Herbert Baker

This is the first full biography from childhood of the eminent British Architect Sir Herbert Baker. Written with the full cooperation of his family and with access to his archive and private papers, it gives an account of his remarkable life as the leading architect to the British Empire. From London, through the commemoration of the empire's war dead in France, via South Africa and Australia to India, he celebrated the might of an empire that once ruled a quarter of the world. He was an intimate friend of many of most fascinating men of his age, including Cecil Rhodes, Lawrence of Arabia, John Buchan, Jan Smuts and, of course, his fellow architect Sir Edwin Lutyens. After a Victorian architectural apprenticeship in London and on to becoming the most prolific architect of his age in South Africa, he built the new imperial capital of New Delhi in India with Lutyens, before returning to London. These built or rebuilt such landmark buildings as the Bank of England, South Africa House, India House, Rhodes House, and the stands for Lords Cricket Ground, as well as numerous churches and private houses.

This is the first comprehensive study of the reception of classical architecture in different regions of the world. Exploring the impact of colonialism, trade, slavery, religious missions, political ideology and intellectual/artistic exchange, the authors demonstrate how classical principles and ideas were disseminated and received across the globe. By addressing a number of contentious or unresolved issues highlighted in some historical surveys of architecture, the chapters presented in this volume question long-held assumptions about the notion of a universally accepted ‘classical tradition’ and its broadly Euro-centric perspective. Featuring thirty-two chapters written by international scholars from China, Europe, Turkey, North America, Mexico, Australia and New Zealand, the book is divided into four sections: 1) Transmission and re-conceptualisation of classical architecture; 2) Classical influence through colonialism, political ideology and religious conversion; 3) Historiographical surveys of geographical regions; and 4) Visual and textual discourses. This fourfold arrangement of chapters provides a coherent structure to accommodate different perspectives of classical reception across the world, and their geographical, ethnographic, ideological, symbolic, social and cultural contexts. Essays cover a wide geography and include studies in Italy, France, England, Scotland, the Nordic countries, Greece, Austria, Portugal, Romania, Germany, Poland, India, Singapore, China, the USA, Mexico, Brazil, New Zealand and Australia. Other essays in the volume focus on thematic issues or topics pertaining to classical architecture, such as ornament, spolia, humanism, nature, moderation, decorum, heresy and taste. An essential reference guide, The Routledge Handbook on the Reception of Classical Architecture makes a major contribution to the study of architectural history in a new global context.

Looking mainly at the years following the British victory in the second Boer War, from 1902 to 1930, Foster examines the influence of painting, writing, architecture, and photography on the construction of a shared, romanticized landscape subjectivity that was perceived as inseparable from “being South African”, and thus helped forge the imagined community of white South Africa.

The fifteen essays in this book explore the influence of imperialism in a range of urban centres, including London, Paris, Rome, Vienna, Marseilles, Glasgow and Seville. The first part on "imperial landscapes" is devoted to large-scale architectural schemes and monuments, including the Queen Victoria Memorial in London and the Vittoriano in Rome. In the second part, the focus is on imperial display throughout the city, from spectacular exhibitions and ceremonies, to more private displays of empire in suburban gardens. The final part considers the changing cultural and political identities in the imperial city, looking particularly at nationalism, masculinity and anti-imperialism.

The attitude of the British to India was compounded partly of arrogance, but partly also of homesickness, and it shows in their constructions. Georgian terraces were adapted to tropical conditions, Victorian railway stations were elaborately orientalised, and seaside villas were adjusted to suit Himalayan conditions. This book, now reissued with a new introduction by Simon Winchester, is the first to describe the whole range of British constructions in India. Stones of Empire charts an enterprise in architecture, engineering, and social adaptation unique in human history.

The European Garden Flora is the definitive manual for the accurate identification of cultivated ornamental flowering plants. Designed to meet the highest scientific standards, the vocabulary has nevertheless been kept as uncomplicated as possible so that the work is fully accessible to the informed gardener as well as to the professional botanist. This new edition has been thoroughly reorganised and revised, bringing it into line with modern taxonomic knowledge. Although European in name, the Flora covers plants cultivated in most areas of the United States and Canada as well as in non-tropical parts of Asia and Australasia. Volume 1 contains accounts of all the Monocotyledons, which includes those groups known informally as the 'petaloid monocotyledons' (the Liliaceae and Amaryllidaceae in the first edition, divided here among 17 families), the grasses and sedges (Gramineae and Cyperaceae), the aroids (Araceae) and the large and diverse Orchidaceae.

The European Garden Flora is the definitive manual for the accurate identification of cultivated ornamental plants. It is designed to meet the highest scientific standards but the vocabulary is kept as uncomplicated as possible so that it is fully accessible to the informed gardener and landscape architect as well as to the professional botanists. Although based upon Europe the series will be an extremely useful reference on plants in cultivation throughout the world. Families, genera and species are described, keys are provided and guidance is given on the cultivation of each genus. Volume I is the first in a series of six; it contains accounts of the ferns and their allies, the conifers and 16 families of monocotyledons, including the Liliaceae, Amaryllidaceae and Iridaceae, to which most of the popular bulbous garden plants belong.