Hell S Armory Or The Curse Of Malvern

Coffin writes his personal observations while with the United States Army and Navy during the Civil War. From the first battle of Bull Run to the fall of Richmond and the surrender of Lee, he experienced the war at close quarters and takes us through the intimacy of the march and the camp, among ordinary men and officers, as momentous events unfolded and important decisions were made.

Liminal Spaces is an intimate exploration into the migration narratives of fifteen women of Guyanese heritage. It spans diverse inter-generational perspectives – from those who leave Guyana, and those who are left – and seven seminal decades of Guyana’s history – from the 1950s to the present day – bringing the voices of women to the fore. The volume is conceived of as a visual exhibition on the page; a four-part journey navigating the contributors’ essays and artworks, allowing the reader to trace the migration path of Guyanese women from their moment of departure, to their arrival on diasporic soils, to their reunion with Guyana. Eloquent and visually stunning, Liminal Spaces unpacks the global realities of migration, challenging and disrupting dominant narratives associated with Guyana, its colonial past, and its post-colonial present as a ‘disappearing nation’. Multimodal in approach, the volume combines memoir, creative non-fiction, poetry, photography, art and curatorial essays to collectively examine the mutable notion of ‘homeland’, and grapple with ideas of place and accountability. This volume is a welcome contribution to the scholarly field of international migration, transnationalism, and diaspora, both in its creative methodological approach, and in its subject area – as one of the only studies published on Guyanese diaspora. It will be of great interest to those studying women and migration, and scholars and students of diaspora studies. Grace Aneiza Ali is a Curator and an Assistant Professor and Provost Fellow in the Department of Art & Public Policy, Tisch School of the Arts, New York University. Her curatorial research practice centers on socially engaged art practices, global contemporary art, and art of the Caribbean Diaspora, with a focus on her homeland Guyana.

A comprehensive encyclopedia of the unexplained, with incredible eyewitness accounts of strange creatures from around the globe. Including: Angles and Demons; The Mothman; Dinosaurs that still roam the earth; Bigfoot, the Abominable Snowman, and other hairy monsters; A real-life land of the giants; The Loch Ness monster, the Silver Lake Sea Serpent, and other lake creatures; Dragons; Giant Flying Snakes; Carnivorous Plants from outer space; Unidentified submarine objects; Aliens, bedroom invaders, and cattle rustlers from the skies; The Grinning Man; Green men, Leprechauns, and other little people;Vampires and Werewolves and much more....

"This beautiful, complex debut collection assembles some of Nebula winner Pinsker’s best stories into a twisting journey that is by turns wild, melancholic, and unsettling." ― Publishers Weekly (starred review) Pinsker has shot like a star across the firmament with Sooner or Later Everything Falls into the Sea. In this collection, Pinsker weaves music, memory, technology, history, mystery, love, loss, and even multiple selves on generation ships and cruise ships, on highways and high seas, in murder houses and treehouses. They feature runaways, fiddle-playing astronauts, and retired time travelers; they are weird, wired, hopeful, haunting, and deeply human. They are often described as beautiful but Pinsker also knows that the heart wants what the heart wants and that is not always right, or easy. The baker's dozen stories gathered here (including a new, previously unpublished story!) turn readers into travelers to the past, the future, and explorers of the weirder points of the present.