Heavy Metal Africa

From cafes in Madagascar to quiet, dusty towns in the middle of the Kalahari, Edward seeks to understand exactly how the musicians live and struggle-- while experiencing the passion of rock and metal in Africa for himself"--Back cover

An engaging look at the various metal scenes across the African continent. Scream for Me Africa! examines the hard rock and metal scenes in five African countries: Botswana, Togo, South Africa, Kenya, and Ghana. Edward Banchs interviewed musicians, producers, and fans in each country to create vivid pictures of each of these rarely discussed scenes. The book considers how the subculture of heavy metal is viewed in postcolonial Africa and examines how musicians on the continent have stepped forward to make this genre their own. It looks at Africa's blossoming scenes through various themes, including hybridity, othering, and political tensions.

This updated reissue of Mark LeVine’s acclaimed, revolutionary book on sub- and countercultural music in the Middle East brings this groundbreaking portrait of the region’s youth cultures to a new generation. Featuring a new preface by the author in conversation with the band The Kominas about the problematic connections between extreme music and Islam. An eighteen-year-old Moroccan who loves Black Sabbath. A twenty-two-year-old rapper from the Gaza Strip. A young Lebanese singer who quotes Bob Marley’s “Redemption Song.” Heavy metal, punk, hip-hop, and reggae are each the music of protest, and are considered immoral by many in the Muslim world. As the young people and subcultures featured in Mark LeVine’s Heavy Metal Islam so presciently predicted, this music turned out to be the soundtrack of countercultures, uprisings, and even revolutions from Morocco to Pakistan. In Heavy Metal Islam, originally published in 2008, Mark LeVine explores the influence of Western music on the Middle East and North Africa through interviews with musicians and fans, introducing us to young people struggling to reconcile their religion with a passion for music and a thirst for change. The result is a revealing tour de force of contemporary cultures across the Muslim majority world through the region’s evolving music scenes that only a musician, scholar, and activist with LeVine’s unique breadth of experience could narrate. A New York Times Editor’s Pick when it was first published, Heavy Metal Islam is a surprising, wildly entertaining foray into a historically authoritarian region where music reveals itself to be a true democratizing force—and a groundbreaking work of scholarship that pioneered new forms of research in the region.

This book addresses how whiteness is represented in heavy metal scenes and practices, both as a site of academic inquiry and force of cultural significance. The author argues that whiteness, and more specifically white masculinity, has been given normative value which obscures the contributions of women and people of colour, and affirms the exclusory understandings of ‘belonging’ which have featured in the metal scenes of Norway, South Africa, and Australia. Utilizing critical discourse analysis and critical textual analysis of musical texts, promotional material, and participant-based observation ethnographies, it explores how the texts, discourses, and practices produced and articulated by metal scene members and scholars alike have presented heavy metal as a white, masculine pastime, yet also considers the vital work done by scene members to confront expressions of exclusory misogyny and racism when they emerge in metal scenes. The book will be of interest to researchers and scholars in the fields of metal music studies, leisure studies, sociology of culture and sociology of racism.

The Hellbangers are the "enfants terribles" of a sleepy, diamonds rich country. Photographer Pep Bonet (1974, Mallorca) has been following Overthrust, a heavy metal band from Botswana, Africa, and shows us a growing, exciting and thoroughly organic heavy metal community. Ten years ago, one group existed. Today there are more than ten - and their fans are growing every year. The inhabitants of Botswana portrayed in this book are tattooed, loudly and proudly dress in leather, and play heavy death metal music. Imagine the DIY ingenuity of their 'costume creation' involving harvested animal skulls and other natural elements. With names like Demon and Gunsmoke, it would be easy though to think they are thugs, but "We try to be examples. Rock is a wild thing, but also something for the heart", says Gunsmoke, the heavy metal head. Here too, the lyrics of the songs are very critical towards societies, just like their western peers. Metal in Botswana is rebellious movement against authorities. This is the story of what looks at first to be an unlikely union, yet one which powerfully illustrates how music, how heavy metal music, has become a positively unifying force in an unlikely part of the world. With text contributions written by Pep Bonet and Steffan Chirazi, and a foreword by Rob Halford from Judas Priest.

Sub-Saharan Africa is facing a significant environmental challenge with heavy metal pollution in its soil, which threatens industrialization, agricultural productivity, and natural ecosystems. However, the region's lack of preparedness, limited awareness, and insufficient data on soil pollution have hindered effective solutions. Global Industrial Impacts of Heavy Metal Pollution in Sub-Saharan Africa, authored by experts Joan Nyika and Megersa Dinka, presents a compelling solution. Drawing on their expertise in hydro-biogeochemistry, water resource engineering, and bioremediation, the book delves into heavy metal chemistry, assessment methods, specific pollutants, and control approaches. It equips researchers, policymakers, and environmental regulators with the necessary knowledge and tools to address heavy metal pollution effectively. This groundbreaking book serves as a vital resource for understanding and combating heavy metal pollution in Sub-Saharan Africa. It provides valuable insights into the causes and consequences of soil contamination, offering practical guidance on assessment techniques, pollutant characterization, and strategies for control and prevention. By empowering scholars and decision-makers with this knowledge, the book sets the stage for sustainable development and environmental protection in the region. With its comprehensive approach and actionable solutions, this research fills a critical need. It emphasizes the importance of data-driven analysis and effective control measures, making it an indispensable tool for researchers, policymakers, and environmental regulators dedicated to safeguarding the region's ecosystems, industries, and agricultural systems from the detrimental effects of heavy metal pollution.

A muggy night in Abu Dhabi, 2011. Under the stadium lights a 30,000-strong sea of Libyans, Palestinians, Syrians and Egyptians wait in anticipation. Alongside them are Saudis, Iranians and Israelis. Defiance and excitement course through the crowd like electricity. Standing together, they are waiting for Metallica’s first ever show in the Middle East. Many have faced untold violence, but for tonight, nothing else matters... This is the untold story of that crowd. Of the young men and women and the music they make in the backrooms of shabby houses in al-Zarqa and al-Qatif, Nazareth and Cairo. Of illegal shows in Tehran and Riyadh. Of songs that ousted a dictator in Cairo. Of exiles that have ended in glory, in isolation, and in blood. Journalist and lifelong heavy metal fan, Orlando Crowcroft, spent six years penetrating the rock and metal scene in the Middle East. Rock in a Hard Place is a different voice, one that is at odds with the Middle East of violence, extremism, war and ISIS: a voice recognizable to anyone who has ever turned up a speaker or an amp to drown out the din of the everyday, and a voice that may help unite us when we need it most.