Enjoy this short story as Kein continues through a difficult situation. Kein's heartbreaking and yet joyous journey continues as the results of Basement Level are dished out as cold as they can be. Alone, she must deal with the repercussions of the Judicium and a past she only wanted to forget. No one has won the Mortem and now Kein is one. She has no chance of surviving unless she can find some allies in the sadistic game. Her journey started in Monster of Monsters #1 Part One: Mortem's Opening and moves forward at an unrelenting pace. Light and darkness... All Kein wanted was to be devoured. As an orphan, she had been told since joining her school that it was very important that a house or clan devour her so when she met a creature promising to devour her, she was confused at first but then she was consoled that someone wanted her. A world of monsters and vampires and a world of humans... Loneliness can be a very strong emotion but it can also be a very strong motivator so even when a creature of the darkness invited her to come to her, innocence heeded the call. Kein began an adventure of heartache and joy as she walked the paths of shadow and light. She would discover what it was to be devoured as a dangerous game drew her into a deadly realm of wishes, revenge, hope, desire, love, and terror.