Hello Moto

This volume collects all 6 book in John P. Marquand's Mr. Moto series. Included are: Your Turn, Mr. Moto (1935, as No Hero). Thank You, Mr. Moto (1936) Think Fast, Mr. Moto (1936) Mr. Moto Is So Sorry (1938) Last Laugh, Mr. Moto (1941-42) Stopover: Tokyo (1957) If you enjoy this volume in Wildside Press's best-selling MEGAPACK® series, search your favorite ebook store for "Wildside Press MEGAPACK" to find the complete list—hundreds of titles featuring mysteries, science fiction stories, westerns, and much, much more!

This book focuses on the cross-cultural advertising communication and aesthetic issues of brands and brand slogans. Based on the pragmatic translating theories and case studies of a few classic brand translations, the book puts forward the Three Aesthetic Principles of translating brands. The book special features the cultural in addition to the business aspect of introducing China Time-honored Brands to foreign markets. Readers will learn about the great importance of the aesthetic issues and cultural communications in translating brands and brand slogans through this book.

Every enterprise application creates data, including log messages, metrics, user activity, and outgoing messages. Learning how to move these items is almost as important as the data itself. If you're an application architect, developer, or production engineer new to Apache Pulsar, this practical guide shows you how to use this open source event streaming platform to handle real-time data feeds. Jowanza Joseph, staff software engineer at Finicity, explains how to deploy production Pulsar clusters, write reliable event streaming applications, and build scalable real-time data pipelines with this platform. Through detailed examples, you'll learn Pulsar's design principles, reliability guarantees, key APIs, and architecture details, including the replication protocol, the load manager, and the storage layer. This book helps you: Understand how event streaming fits in the big data ecosystem Explore Pulsar producers, consumers, and readers for writing and reading events Build scalable data pipelines by connecting Pulsar with external systems Simplify event-streaming application building with Pulsar Functions Manage Pulsar to perform monitoring, tuning, and maintenance tasks Use Pulsar's operational measurements to secure a production cluster Process event streams using Flink and query event streams using Presto

Begin a thrilling journey with Casey Lee, an ex-military pilot, whose life takes an unexpected turn when he receives a tempting offer to fly a Japanese aircraft from Japan to the United States. Little does he know that this seemingly simple task will thrust him into a world of danger and intrigue. In the vibrant streets of Tokyo, Casey crosses paths with the enigmatic Mr. Moto, propelling him into a web of kidnapping, international espionage, and political conspiracies spanning Japan, China, and the United States.

Nnedi Okorafor's "Hello, Moto" has been adapted by C.J. Obasi into the short film Hello, Rain. There is witchcraft in science and a science to witchcraft. Both will conspire against you eventually in Okorafor's dark fantasy tale, A Tor.com Original. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

One part riveting account of fieldwork and one part rigorous academic study, Brand New China offers a unique perspective on the advertising and marketing culture of China. Jing Wang’s experiences in the disparate worlds of Beijing advertising agencies and the U.S. academy allow her to share a unique perspective on China during its accelerated reintegration into the global market system. Brand New China offers a detailed, penetrating, and up-to-date portrayal of branding and advertising in contemporary China. Wang takes us inside an advertising agency to show the influence of American branding theories and models. She also examines the impact of new media practices on Chinese advertising, deliberates on the convergence of grassroots creative culture and viral marketing strategies, samples successful advertising campaigns, provides practical insights about Chinese consumer segments, and offers methodological reflections on pop culture and advertising research. This book unveils a “brand new” China that is under the sway of the ideology of global partnership while struggling not to become a mirror image of the United States. Wang takes on the task of showing where Western thinking works in China, where it does not, and, perhaps most important, where it creates opportunities for cross-fertilization. Thanks to its combination of engaging vignettes from the advertising world and thorough research that contextualizes these vignettes, Brand New China will be of interest to industry participants, students of popular culture, and the general reading public interested in learning about a rapidly transforming Chinese society.

This edited volume brings together the latest research on fictive interaction, that is the use of the frame of ordinary conversation as a means to structure cognition (talking to oneself), discourse (monologues organized as dialogues), and grammar (“why me? attitude”). This follows prior work on the subject by Esther Pascual and other authors, most of whom are also contributors to this volume. The 17 chapters in the volume explore fictive interaction as a fundamental cognitive phenomenon, as a ubiquitous discourse-structuring device, as a possibly universal linguistic construction, and as an effective communicative strategy in persuasion and language pathology. The data discussed involve a wide variety of unrelated languages (spoken and signed) and modes of communication (oral, written, visual), across cultural contexts and historical time. The research presented combines linguistics and cognitive science, while bridging the gap between core grammatical studies and modern conversation and discourse analysis. The volume further reaches across what may be the most basic divide in linguistics: that between descriptive, theoretical, and applied linguistics.