Heads In The Sand

Humans have always used denial. When we are afraid, guilty, confused, or when something interferes with our self-image, we tend to deny it. Yet denial is a delusion. When it impacts on the health of oneself, or society, or the world it becomes a pathology. Climate change denial is such a case. Paradoxically, as the climate science has become more certain, denial about the issue has increased. The paradox lies in the denial. There is a denial industry funded by the fossil fuel companies that literally denies the science, and seeks to confuse the public. There is denial within governments, where spin-doctors use 'weasel words' to pretend they are taking action. However there is also denial within most of us, the citizenry. We let denial prosper and we resist the science. It also explains the social science behind denial. It contains a detailed examination of the principal climate change denial arguments, from attacks on the integrity of scientists, to impossible expectations of proof and certainty to the cherry picking of data. Climate change can be solved - but only when we cease to deny that it exists. This book shows how we can break through denial, accept reality, and thus solve the climate crisis. It will engage scientists, university students, climate change activists as well as the general public seeking to roll back denial and act.

Reveals the wrong-headed foreign policy stance of conservatives, neocons, and the Republican Party for what it is—aggressive nationalism. Yglesias reminds us of the rich tradition of liberal internationalism that, developed by Democrats, was used with great success by both Democratic and Republican administrations for more than fifty years. [from publisher description].

The discovery of a severed head in a golf course bunker triggers a frantic race to find a serial killer that brings the town of Burnham-on-Sea to a standstill. A connection is made with a series of unsolved murders harking back to the 1970s, and Detective Inspector Nick Dixon finds himself caught in a race against time that takes him the length and breadth of the country. The brutal killing of an elderly man raises the stakes and, as he closes in, Dixon begins to question whether he is chasing one serial killer or two. Head in the Sand is the second novel in the highly acclaimed DI Nick Dixon Crime Series. Revised edition: This edition of Head in the Sand includes editorial revisions.

NAMED ONE OF THE BEST CHILDREN’S BOOKS OF THE YEAR BY THE NEW YORK TIMES The story of a girl who rides an ostrich straight to her dreams from the award-winning writer and librarian Betsy Bird, illustrated by Caldecott Medalist David Small. "[A] charming, wacky novel." —The New York Times Twelve-year-old Suzy Bowles is tired of summers filled with chores on her family farm in Burr Oak, Michigan, and desperate to see the world. When her wayward uncle moves back home to the farm, only to skip his chores every morning for mysterious reasons, Suzy decides to find out what he's up to once and for all. And that's when she meets legendary former circus queen Madame Marantette and her ostriches. Before long, Suzy finds herself caught-up in the fast-paced, hilarious world of ostrich riding, a rollicking adventure that just might be her ticket out of Burr Oak. “Beautifully told by one of our best librarians.” —Jon Scieszka, First National Ambassador of Young People’s Literature

Animals learn that sticking their heads into the sand really does prevent them from being eaten by a hungry lion.

A paradigm-shifting book in the vein of Sapiens that brings a crucial Indigenous perspective to historical and cultural issues of history, education, money, power, and sustainability—and offers a new template for living. As an indigenous person, Tyson Yunkaporta looks at global systems from a unique perspective, one tied to the natural and spiritual world. In considering how contemporary life diverges from the pattern of creation, he raises important questions. How does this affect us? How can we do things differently? In this thoughtful, culturally rich, mind-expanding book, he provides answers. Yunkaporta’s writing process begins with images. Honoring indigenous traditions, he makes carvings of what he wants to say, channeling his thoughts through symbols and diagrams rather than words. He yarns with people, looking for ways to connect images and stories with place and relationship to create a coherent world view, and he uses sand talk, the Aboriginal custom of drawing images on the ground to convey knowledge. In Sand Talk, he provides a new model for our everyday lives. Rich in ideas and inspiration, it explains how lines and symbols and shapes can help us make sense of the world. It’s about how we learn and how we remember. It’s about talking to everyone and listening carefully. It’s about finding different ways to look at things. Most of all it’s about a very special way of thinking, of learning to see from a native perspective, one that is spiritually and physically tied to the earth around us, and how it can save our world. Sand Talk include 22 black-and-white illustrations that add depth to the text.

“You either love Andrea Camilleri or you haven’t read him yet. Each novel in this wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction, blasts the brain like a shot of pure oxygen. Aglow with local color, packed with flint-dry wit, as fresh and clean as Mediterranean seafood — altogether transporting. Long live Camilleri, and long live Montalbano.” A.J. Finn, #1 New York Times bestselling author of The Woman in the Window Inspector Salvatore Montalbano wakes from strange dreams to find a gruesomely bludgeoned horse carcass in front of his seaside home. When his men came to investigate, the carcass has disappeared, leaving only a trail in the sand. Then his home is ransacked and the inspector is certain that the crimes are linked. As he negotiates both the glittering underworld of horseracing and the Mafia's connection to it, Montalbano is aided by his illiterate housekeeper, Adelina, and a Proustian memory of linguate fritte. Longtime fans and new readers alike will be charmed by Montalbano's blend of unorthodox methods, melancholy self-reflection, and love of good food.