Hidden In The Mix

Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners. The contributors to Hidden in the Mix examine how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as "the white man’s blues." Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever

Recently, a research program on the compliance costs and the economic effects of taxation in New Zealand was undertaken within the Inland Revenue Department. Taxation and the Limits of Government is an edited volume which presents the best of the papers that emerged from that research program. Topical coverage includes a brief history of reform in New Zealand, the effect of taxation on economic growth, the marginal cost of taxation, the employment effects of taxation, income distribution, the hidden economy and taxation, tax compliance, taxation and bankruptcy, and estimates of effective tax rates.

This comprehensive reference lists more than 40,000 food items, complete with nutritional content for calories, fat, cholesterol, protein, carbohydrates, sodium, and fiber. Serving-size information makes healthful food choices quick and easy.

Dieters everywhere are reducing carbohydrate consumption, and this book is the perfect tool to accompany any low-carb plan. Also useful for diabetics.

Hands-on practical guide covering all aspects of recording, ideal for beginning and intermediate recording engineers, producers, musicians and audio enthusiasts. Filled with tips and shortcuts, this book offers advice on equipping a home studio (both low-budget and advanced), suggestions for set-up, acoustics, choosing monitor speakers, and preventing hum. This best-selling guide also tells how to judge recordings and improve them to produce maximum results. New material covered in the 5th edition to include: * complete revision and update of digital media sections * new section on mixing tips * new section on podcasts and file sharing * new section equipment and connector levels * new section function and connector types * new section on digital metering * new section exporting projects from other studios * new photos

If you can sew a straight line, you can make every gorgeous quilt in this book--no kidding! All you need is a pack of Cake Mix Papers (for 10" squares) or Cupcake Mix Papers (for 5" squares), a stack of fabrics, and Moda All-Stars: Mix It Up!, and you're set to sew. Simply choose a pattern, grab your papers, and then: 1. Sew on the dotted lines 2. Cut on the solid lines 3. Remove the easy-tear paper And voila, you're on your way to beautiful quilt blocks! If you've always wanted to try Cake Mix or Cupcake Mix Papers but didn't know how to start OR if you love the look of triangles but not the fussy sewing, try mixing it up. It's a recipe for success! Includes step-by-step photos and tons of All-Star tips--perfect for beginners and pure joy for seasoned quilters.

The 6th Conference on Security and Cryptography for Networks (SCN 2008) was held in Amal?, Italy, on September 10–12, 2008. The ?rst four editions of the conference where held in Amal?, while, two years ago, the ?fth edition was held in the nearby Maiori. This year we moved back to the traditional location. Security and privacy are increasing concerns in computer networks such as the Internet. The availability of fast, reliable, and cheap electronic communi- tion o?ers the opportunity to perform, electronically and in a distributed way, a wide range of transactions of a most diverse nature. The conference brought together researchersin the ?elds of cryptographyand securityin communication networkswith the goalof fostering cooperationand exchangeof ideas. The main topics of the conference this year included anonymity, implementations, auth- tication, symmetric-key cryptography, complexity-based cryptography, privacy, cryptanalysis, cryptographic protocols, digital signatures, public-key cryptog- phy, hash functions, identi?cation. The international Program Committee consisted of 24 members who are top experts in the conference ?elds. The PC received 71 submissions and selected 26 papers for presentation at the conference. These proceedings include the 26 accepted papers and the abstract of the invited talk by Shai Halevi.

Country music boasts a long tradition of rich, contradictory gender dynamics, creating a world where Kitty Wells could play the demure housewife and the honky-tonk angel simultaneously, Dolly Parton could move from traditionalist "girl singer" to outspoken trans rights advocate, and current radio playlists can alternate between the reckless masculinity of bro-country and the adolescent girlishness of Taylor Swift. In this follow-up volume to A Boy Named Sue, some of the leading authors in the field of country music studies reexamine the place of gender in country music, considering the ways country artists and listeners have negotiated gender and sexuality through their music and how gender has shaped the way that music is made and heard. In addition to shedding new light on such legends as Wells, Parton, Loretta Lynn, and Charley Pride, it traces more recent shifts in gender politics through the performances of such contemporary luminaries as Swift, Gretchen Wilson, and Blake Shelton. The book also explores the intersections of gender, race, class, and nationality in a host of less expected contexts, including the prisons of WWII-era Texas, where the members of the Goree All-Girl String Band became the unlikeliest of radio stars; the studios and offices of Plantation Records, where Jeannie C. Riley and Linda Martell challenged the social hierarchies of a changing South in the 1960s; and the burgeoning cities of present-day Brazil, where "college country" has become one way of negotiating masculinity in an age of economic and social instability.