Henry Austin

Winner of the Historic New England Book Prize (2009) Winner of the Henry-Russell Hitchcock Book Award (2010) Henry Austin's (1804–1891) works receive consideration in books on nineteenth-century architecture, yet no book has focused scholarly attention on his primary achievements in New Haven, Connecticut, in Portland, Maine, and elsewhere. Austin was most active during the antebellum era, designing exotic buildings that have captured the imaginations of many for decades. James F. O'Gorman deftly documents Austin's work during the 1840s and '50s, the time when Austin was most productive and creative, and for which a wealth of material exists. The book is organized according to various building types: domestic, ecclesiastic, public, and commercial. O'Gorman helps to clarify what buildings should be attributed to the architect and comments on the various styles that went into his eclectic designs. Henry Austin is lavishly illustrated with 132 illustrations, including 32 in full color. Three extensive appendices provide valuable information on Austin's books, drawings, and his office.

The Republic of Texas has a vivid past - its ancestors ventured west to settle an uneasy land - from exploration by the Spaniards to war with the Mexican government and its declaration of independence in 1836. Read about these ancestor's stories through hundreds of biographies with photographs of most. A comprehensive index provides easy reference for genealogical research.

Mary Austin Holley (1784–1846), a cousin of Stephen F. Austin, journeyed to Texas on three separate occasions. Her first visit, in 1831, resulted in the publication of her book, Texas. Her second and third trips, in 1835 and 1837, were depicted in her diary. This witty, observant, and highly perceptive woman captured the infant Texas in her journal—the Mexican state moving toward rebellion and the new Republic, dynamic and struggling with a great destiny. The Holley diary is an important insight into the social and political history of early Texas.

In this book, Kris Hiuser argues that if we are called to represent God to creation, and creation to God, then this has considerable bearing on understanding what it means to be human, as well as informing human action towards non-human creatures.

A New York Times bestseller, The Midnight Assassin is a sweeping narrative history of a terrifying serial killer--America's first--who stalked Austin, Texas in 1885. In the late 1800s, the city of Austin, Texas was on the cusp of emerging from an isolated western outpost into a truly cosmopolitan metropolis. But beginning in December 1884, Austin was terrorized by someone equally as vicious and, in some ways, far more diabolical than London's infamous Jack the Ripper. For almost exactly one year, the Midnight Assassin crisscrossed the entire city, striking on moonlit nights, using axes, knives, and long steel rods to rip apart women from every race and class. At the time the concept of a serial killer was unthinkable, but the murders continued, the killer became more brazen, and the citizens' panic reached a fever pitch. Before it was all over, at least a dozen men would be arrested in connection with the murders, and the crimes would expose what a newspaper described as "the most extensive and profound scandal ever known in Austin." And yes, when Jack the Ripper began his attacks in 1888, London police investigators did wonder if the killer from Austin had crossed the ocean to terrorize their own city. With vivid historical detail and novelistic flair, Texas Monthly journalist Skip Hollandsworth brings this terrifying saga to life.