Hell S Belles And Wild Women

Contains 3 previously published collections of sketches of women who were notable in their times. Wild women (Autumn Stephens, c1992) refers to the 19th century, Uppity women of ancient times (Vicki León, c1995) to pre-450 A.D., and Hell's belles (Seale Ballenger, c1997) to the American South.

Women have always been heroes. But it is no longer enough just to say so. As we shake off the last traces of a major patriarchal hangover, women need a new name of their own. As sheroes, all women can fully embrace their fiery fempower and celebrate their no-holds-barred individuality. From the serhoic foremothers who blazed trails and broke barriers, to today's women warriors from sports, science, cyberspace, city hall, the lecture hall, and the silver screen, Sheroes paints 200 portraits of powerful and inspiring role models for women poised for the future. Drawn from the fictional and real worlds, the sheroic profiles include: Dian Fossey, Martina Navratilova, Sojourner Truth, Indira Ghandi, Aretha Franklin, Margaret Mead, Coretta Scott king, Georgia O'Keeffe, Jackie Joyner-Kersee, Agent Scully, Joan Baez, Eleanor Roosevelt, Coco Chanel, Anita Hill, Thelma and Louise, Ripley, Roseanne, Nobel Peace Prize winner, Wangari Maathai, and others.

Libby Larsen has composed award-winning music performed around the world. Her works range from chamber pieces and song cycles to operas to large-scale works for orchestra and chorus. At the same time, she has advocated for living composers and new music since cofounding the American Composers Forum in 1973. Denise Von Glahn 's in-depth examination of Larsen merges traditional biography with a daring scholarly foray: an ethnography of one active artist. Drawing on musical analysis, the composer 's personal archive, and seven years of interviews with Larsen and those in her orbit, Von Glahn illuminates the polyphony of achievements that make up Larsen 's public and private lives. In considering Larsen 's musical impact, Von Glahn delves into how elements of the personal ”a 1950s childhood, spiritual seeking, love of nature, and status as an important woman artist ”inform her work. The result is a portrait of a musical pathfinder who continues to defy expectations and reject labels.

This volume offers a sampling of approaches to the study of life-writing, bringing together eminent scholars and writers to reflect on specific examples of life-writing to reflect broader themes within the genre.

Over 150 humorous, startling, and outrageous quotes--such as "I knew right away that Rock Hudson was gay when he did not fall in love with me" (Gina Lollobrigida)--prove that the feminine spirit is alive and well and as sassy as ever.

New York Times bestselling author Sarah MacLean returns with a blazingly sexy, unapologetically feminist new series, Hell’s Belles, beginning with a bold, bombshell of a heroine, able to dispose of a scoundrel—or seduce one—in a single night. After years of living as London’s brightest scandal, Lady Sesily Talbot has embraced the reputation and the freedom that comes with the title. No one looks twice when she lures a gentleman into the dark gardens beyond a Mayfair ballroom…and no one realizes those trysts are not what they seem. No one, that is, but Caleb Calhoun, who has spent years trying not to notice his best friend’s beautiful, brash, brilliant sister. If you ask him, he’s been a saint about it, considering the way she looks at him…and the way she talks to him…and the way she’d felt in his arms during their one ill-advised kiss. Except someone has to keep Sesily from tumbling into trouble during her dangerous late-night escapades, and maybe close proximity is exactly what Caleb needs to get this infuriating, outrageous woman out of his system. But now Caleb is the one in trouble, because he’s fast realizing that Sesily isn’t for forgetting…she’s forever. And forever isn’t something he can risk.

Bicycling, Motorcycling, Rhetoric, and Space draws from cultural studies, rhetorical theory, and political philosophy to examine bicycling and motorcycling as serious forms of communication and even thought. By analyzing how everyday movements function in modern and postmodern contexts, Hunter H. Fine is able to determine the social meanings behind human powered and motorized forms of cycling. Through the lenses of sophistic rhetoric and poststructuralist theory, the author uncovers how such mobilities inform our thoughts and interactions. Throughout history, this informing process has promoted specific ways of thinking that have resulted in moments of protest, conquest, awareness, and transgression, which all involve a cycling rhetoric. This book contributes to various academic fields within the liberal arts and humanities while further establishing bicycling and motorcycling as important social, theoretical, and political areas of inquiry. Scholars of rhetoric, communication studies, cultural studies, and philosophy will find this book of particular interest.