Hendrik Cloete Groot Constantia And The Voc 1778 1799

With the introduction of wine to the Cape Colony, it became associated locally with social extremes: with the material trappings of privilege and taste, on the one side, and the stark realities of human bondage, on the other. By examining the history of Cape wine, Paul Nugent offers a detailed history of how, in South Africa, race has shaped patterns of consumption. The book takes us through the Liquor Act of 1928, which restricted access along racial lines, intervention to address overproduction from the 1960s, and then latterly, in the wake of the fall of the Apartheid regime, deregulation in the 1990s and South Africa's re-entry into global markets. We see how the industry struggled to embrace Black Economic Empowerment, environmental diversity and the consumer market. This book is an essential read for those interested in the history of wine, and how it intersects with both South African and global history.

The Russian view of the Cape as represented in this volume may be unique. During the period in question, Russia had no cultural, political or economic ties with South Africa. Russians saw the Cape only as a convenient stopover en route to the Far East, to their country’s distant domains that could not be reached by sea otherwise. The Cape was one of the ‘exotic’ lands they would visit on such journeys, their first and only introduction to the African continent. Although amazed and perplexed by the ‘entirely different world’ they found here, Russian travellers would often draw unexpected parallels between life in their motherland and the realities of the Cape Colony. The selections include memoirs of such important Russian personalities as Yuri Lisyansky, Vasily Golovnin, Ivan Goncharov and Konstantin Posyet. Most of the texts appear in English for the first time.

The ‘memsahibs’ of the British Raj in India are well-known figures today, frequently depicted in fiction, TV and film. In recent years, they have also become the focus of extensive scholarship. Less familiar to both academics and the general public, however, are the eighteenth- and early nineteenth-century precursors to the memsahibs of the Victorian and Edwardian era. Yet British women also visited and resided in India in this earlier period, witnessing first-hand the tumultuous, expansionist decades in which the East India Company established British control over the subcontinent. Some of these travellers produced highly regarded accounts of their experiences, thereby inaugurating a rich tradition of women’s travel writing about India. In the process, they not only reported events and developments in the subcontinent, they also contributed to them, helping to shape opinion and policy on issues such as colonial rule, religion, and social reform. This new set in the Chawton House Library Women’s Travel Writing series assembles seven of these accounts, six by British authors (Jemima Kindersley, Maria Graham, Eliza Fay, Ann Deane, Julia Maitland and Mary Sherwood) and one by an American (Harriet Newell). Their narratives – here reproduced for the first time in reset scholarly editions – were published between 1777 and 1854, and recount journeys undertaken in India, or periods of residence there, between the 1760s and the 1830s. Collectively they showcase the range of women’s interests and activities in India, and also the variety of narrative forms, voices and personae available to them as travel writers. Some stand squarely in the tradition of Enlightenment ethnography; others show the growing influence of Evangelical beliefs. But all disrupt any lingering stereotypes about women’s passivity, reticence and lack of public agency in this period, when colonial women were not yet as sequestered and debarred from cross-cultural contact as they would later be during the Raj. Their narratives are consequently a useful resource to students and researchers across multiple fields and disciplines, including women’s writing, travel writing, colonial and postcolonial studies, the history of women’s educational and missionary work, and Romantic-era and nineteenth-century literature. This volume includes 2 texts, Jemima Kindersley, Letters from the Island of Teneriffe, Brazil, the Cape of Good Hope, and the East Indies (1777) and Maria Graham, Journal of a Residence in India (1812).

Massive brickwork resulting in a towering gable; hollowing out a hillside in order to achieve a T?plan; adding a whole new T to the front of an old one in order to avoid ending up with a crooked H?plan ? what did these owners have in mind when investing so much time, energy and money in remodelling their farm dwellings to make them comply with certain set patterns? The aim of this book is to find answers to this and a number of related questions in an endeavour to discover meaning in Cape colonial architecture through methods that involve more than relying on the study of archival documents only.

Details Loten's personal history and his professional career as a servant of the Dutch East Indies Company. It contains an inventory of his natural history drawings in the London Natural History Museum and Teylers Museum at Haarlem -- a valuable treasure of eighteenth-century natural history of Sri Lanka and Indonesia. Loten's writings, quoted extensively in this biography, cover early-eighteenth-century narrow-minded, provincial Utrecht in the Dutch Republic, the exotic Dutch East Indies, and cosmopolitan London in the latter part of the century.

In this biography of the Khoikhoi Jan Paerl (1761-1851) light is being shed on a new form of resistance against colonial domination in Cape society. It emphasizes Khoikhoi colonial encounters and incorporates themes such as millenarian beliefs, identities, master-servant relations, indentured labour and the appropriation of mission Christianity.