Heart Of The Nation

This is a book for all Australians. Since the Uluru Statement from the Heart was formed in 2017, Thomas Mayo has travelled around the country to promote its vision of a better future for Indigenous Australians. He’s visited communities big and small, often with the Uluru Statement canvas rolled up in a tube under his arm. Through the story of his own journey and interviews with 20 key people, Thomas taps into a deep sense of our shared humanity. The voices within these chapters make clear what the Uluru Statement is and why it is so important. And Thomas hopes you will be moved to join them, along with the growing movement of Australians who want to see substantive constitutional change. Thomas believes that we will only find the heart of our nation when the First peoples – the Aboriginal and Torres Strait Islanders – are recognised with a representative Voice enshrined in the Australian Constitution. ‘Thomas’s compelling work is full of Australian Indigenous voices that should be heard. Read this book, listen to them, and take action.’ – Danny Glover, actor and humanitarian

Heart of the Nation is a book about the golden thread of American democracy—volunteering—and how Presidents since the founding of our nation have worked to enlist more Americans to serve their neighbors and nation. In the process, the book shows how each individual can find his or her own service calling and his or her own happiness.

How did nineteenth-century women's poetry shift from the poetess poetry of lyric effusion and hyper-femininity to the muscular epic of Elizabeth Barrett Browning's Aurora Leigh? Networking the Nation re-writes women's poetic traditions by demonstrating the debt that Barrett Browning's revolutionary poetics owed to a circle of American and British women poets living in Florence and campaigning in their poetry and in their salons for Italian Unification. These women poets—Isa Blagden, Elizabeth Kinney, Eliza Ogilvy, and Theodosia Garrow Trollope—formed with Barrett Browning a network of poetry, sociability, and politics, which was devoted to the mission of campaigning for Italy as an independent nation state. In their poetic experiments with the active lyric voice, in their forging of a transnational persona through the periodical press, in their salons and spiritualist séances, the women poets formed a network that attempted to assert and perform an independent unified Italy in their work. Networking the Nation maps the careers of these expatriate women poets who were based in Florence in the key years of Risorgimento politics, racing their transnational social and print communities, and the problematic but schismatic shift in their poetry from the conventional sphere of the poetess. In the fraught and thrilling engagement with their adopted nation's revolutionary turmoil, and in their experiments with different types of writing agency, the women poets in this book offer revolutions of other kinds: revolutions of women's poetry and the very act of writing.

A timeless amalgam of stirring words and stunning photography from America's premier talents celebrates the matchless beauty of our country's landscape and explores Americans' passionate pride of place. Seventeen writers and photographers present their personal reflections of the American regions they know best. 120 full-color photos.

First published in 1998, this volume joined the effort to understand the former German Democratic Republic, with the aim of reaching a better understanding of the psychologically painful process of German reunification following the collapse of East-German communism in 1989. While born illegitimate and artificial, the country determined the lives of millions of people, despite having now disappeared from the map. This study from Joanna McKay incorporates previously unavailable archive material and focuses on some of the most challenging, ever-present tasks for the GDR leaders. In particular, she examines how they approached explaining the division with West Germany without undermining the legitimacy of the GDR.

Reprint of the original, first published in 1861.