Haunted Scranton

A tour of the spookiest spots in this Pennsylvania city, filled with local history and legends . . . Includes photos! At the heart of the Lackawanna Valley, Scranton is haunted by those who once walked its streets and worked its mines and rail lines. From the woman in white who lingers in Courthouse Square to the passenger of trolley car #46 who never reached her destination, the specters of Scranton make their presence known. Supernatural investigator A.C. Bernardi chronicles chilling tales of the city’s landmarks, from the mysterious happenings on the sixth floor of the Lackawanna Station Hotel to stories of the angry spirits of victims of the Spanish influenza epidemic who lurk in the basement of the Banshee Pub. Join him as he traverses the dark side of Scranton, Pennsylvania.

At the heart of the Lackawanna Valley, Scranton is haunted by those who once walked its streets and worked its mines and rail lines. From the woman in white who lingers in Courthouse Square to the passenger of trolley car #46 who never reached her destination, the specters of Scranton make their presence known. Supernatural investigator A.C. Bernardi chronicles chilling tales of the city's landmarks, from the mysterious happenings on the sixth floor of the Lackawanna Station Hotel to stories of the angry spirits of victims of the Spanish influenza epidemic who lurk in the basement of the Banshee Pub. Join Bernardi as he traverses the dark side of Scranton, Pennsylvania.

The world’s most famous demonologists, Ed & Lorraine Warren, were called in to help an average American family who were assaulted by forces too awesome, too powerful, too dark, to be stopped. It’s a true story, supported by dozens of eyewitnesses—neighbors, priests, police, journalists, and researchers. The grim slaughterhouse of odors. The deafening pounding. The hoofed half-man charging down the hall. The physical attacks, a vicious strangling, failed exorcisms, the succubus... and the final terror which continued to torment the Smurls. In this shocking, terrifying, deeply absorbing book rivaled only by The Amityville Horror—a case also investigated by the Warrens—journalist Robert Curran digs deep into the haunting of the Smurl home in West Pittston, Pennsylvania, and the unshakeable family bonds that helped them survive. Don’t miss the Warrens' blockbuster films The Conjuring and Annabelle (in theaters October, 2014.)

Once the home of trailblazers in industry, the city of Fenton is renowned for its legendary hauntings. Some of its oldest houses and businesses shelter more than their current owners. Many guests of the Fenton Hotel Tavern and Grille have never checked out. Its friendly spirits enjoy greeting customers while they dine and are known to add a drink to their tab before disappearing. A justice of the peace who died in 1916 believes he still operates his hardware store within the local bookstore. Restless souls linger in the historic city even though the buildings they once inhabited no longer exist. Join local author Brenda Hasse on an unforgettable tour of Fenton's past.

This study investigates the figure of haunting in the New Nature Writing. It begins with a historical survey of nature writing and traces how it came to represent an ideal of ‘natural’ space as empty of human history and social conflict. Building on a theoretical framework which combines insights from ecocriticism and spatial theory, the author explores the spatial dimensions of haunting and ‘hauntology’ and shows how 21st-century writers draw on a Gothic repertoire of seemingly supernatural occurrences and spectral imagery to portray ‘natural’ space as disturbed, uncanny and socially contested. Iain Sinclair and Robert Macfarlane are revealed to apply psychogeography’s interest in ‘hidden histories’ and haunted places to spaces associated with ‘wilderness’ and ‘the countryside’. Kathleen Jamie’s allusions to the Gothic are put in relation to her feminist re-writing of ‘the outdoors’, and John Burnside’s use of haunting is shown to dismantle fictions of ‘the far north’. This book provides not only a discussion of a wide range of factual and fictional narratives of the present but also an analysis of the intertextual dialogue with the Romantic tradition which enfolds in these texts.

This collection brings together scholarship in theoretical and applied linguistics, literary and cultural studies, and second language studies. The contributors here investigate the nature of linguistic, cultural, and cognitive diversity, offering rich insights for theoretical advancement in multiple disciplines. Their theoretical and practical explications on discourse, literature, and linguistic structure contribute to a multifaceted conversation about diversity in language structure and use. From the relationships between eye contact and mindfulness, to the question of the universality of critical thinking, the topics in this volume represent a wide variety of approaches to the study of language. Specific areas in which advances are made here include sociolinguistics, second language pedagogy, and literature studies.

Bodies of Knowledge challenges homogenizing (mis)understandings of knowledge construction and provides a complex discussion of what happens when we do not attend to embodied rhetorical theories and practices. Because language is always a reflection of culture, to attempt to erase language and knowledge practices that reflect minoritized and historically excluded cultural experiences obscures the legitimacy of such experiences both within and outside the academy. The pieces in Bodies of Knowledge draw explicit attention to the impact of the body on text, the impact of the body in text, the impact of the body as text, and the impact of the body upon textual production. The contributors investigate embodied rhetorics through the lenses of race and ethnicity, gender and sexuality, disability and pain, technologies and ecologies, clothing and performance, and scent, silence, and touch. In doing so, they challenge the (false) notion that academic knowledge—that is, “real” knowledge—is disembodied and therefore presumed white, middle class, cis-het, able-bodied, and male. This collection lays bare how myriad bodies invent, construct, deliver, and experience the processes of knowledge building. Experts in the field of writing studies provide the necessary theoretical frameworks to better understand productive (and unproductive) uses of embodied rhetorics within the academy and in the larger social realm. To help meet the theoretical and pedagogical needs of the discipline, Bodies of Knowledge addresses embodied rhetorics and embodied writing more broadly though a rich, varied, and intersectional approach. These authors address larger questions around embodiment while considering the various impacts of the body on theories and practices of rhetoric and composition. Contributors: Scot Barnett, Margaret Booker, Katherine Bridgman, Sara DiCaglio, Kristie S. Fleckenstein, Vyshali Manivannan, Temptaous Mckoy, Julie Myatt, Julie Nelson, Ruth Osorio, Kate Pantelides, Caleb Pendygraft, Nadya Pittendrigh, Kellie Sharp-Hoskins, Anthony Stagliano, Megan Strom

A new threat - the Caliphate - has arisen in the Middle East, and the Pentagon is stymied - how to thwart these fanatics without sending American troops into yet another costly, unpopular war? One high-level official thinks he has found the ultimate counter-weapon: demons. Ted Burnett, head of the CIA's most secret division, has put in motion a plan to summon the denizens of Hell into our world, control them, and send them against America's enemies. The plan is insane. Ted Burnett is insane. But no one with the power to stop him is even aware that the plot exists - except for occult investigator Quincey Morris and his partner, white witch Libby Chastain. No humans can hope to control an army of demons - for long. If Burnett summons the Damned into this world, they will not depart until all of humanity has been laid waste. He has to be stopped. But with CIA-trained killers at his disposal, Ted Burnett is prepared to eliminate anyone who would interfere with his plan. It will take all the resourcefulness and power Morris and Chastain and their friends can muster to stop him...