Hell Itself

A Civil War historian recounts the first battle between Ulysses S. Grant and Robert E. Lee—a bloody and horrifying conflict in the Wilderness of Virginia. Known simply as the Wilderness, soldiers called the seventy square miles of dense Virginian forest one of the “waste places of nature” and “a region of gloom.” Yet here, in the spring of 1864, the Civil War escalated to a new level of horror. Ulysses S. Grant, commanding all Federal armies, opened the Overland Campaign with a vow to never turn back. Robert E. Lee, commanding the Confederate Army of Northern Virginia, moved into the Wilderness to block Grant’s advance. Thick underbrush made for difficult movement and low visibility. And these challenges were terrifyingly compounded by the outbreak of fires that burned casualties and left both sided blinded in a sea of smoke. Driven by desperation, duty, confusion, and fire, soldiers on both sides marveled that anyone might make it out alive. “This, viewed as a battleground, was simply infernal,” a Union soldier later said. Another called it “Hell itself.”

In the middle of the journey of our life Dante finds himself lost in a dark wood but then he founds a whole lot of literary movements and arguably modernity itself with his Divine Comedy that, nonetheless, inexplicably, didn't make God laugh. This serious absence caused God's non-divine counterparts, humans, to wonder: "Why are we in hell?" "Why is it so funny?" "And why can't I laugh?"

A Pulitzer Prize–winning, #1 New York Times bestseller, Angela’s Ashes is Frank McCourt’s masterful memoir of his childhood in Ireland. “When I look back on my childhood I wonder how I managed to survive at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood.” So begins the luminous memoir of Frank McCourt, born in Depression-era Brooklyn to recent Irish immigrants and raised in the slums of Limerick, Ireland. Frank’s mother, Angela, has no money to feed the children since Frank’s father, Malachy, rarely works, and when he does he drinks his wages. Yet Malachy—exasperating, irresponsible, and beguiling—does nurture in Frank an appetite for the one thing he can provide: a story. Frank lives for his father’s tales of Cuchulain, who saved Ireland, and of the Angel on the Seventh Step, who brings his mother babies. Perhaps it is story that accounts for Frank’s survival. Wearing rags for diapers, begging a pig’s head for Christmas dinner and gathering coal from the roadside to light a fire, Frank endures poverty, near-starvation and the casual cruelty of relatives and neighbors—yet lives to tell his tale with eloquence, exuberance, and remarkable forgiveness. Angela’s Ashes, imbued on every page with Frank McCourt’s astounding humor and compassion, is a glorious book that bears all the marks of a classic.

Marq de Villiers takes readers on a journey into the strange richness of the human imaginings of hell, deep into time and across many faiths, back into early Egypt and the 5,000-year-old Mesopotamian epic of Gilgamesh. This guide ventures well beyond the Nine Circles of Dante's Hell and the many medieval Christian visions into the hellish descriptions in Islam, Buddhism, Jewish legend, Japanese traditions, and more.

They Thought They Knew How The Universes Worked¾ THEY WERE WRONG In the almost two centuries since the discovery of the first inter-universal portal, Arcana has explored scores of other worlds . . . all of them duplicates of their own. Multiple Earths, virgin planets with a twist, because the "explorers" already know where to find all of their vast, untapped natural resources. Worlds beyond worlds, effectively infinite living space and mineral wealth. And in all that time, they have never encountered another intelligent species. No cities, no vast empires, no civilizations and no equivalent of their own dragons, gryphons, spells, and wizards. But all of that is about to change. It seems there is intelligent life elsewhere in the multiverse. Other human intelligent life, with terrifying new weapons and powers of the mind . . . and wizards who go by the strange title of "scientist." At the publisher's request, this title is sold without DRM (Digital Rights Management). "Packs enough punch to blast a starship to smithereens." ¾Publisher's Weekly on David Weber's "Honorverse" series "It is impossible not to be entertained, delighted, even enthralled by this splendid piece of storytelling." ¾Booklist ". . . an outstanding blend of military/technical writing balanced by superb character development and an excellent degree of human drama . . . very highly recommended." ¾Wilsin Library Bulletin

Sitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussed span the sixty years since the Second World War. With three chapters each devoted to Stan Brakhage and Robert Beavers, two each to Hollis Frampton and Jonas Mekas, and single chapters on Marie Menken, Ian Hugo, Andrew Noren, Warren Sonbert, Su Friedrich, Ernie Gehr, and Abigail Child, Eyes Upside Down is the fruit of Sitney's lifelong study of visionary aspirations in the American avant-garde cinema.