Haway Man Klaus

Haway Man, Klaus! is the first full-length collection of comic strips charting the un-adventures of Klaus, Richard Short's pensive, anthropomorphic cat. Reinvigorating the classic comic strip, Short salutes Charles Schulz's Peanuts, Tove Jansson's Moomins and Japanese cartooning masters, before veering quickly into an original, strange and utterly unique world of screwball comedy and poetic rumination. Short's wit, at times gentle, at times acerbic, is expressed through his mastery of clear-line cartooning, revealing a tapestry of relatable human emotion through a cast of offbeat characters. Occupying a wholly original space in the current landscape of cartooning, Haway Man, Klaus! breathes new life into the comic strip format.

In Klaus, best described as an adult-oriented version of Peanuts, we are introduced to its eponymous protagonist, an existentialist cat.

1519. A Spanish fleet leaves Seville, heading west. Portuguese Captain Magellan is convinced of the existence of a South American strait that will expedite trade with the Indonesian Spice Islands. Months later, in a deserted and inhospitable land, mutiny brews, two men are marooned and the world explodes in a riot of hallucinatory colour. Antoine Coss's most substantial work to date is a fascinating drama, examining one of history's most intriguing mysteries.

More than twenty years in the making, Country Music Records documents all country music recording sessions from 1921 through 1942. With primary research based on files and session logs from record companies, interviews with surviving musicians, as well as the 200,000 recordings archived at the Country Music Hall of Fame and Museum's Frist Library and Archives, this notable work is the first compendium to accurately report the key details behind all the recording sessions of country music during the pre-World War II era. This discography documents--in alphabetical order by artist--every commercial country music recording, including unreleased sides, and indicates, as completely as possible, the musicians playing at every session, as well as instrumentation. This massive undertaking encompasses 2,500 artists, 5,000 session musicians, and 10,000 songs. Summary histories of each key record company are also provided, along with a bibliography. The discography includes indexes to all song titles and musicians listed.

In this graphic novel, three cutting-edge, world-renowned cartoonists team up to tell a tale of an 18th-century pirate ― one who's more gallows fodder than a Hollywood swashbuckler. Guy is no master mariner, with a clipped red (or black) beard. He's just an ordinary member of the crew ― able enough, but also a lazy, cowardly liar, a drunkard, and a thief. His story is told in two allegorical parts: "The Blowout" and "The Hangover." Three contemporary comics titans, Belgian Olivier Schrauwen (Parallel Lives) and the French duo Ruppert and Mulot (The Perineum Technique) collaborate to bring you the best pictorial and narrative elements of the great tales of the sea ― bright colors, grand battles, gallows humor ― in this tour de force of black comedy.

Set across fantastical and distorted natural landscapes, Sadler weaves obscure snapshot narratives that attract and repulse the reader in equal measure. Frequently dealing in fantasy, science fiction and the world of nature, with characters that are fluid, naive and absurd, Sadler's comics are elliptical and thought provoking. Collecting Leomi Sadler's energetic work for the first time, Tummy Bugs serves as both an introduction and a retrospective to Sadler's deeply personal and exciting cartooning voice.

This two-volume set LNCS 4805/4806 constitutes the refereed proceedings of 10 international workshops and papers of the OTM Academy Doctoral Consortium held as part of OTM 2007 in Vilamoura, Portugal, in November 2007. The 126 revised full papers presented were carefully reviewed and selected from a total of 241 submissions to the workshops. The first volume begins with 23 additional revised short or poster papers of the OTM 2007 main conferences.

Frequently dealing in sci-fi, erotica and the intersection between the two genres, Lala's comics are often an expression of her 'corporeal ambivalence', feeling at odds with her body. Indeed, her characters seem liquid and often lack solidity of line, endlessly morphing into new shapes and blurring into the landscapes in which they exist. The way we show ourselves to the world and the masks we wear are recurring themes in Lala's work. Depicting vulnerability, touch and tender moments of contact between characters injects a sense of realism to Lala's otherworldly imagery.