Hidden Agender

In Hidden Agender, Gerard Casey develops a timely and provocative defence of free speech and toleration against the transgenderist ideology that has infiltrated so much of the media, the political establishment and the law. Opposing ideas, not individuals, Hidden Agender provides a compelling critique of the transgender ideologists and trans activists, and the new reactionary form of legal intolerance of our right to free thought and free speech. As a libertarian, Casey believes that we should be free to say and do whatever we wish provided that, in so doing, we do not perpetrate violence, or threaten to perpetrate violence, against the person or property of another. The fundamental objection is rather to individuals being forced, on pain of legal or social sanctions, to believe (or to pretend to believe) what to them is patently false, namely, that a man can become a woman or a woman a man, and to be legally obliged to treat those who claim to have transitioned from one sex to another as if they really had managed to do so. Drawing on extensive research, both scientific and anecdotal, Hidden Agender is a robust defence of free speech and tolerance against the combined forces of prejudice, wokeness and legal intimidation.

In Hidden Agender, Gerard Casey develops a timely and provocative defence of free speech and toleration against the transgenderist ideology that has infiltrated so much of the media, the political establishment and the law. Opposing ideas, not individuals, Hidden Agender provides a compelling critique of the transgender ideologists and trans activists, and the new reactionary form of legal intolerance of our right to free thought and free speech. As a libertarian, Casey believes that we should be free to say and do whatever we wish provided that, in so doing, we do not perpetrate violence, or threaten to perpetrate violence, against the person or property of another. The fundamental objection is rather to individuals being forced, on pain of legal or social sanctions, to believe (or to pretend to believe) what to them is patently false, namely, that a man can become a woman or a woman a man, and to be legally obliged to treat those who claim to have transitioned from one sex to another as if they really had managed to do so. Drawing on extensive research, both scientific and anecdotal, Hidden Agender is a robust defence of free speech and tolerance against the combined forces of prejudice, wokeness and legal intimidation.

Aus dem Inhalt: Derek Morgan and Gillian Douglas: The Constitution of the Family; Three Waves for Plato Michael Freeman: The Austin Lecture: The Private and the Public Katherine O'Donovan: Love's Law: Moral Reasoning in Family Law Ruth Chadwick: Moral Reasoning in Family Law: A Response to Katherine O'Donovan Bob Brecher: What is Wrong with the Family? John Eekelaar: Parenthood, Social Engineering and Rights Brenda Almond: Parenthood - Social Construct or Fact of Nature? Kenneth Norrie: Medical Treatment of Children and Young Persons John Haldane: Children, Families, Autonomy and the State Sandra Marshall: Whose Child is it Anyway ? Derek Morgan: Hope of Deliverance? The Metamorphosis of Surrogacy

Hommes et des femmes

Gender Outlaw is the work of a woman who has been through some changes--a former heterosexual male, a one-time Scientologist and IBM salesperson, now a lesbian woman writer and actress who makes regular rounds on the TV (so to speak) talk shows. In her book, Bornstein covers the "mechanics" of her surgery, everything you've always wanted to know about gender (but were too confused to ask) addresses the place and politics of the transgendered and intterogates the questions of those who give the subject little thought, creating questions of her own.

Taking aim at the mostly male bastion of art theory and criticism, Mira Schor brings a maverick perspective and provocative voice to the issues of contemporary painting, gender representation, and feminist art. Writing from her dual perspective of a practicing painter and art critic, Schor's writing has been widely read over the past fifteen years in Artforum, Art Journal, Heresies, and M/E/A/N/I/N/G, a journal she coedited. Collected here, these essays challenge established hierarchies of the art world of the 1980s and 1990s and document the intellectual and artistic development that have marked Schor's own progress as a critic. Bridging the gap between art practice, artwork, and critical theory, Wet includes some of Schor's most influential essays that have made a significant contribution to debates over essentialism. Articles range from discussions of contemporary women artists Ida Applebroog, Mary Kelly, and the Guerrilla Girls, to "Figure/Ground," an examination of utopian modernism's fear of the "goo" of painting and femininity. From the provocative "Representations of the Penis," which suggests novel readings of familiar images of masculinity and introduces new ones, to "Appropriated Sexuality," a trenchant analysis of David Salle's depiction of women, Wet is a fascinating and informative collection. Complemented by over twenty illustrations, the essays in Wet reveal Schor's remarkable ability to see and to make others see art in a radically new light.

"This book tells the story of US performance artists who adopted guerrilla tactics during the 1970s and 1980s in response to the "cultural domestication of militancy" in the United States. In the 1960s, as US news was covering anti-colonialist resistance in Latin America, Africa, and Southeast Asia, they fashioned the persona of the "guerrilla fighter" as the embodiment of a "foreign" agent of threat. A key example was Che Guevara, resplendent in his beret and camouflage garb. It wasn't long before the nation was consuming endless images of militant protestors donning berets and carrying guns in gestures conjuring Che. As the Black Panthers, Brown Berets, Young Lords, and Weathermen adopted the uniforms and the tactics of armed and psychological interference, artists across the country began to use sabotage, hijacking, deception, and other "risk work" to wage conceptual war on both art and society. They fabricated Chicano gang wars, held TV talk shows hosts hostage, and posed as hijackers in the garb of guerrilla-terrorists made iconic by the news"--

Influential libertarians from diverse backgrounds and professions who have worked toward a freer society across the globe share their personal and intellectual journeys, including what their lives and thoughts were before they embraced libertarianism; which people, texts, or events most inspired them; what experiences, challenges, tribulations, and achievements they have had as participants or leaders in this movement, and how this philosophy has affected their private and professional lives. The volume’s 80 contributors span the political-philosophical spectrum of libertarianism, including anarcho-capitalists, minarchists, constitutionalists, classical liberals, and thick libertarians. Their essays express different perspectives on many issues even while articulating such core principles as an appreciation for individual liberty, private property rights, the rule of law, and free enterprise. Together, they represent myriad individual journeys toward libertarianism, however defined. By bringing together a range of contemporary voices from outside the dominant left-right paradigm, this book aims to contribute to the viewpoint diversity that is crucially needed in today’s public discourse. These autobiographies not only offer compelling insights into their individual authors and the state of the world today, but may also inspire the next generation to make our society a freer one.