Hebrew And Judaic Manuscripts In Amsterdam Public Collections

This volume contains more than twenty essays in the history of modern philosophy and history of religion by R.H. Popkin. Several of the essays have not been published before. Thinkers discussed include Hobbes, Henry More, Pascal, Spinoza, Cudworth, Newton, Hume, Condorcet, and Moritz Schlick.

This edited collection offers in seventeen chapters the latest scholarship on book catalogues in early modern Europe. Contributors discuss the role that these catalogues played in bookselling and book auctions, as well as in guiding the tastes of book collectors and inspiring some of the greatest libraries of the era. Catalogues in the Low Countries, Britain, Germany, France and the Baltic region are studied as important products of the early modern book trade, and as reconstructive tools for the history of the book. These catalogues offer a goldmine of information on the business of books, and they allow scholars to examine questions on the distribution and ownership of books that would otherwise be extremely difficult to pursue. Contributors: Helwi Blom, Pierre Delsaerdt, Arthur der Weduwen, Anna E. de Wilde, Shanti Graheli, Ann-Marie Hansen, Rindert Jagersma, Graeme Kemp, Ian Maclean, Alicia C. Montoya, Andrew Pettegree, Philippe Schmid, Forrest C. Strickland, Jasna Tingle, Marieke van Egeraat, and Elise Watson.

Drawing from diverse multilingual sources, Krzemień delves into Solomon Dubno's life (1738–1813), unraveling complexities of the Haskalah movement's ties to Eastern European Jewish culture. Dubno, a devout Polish Jew and adept Hebrew grammarian, played a pivotal role in Moses Mendelssohn's endeavor to translate the Bible into German with a modern commentary (Biur). The book explores Dubno's library, mapping the intellectual realm of a Polish Maskil in Western Europe. It assesses his influence on Mendelssohn's project and the reasons behind their divergence. Additionally, it analyzes Dubno's poetry, designed to captivate peers with the Bible's linguistic beauty. The outcome portrays early Haskalah as a polyvocal, polycentric creation shaped by diverse, occasionally conflicting, visions, personalities, and egos.