Hawthorne S Lenox

An account of the famous American author’s visit to a New England retreat. “Anyone who loves the Berkshires will love this book.” —Debby Applegate, Pulitzer Prize-winning author What drew Nathaniel Hawthorne to a remote village deep in the Berkshire Hills of Western Massachusetts in 1850? Slip into the fascinating social scene he encountered in the drawing rooms and on the croquet lawns of Lenox’s country retreats. Here, under the benevolent spell of the Sedgwick family, the separate worlds of high-minded Bostonians and high-powered New Yorkers were stitched together by conversation, recreation and even marriage. Nurturing the lively exchange of ideas on everything from art to abolition, Lenox’s cottages played host to a community that enlightened a nation. Luminaries such as Caroline Sturgis Tappan and Oliver Wendell Holmes resume their vibrant lives through the rare photographs and engaging sketches of everyday life in Hawthorne’s Lenox: The Tanglewood Circle, which also includes a delightful retrospective visit from Henry James and Edith Wharton.

What drew Nathaniel Hawthorne to a remote village deep in the Berkshire Hills of Western Massachusetts in 1850? Slip into the fascinating social scene he encountered in the drawing rooms and on the croquet lawns of Lenox's country retreats. Here, under the benevolent spell of the Sedgwick family, the separate worlds of high-minded Bostonians and high-powered New Yorkers were stitched together by conversation, recreation and even marriage. Nurturing the lively exchange of ideas on everything from art to abolition, Lenox's cottages played host to a community that enlightened a nation. Luminaries such as Caroline Sturgis Tappan and Oliver Wendell Holmes resume their vibrant lives through the rare photographs and engaging sketches of everyday life in Hawthorne's Lenox: The Tanglewood Circle, which also includes a delightful retrospective visit from Henry James and Edith Wharton.

"Memories of Hawthorne" by Rose Hawthorne Lathrop Rose Hawthorne Lathrop, also known as Mother Mary Alphonsa, was an American writer and religious leader. She was also the daughter of Nathaniel Hawthorne, who she honors in this book. Memories of her father from her childhood, adulthood, and even earlier are regaled in this book which honors the man who instilled her love of reading, writing, and religion.

Offers critical entries on Hawthorne's novels, short stories, travel writing, criticism, and other works, as well as portraits of characters, including Hester Prynne and Roger Chillingworth. This reference also provides entries on Hawthorne's family, friends - ranging from Herman Melville to President Franklin Pierce - publishers, and critics.

Herman Melville and Nathaniel Hawthorne met in 1850 and enjoyed for sixteen months an intense but brief friendship. Taking advantage of new interpretive tools such as queer theory, globalist studies, political and social ideology, marketplace analysis, psychoanalytical and philosophical applications to literature, masculinist theory, and critical studies of race, the twelve essays in this book focus on a number of provocative personal, professional, and literary ambiguities existing between the two writers. Jana L. Argersinger and Leland S. Person introduce the volume with a lively summary of the known biographical facts of the two writers’ relationship and an overview of the relevant scholarship to date. Some of the essays that follow broach the possibility of sexual dimensions to the relationship, a question that “looms like a grand hooded phantom” over the field of Melville-Hawthorne studies. Questions of influence--Hawthorne’s on Moby-Dick and Pierre and Melville’s on The Blithedale Romance, to mention only the most obvious instances--are also discussed. Other topics covered include professional competitiveness; Melville’s search for a father figure; masculine ambivalence in the marketplace; and political-literary aspects of nationalism, transcendentalism, race, and other defining issues of Hawthorne and Melville’s times. Roughly half of the essays focus on biographical issues; the others take literary perspectives. The essays are informed by a variety of critical approaches, as well as by new historical insights and new understandings of the possibilities that existed for male friendships in nineteenth-century American culture.

As is often the case with spouses of celebrities, Sophia Peabody Hawthorne was overshadowed by her husband. While Nathaniel Hawthorne is renowned for numerous publications, including The Scarlet Letter, that staple in high school English curricula, Sophia’s remarkable life and career did not receive the recognition they deserve. She was, however, a source for many of Nathaniel’s stories and responsible for much that he accomplished. Sophia was an artist, one of the first in America to earn income from her painting and decorative arts; she was also a writer and traveler to foreign countries at a time when women typically confined their activities to the home. Patricia Dunlavy Valenti began to tell this story in Sophia Peabody Hawthorne: A Life, Volume 1, 1809-1847 (2004). This biography concludes now in a second volume, which details the less examined and more surprising second half of Sophia’s life. Valenti’s thorough research culminates in a compelling, revealing account of Sophia’s travels to Britain and Europe and her intense personal relationships outside her marriage with men and women, among them notable figures in American history and literature. As an impoverished widow, Sophia dealt resourcefully with the consequences of her husband’s financial carelessness; as a mother, her liberal practices resulted in unintended, sometimes unfortunate consequences. Throughout every vicissitude, her relentless optimism prevailed. With the publication of Sophia Peabody Hawthorne: A Life, Volume 2, 1848-1871, Sophia emerges forever from the shadow cast by her husband. Historians and general readers alike will be drawn to this riveting account of an interesting, important woman and what her life reveals about American history and culture at a moment of national conflict, emerging class divisions, and evolving gender roles.

Handsome, reserved, almost frighteningly aloof until he was approached, then playful, cordial, Nathaniel Hawthorne was as mercurial and double-edged as his writing. “Deep as Dante,” Herman Melville said. Hawthorne himself declared that he was not “one of those supremely hospitable people who serve up their own hearts, delicately fried, with brain sauce, as a tidbit” for the public. Yet those who knew him best often took the opposite position. “He always puts himself in his books,” said his sister-in-law Mary Mann, “he cannot help it.” His life, like his work, was extraordinary, a play of light and shadow. In this major new biography of Hawthorne, the first in more than a decade, Brenda Wineapple, acclaimed biographer of Janet Flanner and Gertrude and Leo Stein (“Luminous”–Richard Howard), brings him brilliantly alive: an exquisite writer who shoveled dung in an attempt to found a new utopia at Brook Farm and then excoriated the community (or his attraction to it) in caustic satire; the confidant of Franklin Pierce, fourteenth president of the United States and arguably one of its worst; friend to Emerson and Thoreau and Melville who, unlike them, made fun of Abraham Lincoln and who, also unlike them, wrote compellingly of women, deeply identifying with them–he was the first major American writer to create erotic female characters. Those vibrant, independent women continue to haunt the imagination, although Hawthorne often punishes, humiliates, or kills them, as if exorcising that which enthralls. Here is the man rooted in Salem, Massachusetts, of an old pre-Revolutionary family, reared partly in the wilds of western Maine, then schooled along with Longfellow at Bowdoin College. Here are his idyllic marriage to the youngest and prettiest of the Peabody sisters and his longtime friendships, including with Margaret Fuller, the notorious feminist writer and intellectual. Here too is Hawthorne at the end of his days, revered as a genius, but considered as well to be an embarrassing puzzle by the Boston intelligentsia, isolated by fiercely held political loyalties that placed him against the Civil War and the currents of his time. Brenda Wineapple navigates the high tides and chill undercurrents of Hawthorne’s fascinating life and work with clarity, nuance, and insight. The novels and tales, the incidental writings, travel notes and children’s books, letters and diaries reverberate in this biography, which both charts and protects the dark unknowable core that is quintessentially Hawthorne. In him, the quest of his generation for an authentically American voice bears disquieting fruit.