His Secret Son Mills Boon Cherish The Pirelli Brothers Book 5

That was Then... Bookish student Lindsay Brookes couldn’t believe it when football star Ryder Kincaid finally noticed her ten years ago. Back then, one magical night left her with a precious secret. Now, the single mum knows it’s time to come back to Clearville and track down the man she’s never forgotten.

Caution: Sharp Curves Ahead!

That was then...could this be their now? Ten years ago, getting up close and personal with Ryder Kincaid was all Lindsay Brookes wanted. The bookish senior couldn't believe it when the gorgeous Clearville High football hero finally noticed her. One magical night together was all it took to change her world. Now the single mom was coming home — to come clean with the guy she's never gotten over. The stunning brunette with the shy nine-year-old kid is Lindsay? Ryder never forgot how she gave herself to him so completely. But he's changed — a lot. And the secret Lindsay's keeping could tear them apart. With desire reigniting, this could be Ryder's chance to step up and become the husband and father he always wanted to be, with the woman he's never stopped wanting...

Getting cold feet isn't unusual, except…I'm not the bride! I'm Kelsey Wilson, the wedding planner. My job is to make sure my cousin's nuptials go off without a hitch—my business depends on it! But how am I supposed to do that with Connor McClane back in town? The drop-dead-gorgeous P.I. has his reasons for making sure this wedding doesn't happen. Problem is, now he's got me thinking about that once-in-a-lifetime walk down the aisle. Which is crazy—Connor and I couldn't be more wrong for each other. Then why does it feel so right when he takes me in his arms? I'd better watch out. Or the next wedding I plan just might be my own!

Behind the dirty, cast-iron facades of nineteenth-century loft buildings, an elegant style of life developed during the 1960s and 1970s. This style of life -- of using the city as a consumption mode -- was tied to the presence of artists, whose "happenings," performances, and studio spaces shaped a public perception of the good life at the center of the city.

This is definitely not the honeymoon she was expecting . . . It’s summertime in Rust Creek Falls, Montana, and Gemma Chapman is here on her honeymoon . . . alone. Now the town gossips are atwitter about the jilted city girl who’s been spotted with local single dad and rancher Hank Harlow! His daughter, Janie, is doing her darnedest to play matchmaker for them, but is she leading her papa down the trail to disappointment? Or will this can-do cowboy lasso Gemma’s wary heart for good? Praise for the author “The well-paced narrative gives this sweet and saucy romance its genuine feel.” —RT Book Reviews

This volume also investigates larger movements and phenomena, such as Norman Rockwell's lasting impression on Americana, issues of plagiarism and censorship, and the "Big Idea" in advertising, and includes profiles of designers whose bodies of work helped determine the look and content of design today."--BOOK JACKET.

Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings. The volume, which includes discussions of Italian Futurism, Adolf Loos, Paul Scheerbart, and the Bauhaus as well as explorations of contemporary architecture by Frank Gehry, James Stirling, and Norman Foster, conveys the full range of Banham's belief in industrial and technological development as the motor of architectural evolution. Banham's interests and passions ranged from architecture and the culture of pop art to urban and industrial design. In brilliant analyses of automobile styling, mobile homes, science fiction films, and the American predilection for gadgets, he anticipated many of the preoccupations of contemporary cultural studies. Los Angeles, the city that Banham commemorated in a book and a film, receives extensive attention in essays on the Santa Monica Pier, the Getty Museum, Forest Lawn cemetery, and the ubiquitous freeway system. Eminently readable, provocative, and entertaining, this book is certain to consolidate Banham's reputation among architects and students of contemporary culture. For those acquainted with his writing, it offers welcome surprises as well as familiar delights. For those encountering Banham for the first time, it comprises the perfect introduction.